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Ramp (album)
''Ramp'' is an album by the American band Giant Sand, released in 1991. The album was released via frontman Howe Gelb's Amazing Black Sand label, before being picked up by Restless Records. Production The majority of the album was produced by Gelb. Victoria Williams contributed backing vocals to the album's second track, "Romance of Falling," the only track produced by Dusty Wakeman. Pappy Allen also makes an appearance on ''Ramp''. The album was recorded in Los Angeles and Tucson. Critical reception Robert Christgau wrote: "The first side makes something of the dissociated atmospherics that undermined the band's previous umpteen releases; the second's almost popwise. Together they're what country-rock was never really like, or wanted to be." ''Trouser Press'' thought that "Gelb seems to have found a way to propel himself at will into a deconstruction zone where boogie can mutate into pre-rock vocal harmony ('Warm Storm') and Sun Ra can be construed as a lounge lizard (the slurr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giant Sand
Giant Sand (formerly Giant Sandworms) is an American musical group from Tucson, Arizona, United States. Its most constant member is singer-songwriter Howe Gelb. The groups have developed idiosyncratic sound rooted in alternative country, but touching on a wide range of other styles and featuring Gelb's beatnik-influenced vocals and songwriting. Since about 2012, they have also performed as Giant Giant Sand when featuring a larger ensemble than their traditional four to six musicians. History Howe Gelb, also a prolific solo artist, started the group as Giant Sandworms in the late 1970s in Tucson, Arizona. In 1980, an EP was released entitled ''Will Wallow and Roam After the Ruin.'' After which Gelb sacked the other members. 1983 saw the release of ''Valley of Rain'' on Enigma Records with the shortened name of Giant Sand. It had Scott Garber on bass, Winston Watson on drums for most tracks, with Tommy Larkins drumming on the others. By 1990, John Convertino had become the band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007 – 4 January 2008. It is published by the Oxford University Press and was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giant Sand Albums
In folklore, giants (from Ancient Greek: ''gigas'', cognate giga-) are beings of humanoid appearance, but are at times prodigious in size and strength or bear an otherwise notable appearance. The word ''giant'' is first attested in 1297 from Robert of Gloucester's chronicle. It is derived from the ''Gigantes'' () of Greek mythology. Fairy tales such as ''Jack the Giant Killer'' have formed the modern perception of giants as dimwitted and violent ogres, sometimes said to eat humans, while other giants tend to eat livestock. In more recent portrayals, like those of Jonathan Swift and Roald Dahl, some giants are both intelligent and friendly. Literary and cultural analysis Giants appear many times in folklore and myths. Representing the human body enlarged to the point of being monstrous, giants evoke terror and remind humans of their body's frailty and mortality. They are often portrayed as monsters and antagonists, but there are exceptions. Some giants intermingle with human ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Convertino
Calexico is an American indie rock band based in Tucson, Arizona. Founded in 1996, the band's two main members, Joey Burns and John Convertino, first played together in Los Angeles as part of the group Giant Sand. They have recorded a number of albums on Quarterstick Records and City Slang, and their 2005 EP, '' In the Reins'', recorded with Iron & Wine, reached the Billboard 200 album charts. Their musical style is influenced by traditional Latin sounds of mariachi, conjunto, cumbia, and tejano mixed with country, jazz, and post-rock. The band is named for the border town of Calexico, California, and has been described by some as "desert noir". History Formation Calexico had its origins in 1990 when Joey Burns, who was studying music at the University of California, Irvine, met up with John Convertino, who was playing drums with Howe Gelb in Giant Sand. Burns also joined Giant Sand, after first playing upright bass on a European tour. Giant Sand moved to Tucson, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LA Weekly
''LA Weekly'' is a free weekly alternative newspaper in Los Angeles, California. The paper covers music, arts, film, theater, culture, and other local news in the Los Angeles area. ''LA Weekly'' was founded in 1978 by Jay Levin (among others), and he served as the publication's editor from 1978 to 1991, as well as its president from 1978 to 1992. Publication history Founding Jay Levin put together an investment group that included actor Michael Douglas, Burt Kleiner, Joe Benadon, and Pete Kameron. Levin's co-founders included Joie Davidow, Michael Ventura, and Ginger Varney. Levin was formerly the publisher of the '' Los Angeles Free Press''. The majority of the ''LA Weekly'''s initial staff members came from the '' Austin Sun'', a similar-natured bi-weekly, which had recently ceased publication. The group were inspired to create the ''LA Weekly'' by their work at the ''Sun'' as well as other alternative weeklies such as the ''Chicago Reader'' and Boston's '' The Real Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austin American-Statesman
The ''Austin American-Statesman'' is the major daily newspaper for Austin, the capital city of the U.S. state of Texas. It is owned by Hearst Communications. The distribution of the following ''The New York Times'', ''The Washington Post'', ''Associated Press'', and ''USA TODAY'' international and national news, but also incorporates Central Texas coverage, especially in political reporting. The paper covers the area's music scene, especially the annual South by Southwest Music Festival, and co-sponsors Austin events such as the Capital 10K, one of the largest 10K runs in the U.S., and the Season for Caring charity campaign. In the Austin market, the ''Statesman'' competes with the '' Austin Chronicle'', an alternative weekly. Circulation In 2009, the ''Austin American-Statesman'' ranked 60th in circulation among daily newspapers, according to the Audit Bureau of Circulations. Figures from Scarborough Research show the ''Statesman'' — in print and online – reaches 68% ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who, Dave Schulps, and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show ''Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional magazin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spin Alternative Record Guide
The ''Spin Alternative Record Guide'' is a music reference book compiled by the American music magazine ''Spin (magazine), Spin'' and published in 1995 by Vintage Books. It was editing, edited by the rock music, rock critic Eric Weisbard and Craig Marks, who was the magazine's editor-in-chief at the time. The book has essays and reviews from a number of prominent critics on albums, artists and genres considered relevant to the alternative rock, alternative music movement. Contributors who were consulted for the guide include Ann Powers, Rob Sheffield, Simon Reynolds and Michael Azerrad. The book did not sell particularly well and received a mixed reaction from reviewers in 1995. The quality and relevance of the contributors' writing were praised, while the editors' concept and comprehensiveness of alternative music were seen as ill-defined. Nonetheless, it inspired a number of future music critics and helped to revive the career of the folk artist John Fahey (musician), John Fahey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Essential Album Guide
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. He was the chief music critic and senior editor for ''The Village Voice'' for 37 years, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for '' Esquire'', '' Creem'', '' Newsday'', '' Playboy'', ''Rolling Stone'', '' Billboard'', NPR, '' Blender'', and '' MSN Music;'' he was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world—when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a concentrated, fragmente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Country Rock
Country rock is a music genre that fuses rock and country. It was developed by rock musicians who began to record country-flavored records in the late 1960s and early 1970s. These musicians recorded rock records using country themes, vocal styles, and additional instrumentation, most characteristically pedal steel guitars.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul'' (Backbeat Books, 3rd ed., 2002), p. 1327. Country rock began with artists like Waylon Jennings, Buffalo Springfield, Michael Nesmith, Bob Dylan, Nitty Gritty Dirt Band, the Byrds, the Flying Burrito Brothers, The International Submarine Band and others, reaching its greatest popularity in the 1970s with artists such as Emmylou Harris, the Eagles, New Riders of the Purple Sage, Linda Ronstadt, Little Feat, Poco, Charlie Daniels Band, and Pure Prairie League. Country rock also influenced artists in other genres, including The Band, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
