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Ramsey Psalter
The Psalter of Oswald also called the Ramsey Psalter (British Library, Harley MS 2904) is an Anglo-Saxon illuminated psalter of the last quarter of the tenth century. Its script and decoration suggest that it was made at Winchester, but certain liturgical features have suggested that it was intended for use at the Benedictine monastery of Ramsey Abbey, or for the personal use of Ramsey's founder St Oswald. The litany includes a gold-lettered triple invocation of St Benedict of Nursia, and at the time of writing, probably before Oswald's death in 992, Ramsey was the only English monastery dedicated to this saint. A "Psalter of St Oswald" was listed in a 14th-century catalogue of the library at Ramsey. This manuscript is not to be confused with another Ramsey Psalter in the Morgan Library & Museum, New York (MS M. 302), made between 1286 and 1316. The text is a Latin psalter using the Gallican version. The "elegant English caroline minuscule" of the script inspired the i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ramsey Psalter, BL Harley Ms 2904, Initial B, Folio 4
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calligrapher
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth and death c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oda Of Canterbury
Oda (or Odo; died 958), called the Good or the Severe, was a 10th-century Archbishop of Canterbury in England. The son of a Danish invader, Oda became Bishop of Ramsbury before 928. A number of stories were told about his actions both prior to becoming and while a bishop, but few of these incidents are recorded in contemporary accounts. After being named to Canterbury in 941, Oda was instrumental in crafting royal legislation as well as involved in providing rules for his clergy. Oda was also involved in the efforts to reform religious life in England. He died in 958 and legendary tales afterwards were ascribed to him. Later he came to be regarded as a saint, and a hagiography was written in the late 11th or early 12th century. Early career Oda's parents were Danish, and he may have been born in East Anglia.Brooks ''Early History of the Church of Canterbury'' p. 222–224 His father was said to have been a Dane who came to England in 865, together with the Viking army of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fleury Abbey
Fleury Abbey (Floriacum) in Saint-Benoît-sur-Loire, Loiret, France, founded in about 640, is one of the most celebrated Benedictine monasteries of Western Europe, and possesses the relics of St. Benedict of Nursia. Its site on the banks of the Loire has always made it easily accessible from Orléans, a center of culture unbroken since Roman times. Today the abbey has over forty monks led by the abbot Etienne Ricaud. Abbo of Fleury (died 1004) a monk and abbot of Fleury was a theologian of wide-ranging intellect; his life was written by the chronicler Aimoin, also a monk of Fleury. Andrew of Fleury (writing ''c'' 1043) wrote ''Miracula sancti Benedicti''. Hugh of Fleury (died after 1118) was a monk of Fleury known for his chronicles and other writings. Churches Anscar Vonier, writing in the ''Catholic Encyclopedia'' says that "from the very start the abbey boasted of two churches, one in honour of St. Peter and the other in honour of the Blessed Virgin."< ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 101
Psalm 101 is the 101st psalm from the Book of Psalms. The Latin name is Misericordiam et judicium. It is attributed to David, and provides warnings for the wicked, while explaining the benefits the righteous will reap. In the slightly different numbering system used in the Greek Septuagint version of the Bible, and in the Latin Vulgate, this psalm is Psalm 100. Text The text of this psalm in the King James Version reads as follows: #I will sing of mercy and judgment: unto thee, O Lord, will I sing. #I will behave myself wisely in a perfect way. O when wilt thou come unto me? I will walk within my house with a perfect heart. #I will set no wicked thing before mine eyes: I hate the work of them that turn aside; it shall not cleave to me. #A froward heart shall depart from me: I will not know a wicked person. #Whoso privily slandereth his neighbour, him will I cut off: him that hath an high look and a proud heart will not I suffer. #Mine eyes shall be upon the faithful of the land, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 1
Psalm 1 is the first psalm of the Book of Psalms, beginning in the English King James Version: "Blessed is the man", and forming "an appropriate prologue" to the whole collection.Kirkpatrick, A. F. (1906)Cambridge Bible for Schools and Collegeson Psalm 1, accessed 11 September 2021 The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In Latin, this psalm is known as Beatus vir or ''Beatus vir, qui non abiit''.Church of EnglandBook of Common Prayer: The Psalteras printed by John Baskerville in 1762 The psalm is a regular part of Jewish, Catholic, Lutheran, Anglican, and other Protestant liturgies. Text Hebrew Bible version Following is the Hebrew text of Psalm 1: King James Version # Blessed is the man that walketh not in the counsel of the ungodly, nor standeth in the way of sinners, nor sitteth in the seat of the scornful. # But his delight is in the law of the ; and in his law doth he meditate day and night ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatus Initial
