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Red Hair (1928 Film)
''Red Hair'' is a 1928 silent film starring Clara Bow and Lane Chandler, directed by Clarence G. Badger, based on a 1905 novel by Elinor Glyn, and released by Paramount Pictures. The film had one sequence filmed in Technicolor, and is now considered a lost film except for the color sequence at the UCLA Film and Television Archive, and a few film still, production stills. Plot A free-spirited young girl has three middle-aged admirers, each of whom sees her from a completely different perspective. Unknown to her, they also happen to be the guardians of a wealthy young man to whom she is attracted. Cast *Clara Bow as Bubbles McCoy *Lane Chandler as Robert Lennon *William Austin (actor), William Austin as Dr. Eustace Gill *Jacqueline Gadsden as Minnie Luther *Lawrence Grant as Judge Rufus Lennon *Claude King (actor), Claude King as Thomas L. Burke *William Irving (actor), William Irving as Demmy See also *List of lost films *List of early color feature films References External ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of inter- title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era, which existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in larger cities, an orchestra—would play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1920s Color Films
Nineteen or 19 may refer to: * 19 (number) * One of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (1987 film), a 1987 science fiction film * '' 19-Nineteen'', a 2009 South Korean film * '' Diciannove'', a 2024 Italian drama film informally referred to as "Nineteen" in some sources Science * Potassium, an alkali metal * 19 Fortuna, an asteroid Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album '' 63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle * "Stone in Focus", officially "#19", a composition by Aphex Twin * "Nineteen", a song from the 1992 album ''Refugee'' by Bad4Good * "Nineteen", a song from the 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Early Color Feature Films
A list is a set of discrete items of information collected and set forth in some format for utility, entertainment, or other purposes. A list may be memorialized in any number of ways, including existing only in the mind of the list-maker, but lists are frequently written down on paper, or maintained electronically. Lists are "most frequently a tool", and "one does not ''read'' but only ''uses'' a list: one looks up the relevant information in it, but usually does not need to deal with it as a whole". Lucie Doležalová,The Potential and Limitations of Studying Lists, in Lucie Doležalová, ed., ''The Charm of a List: From the Sumerians to Computerised Data Processing'' (2009). Purpose It has been observed that, with a few exceptions, "the scholarship on lists remains fragmented". David Wallechinsky, a co-author of '' The Book of Lists'', described the attraction of lists as being "because we live in an era of overstimulation, especially in terms of information, and lists help ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Lost Films
For this list of lost films, a lost film is defined as one of which no part of a print is known to have survived. For films in which any portion of the footage remains (including trailers), see List of incomplete or partially lost films. Reasons for loss Films may go missing for a number of reasons. One major contributing factor is the common use of nitrate film until the early 1950s. This type of film is highly flammable, and there have been several devastating fires, such as the 1914 Lubin vault fire, the Universal Pictures fire in 1924, the Warner Bros. First National fire in 1933, the British and Dominions Imperial Studios fire in 1936, and the 1937 Fox vault fire, the 1965 MGM vault fire. Black-and-white film prints judged to be otherwise worthless were sometimes incinerated to salvage the meager scrap value of the silver image particles in their emulsions. Silent films in particular were once seen as having no further commercial value and were simply junked to clea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Irving (actor)
William Irving (17 May 1893 – 25 December 1943) was a German-born American film actor. Biography The burly character actor appeared in more than 220 films between 1916 and 1941, often as a "comic heavy" in the ''Our Gang'' and Three Stooges comedy short films. Irving also appeared as a cowardly German army cook in '' All Quiet on the Western Front'' (1930). He played mostly supporting roles in the silent era, but after the introduction of sound films his appearances got noticeably smaller and he was often uncredited. On Christmas Day 1943, Irving was crossing the street at the intersection of Hollywood Boulevard and La Brea Avenue in Los Angeles, California, when he was struck and killed by a hit and run driver. His remains were cremated at Pierce Brothers Hollywood. Irving was divorced from his wife, Mildred, at the time of his death. He was survived by a brother. Selected filmography * '' Whose Baby?'' (1917, Short) - Harold Scull - the Rival * '' Till I Come Back to Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude King (actor)
