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Ramanchakyar
Late Shri Guru Painkulam Raman Chakyar was a Chakyar Koothu and Koodiyattam performer. He won the Kerala Sangeetha Nataka Akademi Award in 1972. He was also a teacher of Vachika Abhinaya in both Chakyar Koothu and Koodiyattam. Life Starting in 1925, he performed regular programmes in various temples and religious places spread all over Kerala Kerala ( , ) is a States and union territories of India, state on the Malabar Coast of India. It was formed on 1 November 1956, following the passage of the States Reorganisation Act, by combining Malayalam-speaking regions of the erstwhile .... He is credited with first bringing this artform outside the temples and closer to general audiences. He directed, supervised, and participated in more than 100 Koodiyattam plays, which he edited and condensed for contemporary audiences while striving to maintain artistic integrity and authenticity. He had more than 1000 stage appearances in different roles, besides being a regular ...
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Painkulam
Painkulam is a village in Panjal Grama Panchayat in Thrissur district in the state of Kerala, India. The village, situated on the shores of Bharathappuzha, is the birthplace of Late Raman Chakyar, who was a leader with a vision and a mission to the world of art. He taught the temple arts Koodiyattam and Chakyar Koothu to non Chakyar castes and democratized the art form. Painkulam village has a government upper primary school, several preschool nurseries and a local library (Grameena Vayanasala). An aqueduct, built in 1960s by the irrigation department, is a major attraction in the village. Vazhalikkavu Temple is situated in Painkulam, this evergreen location (One side forest area, one side Bharathapuzha, and vayal) provide a good situation to pilgrims. The festival is basically the birthday of Devi and this is the event which is celebrated by all the localities irrespective of caste and race. When the elephants are decorated with 'Caparison', it will become a charm of the fest ...
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Kerala Sangeetha Nataka Akademi Award
Kerala Sangeetha Nataka Akademi Award is an award given by the Kerala Sangeetha Nataka Akademi, an autonomous organisation for the encouragement, preservation, and documentation of the performing arts of Kerala, set up by the Department of Cultural Affairs of the Government of Kerala. Instituted in 1962, the awards are given in the categories of music, dance, theatre, other traditional arts, and for contribution/scholarship in performing arts. The award consists of Rs. 30,000, a citation and a plaque. The recipients of the award are also conferred the title ''Kalasree''. List of recipients The recipients of the Kerala Sangeetha Nataka Akademi Award in various categories of performing arts have been listed below: Classical Music *1962 – M. A. Kalyanakrishna Bhagavathar *1962 – K. S. Narayanaswamy (Veena) *1964 – Ambalapuzha Sankaranarayana Panicker *1964 – Ambalapuzha Gopalakrishna Panicker *1966 – M. D. Ramanathan *1969 – Kottaram Sankunny Nair (Harmonium) *1971 ...
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Kerala
Kerala ( , ) is a States and union territories of India, state on the Malabar Coast of India. It was formed on 1 November 1956, following the passage of the States Reorganisation Act, by combining Malayalam-speaking regions of the erstwhile regions of Kingdom of Cochin, Cochin, Malabar District, Malabar, South Canara, and Travancore. Spread over , Kerala is the 14th List of states and union territories of India by area, smallest Indian state by area. It is bordered by Karnataka to the north and northeast, Tamil Nadu to the east and south, and the Laccadive Sea, Lakshadweep Sea to the west. With 33 million inhabitants as per the 2011 Census of India, 2011 census, Kerala is the List of states of India by population, 13th-largest Indian state by population. It is divided into 14 List of districts of Kerala, districts with the capital being Thiruvananthapuram. Malayalam is the most widely spoken language and is also the official language of the state. The Chera dynasty was the f ...
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Chakyar Koothu
Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from the Puranas Puranas (Merriam-Webster's Encyclopedia of Literature
(1995 Editio ...
. Sometimes, however, it is also a traditional equivalent of the modern stand-up comedy act, incorporating commentary on current socio-political events (and personal comments directed at the members of the audience).


The performance

"Koothu" means dance ... which is a misnomer, as facial expressions are emphasized and there is minimal choreography. It is performed in the Koothambalam; a place inside Hindu temples specifically desi ...
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Koodiyattam
Koodiyattam (; IAST: kūṭiyāṭṭaṁ; ) is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of ''Koothu'', an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. Origin Koodiyattam, meaning "combined acting" in Malayalam, combines Sanskrit theatre performance with elements of koothu. It is traditionally performed in temple theatres known as ''koothambalams''. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are not known. Koodiyattam and Chakyar koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both koodiyattam and Chakyar koothu originated from the ancient art form koothu, which is mentioned several times in Sangam literature, and t ...
