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Red (King Crimson Album)
''Red'' is the seventh studio album by English progressive rock band King Crimson, released on 6 October 1974 on Island Records in the United Kingdom and Atlantic Records in North America and Japan. The album was recorded at Olympic Studios in London in July and August 1974, and produced by the band themselves. ''Red'' is a progressive rock album with a noticeably heavier sound than their previous albums; it was later called one of the 50 "heaviest albums of all time" by '' Q''. This was achieved with the performances of just three band members: guitarist and keyboardist Robert Fripp, bassist and vocalist John Wetton and drummer Bill Bruford. The dense sound of the album was created through multiple guitar and keyboard overdubs and guest appearances by musicians including former King Crimson members Ian McDonald and Mel Collins on saxophones, classical oboist Robin Miller and English jazz trumpeter Mark Charig. Many of the album's motifs were conceived during the band's live ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Crimson
King Crimson were an English progressive rock band formed in London in 1968 by Robert Fripp, Michael Giles, Greg Lake, Ian McDonald (musician), Ian McDonald and Peter Sinfield. Guitarist Fripp remained the only constant member throughout the band's long history. The band drew inspiration from a wide variety of music, incorporating elements of classical music, classical, jazz, folk music, folk, heavy metal music, heavy metal, gamelan, blues, industrial (music), industrial, electronic music, electronic, and experimental music. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes (band), Yes and Genesis (band), Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band has earned a large cult following, especially in the 21st century. The band's debut album, ''In the Court of the Crimson King'' (1969), remains their most commercially successful and influential release. The ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Q (magazine)
''Q'' was a British popular music magazine. It was founded in 1986 by broadcast journalists Mark Ellen and David Hepworth, who were presenters of the BBC television music series ''The Old Grey Whistle Test''. ''Q'' was published in print in the UK from 1986 until its final issue was published in July 2020. In 2023, ''Q'' was revived as an Webzine, online publication, but this closed in May 2024. History ''Q'' was originally published by the EMAP media group and set itself apart from much of the other music press with monthly production and higher standards of photography and printing. In the early years, the magazine was sub-titled "The modern guide to music and more". Originally it was to be called ''Cue'' (as in the sense of cueing a record, ready to play), but the name was changed so that it would not be mistaken for a snooker magazine. Another reason, cited in ''Q''s 200th edition, is that a single-letter title would be more prominent on newsstands. In January 2008, EMAP so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discipline Global Mobile
Discipline Global Mobile (DGM, or Discipline GM) is an independent record label founded in 1992 by Robert Fripp (best known as guitarist and main composer for the band King Crimson) and producer/online content developer David Singleton. DGM has released solo music by Fripp as well as work by various affiliated musicians and bands including King Crimson, The Vicar, the California Guitar Trio and others. The label has offices in Salisbury, England, and Los Angeles, California. DGM has aimed to be "a model of ethical business in an industry founded on exploitation, oiled by deceit, riven with theft and fueled by greed," according to Fripp. according to Its policy is that its artists retain all copyrights; consequently, even DGM's corporate logo is owned by its designer. The label was an early adopter of the digital download system. DGM's aims have been hailed as "exemplary", and the label has been credited with having expanded "the possibilities of experimental music" and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B. There is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying valves to it in the 1820s. Initially using Stölzel valves, by the 1830s, Parisian makers were using the improved Périnet piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Chkiantz
George Chkiantz is a British recording engineer, based in London, who has been responsible for the engineering on a number of well-known albums, many of which are considered classics, owing in part to the quality of the recordings. Career Chkiantz was the recording engineer of the Small Faces self-titled second album (1967), recorded for Andrew Loog Oldham's Immediate Records label. Chkiantz was a staff engineer at Olympic Studios at the same time that the Jimi Hendrix Experience was recording '' Axis: Bold As Love''. During the session with the Small Faces, Chkiantz engineered the song "Green Circles", which represented the first use of mono flanging on a pop record; he subsequently perfected the technique on their landmark 1967 single "Itchycoo Park". Upon hearing the result, Jimi Hendrix and his engineer, Eddie Kramer applied Chkiantz's concepts, creating stereo phasing on the songs "Bold As Love" and "Little Wing". Deciding to utilize his abilities more fully, Hendrix h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barnes, London