Claude Ewart King (15 January 1875 – 18 September 1941) was an English-born character actor and unionist, who appeared in American silent film. With his distinctive wavy hair, King appeared on both stage and screen. He served his country, Great Britain, in World War I in Field Artillery, reaching the rank of Major and surviving the war. He began his stage career in his native country, before emigrating to the US. In 1919, he appeared on Broadway in support of Ethel Barrymore in the play ''Declassee''. Film After gravitating to silent films, King had a key role in Tod Browning's lost silent masterpiece '' London After Midnight'' (1927), starring alongside Lon Chaney. Claude King was later an original member of the first Board of Directors of the Screen Actors' Guild (SAG) in 1933. He is the great-uncle of singer/songwriter Claude King and great-great-uncle of singer/songwriter Chris Aable, both also SAG members. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lawrence Grant
Percy Reginald Lawrence-Grant (30 October 1870 – 19 February 1952) was an English actor known for supporting roles in films such as '' The Living Ghost'', '' I'll Tell the World'', '' Shanghai Express'', ''The Mask of Fu Manchu'' and '' Son of Frankenstein''. He was host of the 4th Academy Awards ceremonies in 1931. Selected filmography * '' The Eternal City'' (1915) - English Ambassador * '' To Hell with the Kaiser!'' (1918) - The Kaiser / Robert Graubel * ''Someone Must Pay'' (1919) - Walter Hargrave * '' Held In Trust'' (1920) - Dr. Babcock * '' The Chorus Girl's Romance'' (1920) - Jose Brasswine * ''Someone in the House'' (1920) - Walter Hargrave * '' Extravagance'' (1921) - Uncle Mark * '' The Great Impersonation'' (1921) - Emperor William of Germany * '' The Dramatic Life of Abraham Lincoln'' (1924) - Actor at Ford's Theatre * ''Happiness'' (1924) - Mr. Rosselstein * '' His Hour'' (1924) - Stephen Strong * '' The Grand Duchess and the Waiter'' (1926) - The Grand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Still
A film still (sometimes called a publicity still or a production still) is a photograph, taken on or off the set of a Film, movie or television program during Film production, production. These photographs are also taken in formal studio settings and venues of opportunity such as film stars' homes, film debut events, and commercial settings. The photos were taken by movie stills photographer, studio photographers for Promotion (marketing), promotional purposes. Such stills consisted of posed portraits, used for public display or free fan handouts, which are sometimes autographed. They can also consist of posed or candid images taken on the set during production, and may include stars, crew members or directors at work. The main purpose of such publicity stills is to help studios advertise and promote their new films and stars. Studios therefore send those photos along with press kits and free passes to as many movie-related publications as possible so as to gain free publicity. Su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UCLA Film And Television Archive
The UCLA Film & Television Archive is a visual arts organization focused on the film preservation, preservation, film studies, study, and appreciation of film and television, based at the University of California, Los Angeles (UCLA). As a nonprofit exhibition venue, the archive screens over 400 films and videos yearly, primarily at the Billy Wilder Theater, located inside the Hammer Museum in Westwood, Los Angeles, California, Westwood, California. Formerly, it screened films at the James Bridges Theater on the UCLA campus. The archive is funded by UCLA, public and private interests, and the entertainment industry. It is a member of the International Federation of Film Archives. The Archive is a division of the UCLA Library. As of January 2021, its collection hosted more than 500,000 items, including approximately 159,000 motion pictures and 132,000 television programs, more than 27 million feet of newsreels, more than 222,000 broadcast recordings, and more than 9,000 radio trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lost Film
A lost film is a feature film, feature or short film in which the original negative or copies are not known to exist in any studio archive, private collection, or public archive. Films can be wholly or partially lost for a number of reasons. Early films were not thought to have value beyond their theatrical run, so many were discarded afterward. Nitrate film used in early pictures was highly flammable and susceptible to degradation. The Library of Congress began acquiring copies of American films in 1909, but not all were kept. Due to improvements in film technology and recordkeeping, few films produced in the 1950s or beyond have been lost. Rarely, but occasionally, films classified as lost are found in an uncataloged or miscataloged archive or private collection, becoming "rediscovered films". Conditions During most of the 20th century, American copyright law required at least one copy of every American film to be deposited at the Library of Congress at the time of copyri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Technicolor
Technicolor is a family of Color motion picture film, color motion picture processes. The first version, Process 1, was introduced in 1916, and improved versions followed over several decades. Definitive Technicolor movies using three black-and-white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s, when the 3-strip camera was replaced by a standard camera loaded with single-strip "monopack" color negative film. Technicolor Laboratories were still able to produce Technicolor prints by creating three black-and-white matrices from the Eastmancolor negative (Process 5). Process 4 was the second major color process, after Britain's Kinemacolor (used between 1909 and 1915), and the most widely used color process in Cinema of the United States, Hollywood during the Golden Age of Hollywood. Technicolor's #Process 4: Development and introduction, three-color process became known and cele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
