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Realism (architectural History)
Realism is the name now given to an approach to architecture by British architects from the 1840s onwards, who aimed to emphasise the 'real' nature of building forms and materials in the buildings they designed. Although the use of the term in architectural history dates from the 1980s, Victorian architects and writers are recorded as using the word 'real' to describe their intentions, and ‘unreal’ to describe architecture they disapproved of. Realism is most closely associated with Augustus Pugin and in particular with his 1841 book ''The True Principles of Pointed or Christian Architecture''. The message of this book was that the appearance of buildings and all their details should directly derive from their construction and use. As Pugin put it: The effect of this message was that Gothic Revival architects responded to the then-prevalent low standards of construction by emphasising the constructional role and physical qualities of the materials they used. This meant in pra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augustus Pugin
Augustus Welby Northmore Pugin ( ; 1 March 181214 September 1852) was an English architect, designer, artist and critic with French and, ultimately, Swiss origins. He is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, England, and its iconic clock tower, later renamed the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England, and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby Pugin and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin. He also created Alton Castle in Alton, Staffordshire. Biography Pugin was the son of the French draughtsman Auguste Pugin, who had immigrated to England as a result of the French Revolution and had married Catherine Welby of the Welby family of Denton, Lincolnshire, England. Pugin w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Revival Architecture
Gothic Revival (also referred to as Victorian Gothic, neo-Gothic, or Gothick) is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly serious and learned admirers of the neo-Gothic styles sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic had become the preeminent architectural style in the Western world, only to fall out of fashion in the 1880s and early 1890s. The Gothic Revival movement's roots are intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. Ultimately, the " Anglo-Catholicis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eaves
The eaves are the edges of the roof which overhang the face of a wall and, normally, project beyond the side of a building. The eaves form an overhang to throw water clear of the walls and may be highly decorated as part of an architectural style, such as the Chinese dougong bracket systems. Etymology and usage According to the ''Oxford English Dictionary'', ''eaves'' is derived from the Old English (singular), meaning "edge", and consequently forms both the singular and plural of the word. This Old English word is itself of Germanic origin, related to the German dialect ''Obsen'', and also probably to ''over''. The Merriam-Webster dictionary lists the word as ''eave'' but notes that it is "usually used in plural". Function The primary function of the eaves is to keep rain water off the walls and to prevent the ingress of water at the junction where the roof meets the wall. The eaves may also protect a pathway around the building from the rain, prevent erosion of the foo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gilbert Scott
Sir George Gilbert Scott (13 July 1811 – 27 March 1878), known as Sir Gilbert Scott, was a prolific English Gothic Revival architect, chiefly associated with the design, building and renovation of churches and cathedrals, although he started his career as a leading designer of workhouses. Over 800 buildings were designed or altered by him. Scott was the architect of many iconic buildings, including the Midland Grand Hotel at St Pancras Station, the Albert Memorial, and the Foreign and Commonwealth Office, all in London, St Mary's Cathedral, Glasgow, the main building of the University of Glasgow, St Mary's Cathedral in Edinburgh and King's College Chapel, London. Life and career Born in Gawcott, Buckingham, Buckinghamshire, Scott was the son of the Reverend Thomas Scott (1780–1835) and grandson of the biblical commentator Thomas Scott. He studied architecture as a pupil of James Edmeston and, from 1832 to 1834, worked as an assistant to Henry Roberts. He also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Edmund Street
George Edmund Street (20 June 1824 – 18 December 1881), also known as G. E. Street, was an English architect, born at Woodford in Essex. Stylistically, Street was a leading practitioner of the Victorian Gothic Revival. Though mainly an ecclesiastical architect, he is perhaps best known as the designer of the Royal Courts of Justice on the Strand in London. Early life Street was the third son of Thomas Street, a solicitor, by his second wife, Mary Anne Millington. He went to school at Mitcham in about 1830, and later to the Camberwell Collegiate School, which he left in 1839. For a few months he worked in his father's business in Philpot Lane, but on his father's death he went to live with his mother and sister at Exeter. There his thoughts first turned to architecture, and in 1841 his mother obtained a place for him as pupil in the office of Owen Browne Carter at Winchester. Afterwards he worked for five years as an "improver" with George Gilbert Scott in London. His fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Butterfield
William Butterfield (7 September 1814 – 23 February 1900) was a Gothic Revival architect and associated with the Oxford Movement (or Tractarian Movement). He is noted for his use of polychromy. Biography William Butterfield was born in London in 1814. His parents were strict non-conformists who ran a chemist's shop in the Strand. He was one of nine children and was educated at a local school. At the age of 16, he was apprenticed to Thomas Arber, a builder in Pimlico, who later became bankrupt. He studied architecture under E. L. Blackburne (1833–1836). From 1838 to 1839, he was an assistant to Harvey Eginton, an architect in Worcester, where he became articled. He established his own architectural practice at Lincoln's Inn Fields in 1840. From 1842 Butterfield was involved with the Cambridge Camden Society, later The Ecclesiological Society. He contributed designs to the Society's journal, ''The Ecclesiologist''. His involvement influenced his architectural style. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Functionalism (architecture)
In architecture, functionalism is the principle that buildings should be designed based solely on their purpose and function. This principle is a matter of confusion and controversy within the profession, particularly in regard to modern architecture, as it is less self-evident than it first appears. The theoretical articulation of functionalism in buildings can be traced back to the Vitruvian triad, where ''utilitas'' (variously translated as 'commodity', 'convenience', or 'utility') stands alongside ''firmitas'' (firmness) and ''venustas'' (beauty) as one of three classic goals of architecture. Functionalist views were typical of some Gothic Revival architects. In particular, Augustus Welby Pugin wrote that "there should be no features about a building which are not necessary for convenience, construction, or propriety" and "all ornament should consist of enrichment of the essential construction of the building". In the wake of World War I, an international functionalist ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