Beatus vir (; "Blessed is the man...") are the first words in the Latin Vulgate Bible of both Psalm 1 and Psalm 112 (in the general modern numbering; it is Psalm 111 in the Greek Septuagint and the Vulgate). In each case, the words are used to refer to frequent and significant uses of these psalms in art, although the two psalms are prominent in different fields, art in the case of Psalm 1 and music in the case of Psalm 112. In psalter manuscripts, the initial letter B of Beatus is often rendered prominently as a Beatus initial. Altogether the phrase occurs 14 times in the Vulgate text, eight times in the Book of Psalms, and four times in the rest of the Old Testament, but no uses in the New Testament. Psalm 1 in art Psalm 1 naturally begins the text of the Book of Psalms. In illuminated manuscript psalters this start was traditionally marked by a large Beatus initial for the B of Beatus, and the two opening words are often much larger than the rest of the text. Between ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interlace (visual Arts)
In the visual arts, interlace is a decorative element found in medieval art. In interlace, bands or portions of other motifs are looped, braided, and knotted in complex geometric patterns, often to fill a space. Interlacing is common in the Migration period art of Northern Europe, in the early medieval Insular art of Ireland and the British Isles, and Norse art of the Early Middle Ages, and in Islamic art. Intricate braided and interlaced patterns, called ''plaits'' in British usage, first appeared in late Roman art in various parts of Europe, in mosaic floors and other media. Coptic manuscripts and textiles of 5th- and 6th-century Christian Egypt are decorated with broad-strand ribbon interlace ornament bearing a "striking resemblance" to the earliest types of knotwork found in the Insular art manuscripts of Ireland and the British Isles.Mitchell et al. 1977, p. 59 History and application Northern Europe Interlace is a key feature of the "Style II" animal style deco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Insular Art
Insular art, also known as Hiberno-Saxon art, was produced in the post-Roman era of Great Britain and Ireland. The term derives from ''insula'', the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character. Most Insular art originates from the Irish monastic movement of Celtic Christianity, or metalwork for the secular elite, and the period begins around 600 with the combining of Celtic and Anglo-Saxon styles. One major distinctive feature is interlace decoration, in particular the interlace decoration as found at Sutton Hoo, in East Anglia. This is now applied to decorating new types of objects mostly copied from the Mediterranean world, above all the codex or book. The finest per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottonian Art
Ottonian art is a style in pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern France. It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and northern Italy between 919 and 1024 under the kings Henry I, Otto I, Otto II, Otto III and Henry II. With Ottonian architecture, it is a key component of the Ottonian Renaissance (circa 951–1024). However, the style neither began nor ended to neatly coincide with the rule of the dynasty. It emerged some decades into their rule and persisted past the Ottonian emperors into the reigns of the early Salian dynasty, which lacks an artistic "style label" of its own.Suckale-Redlefsen, 524 In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acanthus (ornament)
The acanthus ( grc, ἄκανθος) is one of the most common plant forms to make foliage ornament and decoration, and even as the leaf distinguishing the heraldic coronet of a manorial lord from other coronets of royalty or nobility, which use strawberry leaves. Architecture In architecture, an ornament may be carved into stone or wood to resemble leaves from the Mediterranean species of the '' Acanthus'' genus of plants, which have deeply cut leaves with some similarity to those of the thistle and poppy. Both '' Acanthus mollis'' and the still more deeply cut '' Acanthus spinosus'' have been claimed as the main model, and particular examples of the motif may be closer in form to one or the other species; the leaves of both are, in any case, rather variable in form. The motif is found in decoration in nearly every medium. The relationship between acanthus ornament and the acanthus plant has been the subject of a long-standing controversy. Alois Riegl argued in his '' Stilf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utrecht Psalter
The Utrecht Psalter (Utrecht, Universiteitsbibliotheek, MS Bibl. Rhenotraiectinae I Nr 32.) is a ninth-century illuminated psalter which is a key masterpiece of Carolingian art; it is probably the most valuable manuscript in the Netherlands. It is famous for its 166 lively pen illustrations, with one accompanying each psalm and the other texts in the manuscript (Chazelle, 1055). The precise purpose of these illustrations, and the extent of their dependence on earlier models, have been matters of art-historical controversy. The psalter spent the period between about 1000 to 1640 in England, where it had a profound influence on Anglo-Saxon art, giving rise to what is known as the "Utrecht style". It was copied at least three times in the Middle Ages. A complete facsimile edition of the psalter was made in 1875 (Lowe, 237), and another in 1984 (Graz). The other texts in the book include some canticles and hymns used in the office of the hours, including various canticles, the Te D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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