Rarohenga
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Rarohenga
Rarohenga is the subterranean realm where spirits of the deceased dwell after death, according to Māori oral tradition. The underworld is ruled by Hine-nui-te-pō, the goddess of death and night. Additional occupants include guardians, gods, goddesses, holy chiefs and nobles (rangatira), and the tūrehu, who are described as celestial, fairy-like people. Rarohenga is predominantly depicted as a place of peace and light. As articulated by Māori ethnographer Elsdon Best: It is a place where darkness is unknown. "This is the reason why, of all spirits of the dead since the time oHine-ahuone.., not a single one has ever returned hither to dwell in this world". In contemporary Māori society, Rarohenga continues to hold a collective, cultural significance. This is a result of several prominent rituals that originate from the underworld, that are still commonly practiced today. This includes facial tattooing ( ta moko), finger twining ( taniko)'','' tribal woodcarving (moko whakatara), ...
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Underworld
The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underworld. The concept of an underworld is found in almost every civilization and "may be as old as humanity itself". Common features of underworld myths are accounts of living people making journeys to the underworld, often for some heroic purpose. Other myths reinforce traditions that the entrance of souls to the underworld requires a proper observation of ceremony, such as the ancient Greek story of the recently dead Patroclus haunting Achilles until his body could be properly buried for this purpose. People with high social status were dressed and equipped in order to better navigate the underworld. A number of mythologies incorporate the concept of the soul of the deceased making its own journey to the underworld, with the dead needing to be ...
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Hine-nui-te-pō
Hine-nui-te-pō ("the great woman of the night") in Māori legends, is a goddess of night who receives the spirits of humans when they die. She is the daughter of Tāne Mahuta / Tāne Tuturi and Hine-ahuone. It is believed among Māori that the colour red in the sky comes from her. Hine-nui-te-pō shepherds the wairua/souls into the first level of Rarohenga to ready them for the next stage of their journey. Before she was Hine-nui-te-po her name was Hine-ti-tama. Her father Tane Mahuta took her virginity; she then felt upset, hiding from her father in eternal darkness and became Hine-nui-te-po, goddess of the night. Background Hine-nui-te-pō, also known as the "Great Woman of Night", is a giant goddess of death and the underworld. Her father is Tāne, the god of forests and land mammals. Her mother Hine-ahu-one is a human, made from earth. Hine-nui-te-pō is the second child of Tāne and Hine-ahu-one. Her birth name, Tikikapakapa, was changed shortly thereafter to Hine-a ...
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Māori Mythology
Māori mythology and Māori traditions are two major categories into which the remote oral history of New Zealand's Māori people, Māori may be divided. Māori myths concern tales of supernatural events relating to the origins of what was the observable world for the pre-European Māori, often involving gods and demigods. Māori tradition concerns more folkloric legends often involving historical or semi-historical forebears. Both categories merge in to explain the overall origin of the Māori and their connections to the world which they lived in. The Māori did not have a writing system before European contact, beginning in 1769, therefore they relied on oral retellings and recitations memorised from generation to generation. The three forms of expression prominent in Māori and Polynesian oral literature are genealogical recital, poetry, and narrative prose. Experts in these subjects were broadly known as . The rituals, beliefs, and general worldview of Māori society were ...
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Authority
Authority is commonly understood as the legitimate power of a person or group of other people. In a civil state, ''authority'' may be practiced by legislative, executive, and judicial branches of government,''The New Fontana Dictionary of Modern Thought'' Third Edition, Allan Bullock and Stephen Trombley, Eds. p. 115. each of which has authority and is an authority. The term "authority" has multiple nuances and distinctions within various academic fields ranging from sociology to political science. In the exercise of governance, the terms ''authority'' and ''power'' are inaccurate synonyms. The term ''authority'' identifies the political legitimacy, which grants and justifies rulers' right to exercise the power of government; and the term ''power'' identifies the ability to accomplish an authorized goal, either by compliance or by obedience; hence, ''authority'' is the ''power'' to make decisions and the legitimacy to make such legal decisions and order their execution. ...
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Prestige (sociolinguistics)
Prestige in sociolinguistics is the level of regard normally accorded a specific language or dialect within a speech community, relative to other languages or dialects. Prestige varieties are language or dialect families which are generally considered by a society to be the most "correct" or otherwise superior. In many cases, they are the standard form of the language, though there are exceptions, particularly in situations of covert prestige (where a non-standard dialect is highly valued). In addition to dialects and languages, prestige is also applied to smaller linguistic features, such as the pronunciation or usage of words or grammatical constructs, which may not be distinctive enough to constitute a separate dialect. The concept of prestige provides one explanation for the phenomenon of variation in form among speakers of a language or languages. The presence of prestige dialects is a result of the relationship between the prestige of a group of people and the langu ...
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Honour
Honour (Commonwealth English) or honor (American English; American and British English spelling differences#-our, -or, see spelling differences) is a quality of a person that is of both social teaching and personal ethos, that manifests itself as a code of conduct, and has various elements such as Courage, valour, chivalry, honesty, and compassion. It is an abstract concept entailing a perceived quality of worthiness and respectability that affects both the social standing and the self-evaluation motives, self-evaluation of an individual or of institutions such as a family, school, regiment, or nation. Accordingly, individuals (or institutions) are assigned worth and stature based on the harmony of their actions with a specific code of conduct, code of honour, and with the moral code of the society at large. Samuel Johnson, in his ''A Dictionary of the English Language'' (1755), defined honour as having several senses, the first of which was "nobility of soul, magnanimity, and a ...