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Abhinaya
Abhinaya (Sanskrit ''abhi-'' 'towards' + ''nii-'' 'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (') of a sentiment ('). The concept, derived from Bharata Muni's ''Natya Shastra'', is used as an integral part of all Indian classical dance styles. pp. 131–186 Abhinaya has four interrelated aspects: ''angika'' (the body), ''vacika'' (the voice), ''aharya'' (costumes, make-up, scenery), and ''sattvika'' (mental states). Expression of the limbs (''Āṅgika Abhinaya'') Angika Abhinaya denotes the movements of angas like head, hands, waist and face. Pratyangas like shoulder, shoulder arm's, thighs, knees and elbows and upangas like eyes, eyelid, cheeks, nose, lips and teeth. Additional hastas (hand gestures) have always played a significant role in conveyance of the emotion and through of a soul. Many of the natural gestures are found common to mankind and their meaning easily understoo ...
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Authenticity In Art
Authenticity in art is manifested in the different ways that a work of art, or an artistic performance, can be considered authentic. The initial distinction is between ''nominal authenticity'' and ''expressive authenticity''. In the first sense, nominal authenticity is the correct identification of the author of a work of art; of how closely an actor or an actress interprets a role in a stageplay as written by the playwright; of how well a musician's performance of an artistic composition corresponds to the composer's intention; and how closely an '' objet d’art'' conforms to the artistic traditions of its genre. In the second sense, expressive authenticity is how much the work of art possesses inherent authority of and about its subject, and how much of the artist's intent is in the work of art. For the spectator, the listener, and the viewer, the ''authenticity of experience'' is an emotion impossible to recapture beyond the first encounter with the work of art in its origin ...
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Bhagavadajjukam
The ''Bhagavadajjukam'' (Sanskrit; translated as ''The Ascetic and the Courtesan'' or ''The Hermit and the Harlot'') is a Sanskrit farce composed in the 7th century CE, usually attributed to Bodhayana. However, inscriptional and scholarly evidence indicate that the play was written by the Pallava king Mahendravarman I, who also wrote a prominent farce known as the Mattavilasa Prahasana. It is one of the two earliest surviving examples of a satirical play (or ''prahasana'', one of the ten types of plays described in the treatise ''Natya Shastra'') in Sanskrit literature. Featuring witty exchanges, an episode about the transmigration of souls and a discussion on sannyasa in Hindu dharma, the comical play was intended to satire heretical doctrines Characters *Parivrajakamonk or master *Shandilyadisciple *Vasantsenacourtesan *Ramilakacourtesan's lover *Vidushakajester *A quack doctor *Yamaduta, messenger of the lord of death, Yamaraja Synopsis The play opens with a discussion on sann ...
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Dancers From Kerala
Dance is an art form, consisting of sequences of body movements with aesthetic and often symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography, by its repertoire of movements or by its historical period or place of origin. Dance is typically performed with musical accompaniment, and sometimes with the dancer simultaneously using a musical instrument themselves. Two common types of group dance are theatrical and participatory dance. Both types of dance may have special functions, whether social, ceremonial, competitive, erotic, martial, sacred or liturgical. Dance is not solely restricted to performance, as dance is used as a form of exercise and occasionally training for other sports and activities. Dance performances and dancing competitions are found across the world exhibiting various different styles and standards. Dance may also be participated in alone as a form of exercise or self expression. Dancing is ...
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People From Thrissur District
The term "the people" refers to the public or common mass of people of a polity. As such it is a concept of human rights law, international law as well as constitutional law, particularly used for claims of popular sovereignty. In contrast, a people is any plurality of persons considered as a whole. Used in politics and law, the term "a people" refers to the collective or community of an ethnic group or nation. Concepts Legal Chapter One, Article One of the Charter of the United Nations states that "peoples" have the right to self-determination. Though the mere status as peoples and the right to self-determination, as for example in the case of Indigenous peoples (''peoples'', as in all groups of indigenous people, not merely all indigenous persons as in ''indigenous people''), does not automatically provide for independent sovereignty and therefore secession. Indeed, judge Ivor Jennings identified the inherent problems in the right of "peoples" to self-determination, as i ...
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Indian Male Dancers
Indian or Indians may refer to: Associated with India * of or related to India ** Indian people ** Indian diaspora ** Languages of India ** Indian English, a dialect of the English language ** Indian cuisine Associated with indigenous peoples of the Americas * Indigenous peoples of the Americas ** First Nations in Canada ** Native Americans in the United States ** Indigenous peoples of the Caribbean ** Indigenous languages of the Americas Places * Indian, West Virginia, U.S. * The Indians, an archipelago of islets in the British Virgin Islands Arts and entertainment Film * ''Indian'' (film series), a Tamil-language film series ** ''Indian'' (1996 film) * ''Indian'' (2001 film), a Hindi-language film Music * Indians (musician), Danish singer Søren Løkke Juul * "The Indian", an unreleased song by Basshunter * "Indian" (song), by Sturm und Drang, 2007 * "Indians" (song), by Anthrax, 1987 * Indians, a song by Gojira from the 2003 album '' The Link'' Other uses ...
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