Barnes () is a district in South West London, England, part of the London Borough of Richmond upon Thames. It takes up the extreme north-east of the borough, and as such is the closest part of the borough to central London. It is centred west south-west of Charing Cross in a bend of the River Thames. Its built environment includes a wide variety of convenience and arts shopping on its high street and a high proportion of 18th- and 19th-century buildings in the streets near Barnes Pond. Together they make up the Barnes Village conservation area where, along with its west riverside, pictured, most of the mid-19th-century properties are concentrated. On the east riverside is the WWT London Wetland Centre adjoining Barn Elms playing fields. Barnes has retained woodland on the "Barnes Trail", a short circular walk taking in the riverside, commercial streets and conservation area, including the Olympic Studios. The trail is marked by silver discs set in the ground and with QR-co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine to convey the popularity of an artist or groups of artists. Sometimes, a recording act is remembered for its " number ones" that outperformed all other albums during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, acquiring its existing name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985), ''Billboard'' Top Pop Albums (1985–1991), and ''Billboard'' 200 Top Albums (1991–1992). The chart is based mostly on sales—both at retail and digital – of albums in the United States. The weekly sales period was Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, the tracking week begins on Friday (to coincide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Albums Chart
The Official Albums Chart is the United Kingdom's industry-recognised national record chart for album, albums. Entries are ranked by sales and audio streaming. It was published for the first time on 22 July 1956 and is compiled every week by the Official Charts Company (OCC) on Fridays (previously Sundays). It is broadcast on BBC Radio 1 (top 5) and found on the OCC website as a Top 100 or on ''UKChartsPlus'' as a Top 200, with positions continuing until all sales have been tracked in data only available to industry insiders. However, even though number 100 was classed as a hit album (as in the case of ''The Guinness Book of British Hit Albums'') in the 1980s until January 1989, since the compilations were removed, this definition was changed to Top 75 with follow-up books such as ''The Virgin Book of British Hit Albums'' only including this data. As of 2021, Since 1983, the OCC generally provides a public charts for hits and weeks up to the Top 100. Business customers can require a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Starless
"Starless" is a composition by English progressive rock band King Crimson. It is the final track on their seventh studio album, ''Red'', released on 6 October 1974. Background The original chords and melody for "Starless" were written by King Crimson bassist John Wetton, who had intended for the song to be the title track of '' Starless and Bible Black''. Event occurs at 5:15–7:01. Guitarist Robert Fripp and drummer Bill Bruford initially disliked the song and declined to record it for that album, and chose an instrumental improvisation as the title track. However, the song was revived during subsequent tours between March and May 1974, with its lyrics altered and a long instrumental section added, based on a bass riff written by Bruford. For the ''Red'' recording sessions, the lyrics were again altered by lyricist Richard Palmer-James, and the introductory theme originally played by violinist David Cross, who had since left the band, was instead played by Fripp with some al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Cross (musician)
David Cross (born 23 April 1949 in Turnchapel near Plymouth, England) is an English electric violinist and keyboardist best known for playing with progressive rock band King Crimson from 1972 to 1974. Biography Cross appeared on the King Crimson studio albums '' Larks' Tongues in Aspic'' (1973) and '' Starless and Bible Black'' (1974), as well as "Providence", a live track on ''Red'' (1974), in addition to live albums ''USA'' (1975) and ''The Night Watch'' (recorded 1973, released 1997). Cross also appears on numerous concert recordings from his time in the group that have been released by Robert Fripp's Discipline Global Mobile label in the decades since. Cross was voted out of the group after a 1974 tour. He had withdrawn personally from the other musicians over time, and had expressed frustration as his violin was increasingly overwhelmed by the other instruments during live performances. After his time with King Crimson, Cross travelled extensively, eventually returnin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Charig
Mark Charig (born 22 February 1944 in London) is a British trumpeter and cornetist. He was particularly active in the late 1960s and early 1970s, when he played in settings as diverse as Long John Baldry's group, Bluesology, Soft Machine, and Keith Tippett's group and his Centipede big band. Charig also featured on several King Crimson albums, being particularly prominent in a long solo on the title track of ''Islands'', on the title track of Lizard and on the track "Fallen Angel" on the ''Red'' album, as well as in a work-in-progress version of "Starless". In the mid-1970s he also toured with the group Red Brass, which featured singer Annie Lennox. He also appeared with the Brotherhood of Breath and recorded with Mike Osborne, as well as releasing his own ''Pipedream'' LP on Ogun Records. He is also a member of the London Jazz Composers' Orchestra. He now lives in Germany and is a member of the Wuppertal-based Conduction Orchestra. More recently, he has recorded ''KJU:'' a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mel Collins
Melvyn Desmond Collins (born 5 September 1947, Isle of Man) is a British saxophonist, flautist and session musician. Collins has played in several progressive rock groups, having been a member of King Crimson on two occasions (the first from 1970 to 1972 and the second from 2013 to 2021) and having played with Camel, the Alan Parsons Project, Roger Waters and Chris Squire. He has also worked in a wide variety of contexts ranging from R&B and blues rock to jazz. Career Collins was born into a family of musicians. His mother was Bebe Collins a singer while his father was Derek Collins a saxophonist and session musician who toured with Judy Garland and Shirley Bassey. Collins has worked with a large number of notable recording artists, including 10cc, Alexis Korner, Alvin Lee, Child, Clannad, Eric Clapton, Bad Company, Pino Daniele, Dire Straits, Bryan Ferry, Roger Chapman, Marianne Faithfull, The Rolling Stones, Roger Waters, Gerry Rafferty, Tears for Fears, Go West ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