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Mana (Oceanian Mythology)
In Melanesian and Polynesian cultures, ''mana'' is a supernatural force that permeates the universe. Anyone or anything can have ''mana''. They believed it to be a cultivation or possession of energy and power, rather than being a source of power. It is an intentional force. ''Mana'' has been discussed mostly in relation to cultures of Polynesia, but also of Melanesia, notably the Solomon Islands and Vanuatu. In the 19th century, scholars compared ''mana'' to similar concepts such as the '' orenda'' of the Iroquois Indians and theorized that ''mana'' was a universal phenomenon that explained the origin of religions. Etymology The reconstructed Proto-Oceanic word *mana is thought to have referred to "powerful forces of nature such as thunder and storm winds" rather than supernatural power. As the Oceanic-speaking peoples spread eastward, the word started to refer instead to unseen supernatural powers. Polynesian culture ''Mana'' is a foundation of Polynesian theology, ...
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Ochre
Ochre ( ; , ), iron ochre, or ocher in American English, is a natural clay earth pigment, a mixture of ferric oxide and varying amounts of clay and sand. It ranges in colour from yellow to deep orange or brown. It is also the name of the colours produced by this pigment, especially a light brownish-yellow. A variant of ochre containing a large amount of hematite, or dehydrated iron oxide, has a reddish tint known as red ochre (or, in some dialects, ruddle). The word ochre also describes clays coloured with iron oxide derived during the extraction of tin and copper. Earth pigments Ochre is a family of earth pigments, which includes yellow ochre, red ochre, purple ochre, sienna, and umber. The major ingredient of all the ochres is iron(III) oxide-hydroxide, known as limonite, which gives them a yellow colour. A range of other minerals may also be included in the mixture:Krivovichev V. G. Mineralogical glossary. Scientific editor :uk:Булах Андрій Глібович, A. G ...
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Soot
Soot ( ) is a mass of impure carbon particles resulting from the incomplete combustion of hydrocarbons. Soot is considered a hazardous substance with carcinogenic properties. Most broadly, the term includes all the particulate matter produced by this process, including black carbon and residual pyrolysed fuel particles such as coal, cenospheres, charred wood, and petroleum coke classified as cokes or char. It can include polycyclic aromatic hydrocarbons and heavy metals like mercury. Soot causes various types of cancer and lung disease. Terminology Definition Among scientists, exact definitions for soot vary, depending partly on their field. For example, atmospheric scientists may use a different definition compared to toxicologists. Soot's definition can also vary across time, and from paper to paper even among scientists in the same field. A common feature of the definitions is that soot is composed largely of carbon based particles resulting from the incomplete burni ...
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Rangatira
In Māori culture, () are tribal chiefs, the leaders (often hereditary) of a (subtribe or clan). Ideally, were people of great practical wisdom who held authority () on behalf of the tribe and maintained boundaries between a tribe's land () and that of other tribes. Changes to land-ownership laws in the 19th century, particularly the individualisation of land title, undermined the power of rangatira, as did the widespread loss of land under the Euro-settler-oriented government of the Colony of New Zealand from 1841 onwards. The concepts of and (chieftainship), however, remain strong, and a return to and the uplifting of Māori by the system has been widely advocated for since the Māori renaissance began . Moana Jackson, Ranginui Walker and Tipene O'Regan figure among the most notable of these advocates. The concept of a is central to —a Māori system of governance, self-determination and sovereignty. Etymology The word means "chief (male or female), wellbor ...
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Rangi And Papa
In Māori mythology the primal couple Rangi and Papa (or Ranginui and Papatūānuku) appear in a creation myth explaining the origin of the world and the Māori people (though there are many different versions). In some South Island dialects, Rangi is called Raki or Rakinui. Union and separation Ranginui first married Poharua Te Pō where they bore 3 offspring including Aorangi (or Aoraki as given in South Island). He later married Papatūānuku together becoming the primordial sky father and Earth Mother, earth mother bearing over 500 children of male and female including Tāwhirimātea, Tāne and Tangaroa. Both Ranginui and Papatūānuku lie locked together in a tight embrace, and their sons forced to live in the cramped darkness between them. These children grow and discuss among themselves what it would be like to live in the light. Tūmatauenga, the fiercest of the children, proposes that the best solution to their predicament is to kill their parents. But his brother Tāne ...
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Rūaumoko
In Māori mythology, Rūaumoko (also known as Rūamoko) is the god of earthquakes, volcanoes and seasons. He is the youngest son of Ranginui (the Sky father) and Papatūānuku (the Earth mother) (commonly called Rangi and Papa). Ruaumoko Patera, named after this god, is one of many paterae (shallow craters) on Io, one of Jupiter's moons. Origin story After Rangi and Papa were separated by their sons, Rangi cried, and his tears drenched the land. To stop this, the sons decided to turn Papa face down, so Rangi and Papa could no longer see each other's sorrow. Rūaumoko was at his mother's breast when this happened, so he was carried into the world below. He was given fire for warmth die by Tama-kaka, and his movements below the earth cause earthquakes and volcanoes. Another version tells that he remains in Papa's womb, with some variants saying it was to keep Papa company after her separation from Rangi. In these versions, his movements in the womb cause earthquakes. The ear ...
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