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Rakta Yamari
Rakta Yamari ( Tibetan ''shin je she mar in'', Wylie: ''gshin rje gshed dmar'' "the Red Enemy of Death") is a Tantric Buddhist meditational deity which is a wrathful form of bodhisattva Manjushri or Yamantaka. Yamari deities have two forms: red (rakta) and black (krishna), and are part of the Anuttarayoga Class of Tantric Buddhism. The Ngor Mandala collection of the Sakya tradition alone lists eight different forms/lineages of the blue/black buffalo-faced Vajrabhairava (which include the two Gelug ones) and four of red Rakta- or blue Krishna-Yamari (all without the buffalo head). All the former are yidam A ''yidam'' or ''iṣṭadevatā'' is a meditational deity that serves as a focus for meditation and spiritual practice, said to be manifestations of Buddhahood or enlightened mind. Yidams are an integral part of Vajrayana, including Tibeta ...s (meditational deities) whereas Yamaraja (sometimes also called Dharamaraja) is a Dharma protector. Rakta Yamari of Viru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painted 17th Century Tibetan 'Five Deity Mandala', In The Center Is Rakta Yamari (the Red Enemy Of Death) Embracing His Consort Vajra Vetali, In The Corners Are The Red, Green White And Yellow Yamari
Paint is a material or mixture that, when applied to a solid material and allowed to dry, adds a film-like layer. As art, this is used to create an image or images known as a painting. Paint can be made in many colors and types. Most paints are either oil-based or water-based, and each has distinct characteristics. Primitive forms of paint were used tens of thousands of years ago in cave paintings. Clean-up solvents are also different for water-based paint than oil-based paint. Water-based paints and oil-based paints will cure differently based on the outside ambient temperature of the object being painted (such as a house). History Paint was used in some of the earliest known human artworks. Some cave paintings drawn with red or yellow ochre, hematite, manganese oxide, and charcoal may have been made by early ''Homo sapiens'' as long as 40,000 years ago. Paint may be even older. In 2003 and 2004, South African archeologists reported finds in Blombos Cave of a 100,000-year-ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Tibetan
Classical Tibetan refers to the language of any text written in Tibetic after the Old Tibetan period. Though it extends from the 7th century until the modern day (along with Arabic, Ge'ez, and New Persian, it is one of the handful of 'living' classical languages), it particularly refers to the language of early canonical texts translated from other languages, especially Sanskrit. The phonology implied by Classical Tibetan orthography is very similar to the phonology of Old Tibetan, but the grammar varies greatly depending on period and geographic origin of the author. Such variation is an under-researched topic. In 816 AD, during the reign of King Sadnalegs, literary Tibetan underwent a thorough reform aimed at standardizing the language and vocabulary of the translations being made from Sanskrit, which was one of the main influences for literary standards in what is now called Classical Tibetan. Nouns Structure of the noun phrase Nominalizing suffixes — or and — ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wylie Transliteration
Wylie transliteration is a method for Transliteration, transliterating Tibetan script using only the letters available on a typical English-language typewriter. The system is named for the American scholar Turrell V. Wylie, who created the system and published it in a 1959 ''Harvard Journal of Asiatic Studies'' article. It has subsequently become a standard transliteration scheme in Tibetan studies, especially in the United States. Any Tibetic languages, Tibetan language romanization scheme faces the dilemma of whether it should seek to accurately reproduce the sounds of spoken Tibetan or the spelling of written Tibetan. These differ widely, as Tibetan orthography became fixed in the 11th century, while pronunciation continued to language change, evolve, comparable to the English orthography and French orthography, which reflect late medieval pronunciation. Previous transcription schemes sought to split the difference with the result that they achieved neither goal perfectly. Wyl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tantric Buddhism
''Vajrayāna'' (; 'vajra vehicle'), also known as Mantrayāna ('mantra vehicle'), Guhyamantrayāna ('secret mantra vehicle'), Tantrayāna ('tantra vehicle'), Tantric Buddhism, and Esoteric Buddhism, is a Mahāyāna Buddhist tradition that emphasizes esoteric practices and rituals aimed at rapid spiritual awakening. Emerging between the 5th and 7th centuries CE in medieval India, Vajrayāna incorporates a range of techniques, including the use of mantras (sacred sounds), dhāraṇīs (mnemonic codes), mudrās (symbolic hand gestures), mandalas (spiritual diagrams), and the visualization of deities and Buddhas. These practices are designed to transform ordinary experiences into paths toward enlightenment, often by engaging with aspects of desire and aversion in a ritualized context. A distinctive feature of Vajrayāna is its emphasis on esoteric transmission, where teachings are passed directly from teacher (guru or vajrācārya) to student through initiation ceremonies. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manjushri
Manjushri () is a ''bodhisattva'' who represents '' prajñā'' (transcendent wisdom) of the Buddhas in Mahāyāna Buddhism. The name "Mañjuśrī" is a combination of Sanskrit word " mañju" and an honorific " śrī"; it can be literally translated as "Beautiful One with Glory" or "Beautiful One with Auspiciousness". Mañjuśrī is also known by the fuller name of Mañjuśrīkumārabhūta (),Keown, Damien (editor) with Hodge, Stephen; Jones, Charles; Tinti, Paola (2003). ''A Dictionary of Buddhism.'' Oxford, UK: Oxford University Press. p.172. literally "Mañjuśrī, Still a Youth" or, less literally, "Prince Mañjuśrī". Another name of Mañjuśrī is Mañjughoṣa. In Mahāyāna Buddhism Scholars have identified Mañjuśrī as the oldest and most significant bodhisattva in Mahāyāna literature. Mañjuśrī is first referred to in early Mahāyāna sūtras such as the Prajñāpāramitā ''sūtra''s and through this association, very early in the tradition he came to symboli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamantaka
Yamāntaka () or Vajrabhairava (; ; ''Daewideok-myeongwang''; ''Daiitoku-myōō''; ''Erlig-jin Jargagchi'') is the "destroyer of death" deity of Vajrayana Buddhism. Sometimes he is conceptualized as "conqueror of the lord of death". Of the several deities in the Buddhist pantheon named Yamāntaka, the most well known belongs to the Anuttarayoga class of tantra of deities popular within the Gelug school of Tibetan Buddhism. Etymology ''Yamāntaka'' is a Sanskrit name that can be broken down into two primary elements: '' Yama (यम)'', –the god of death; and ''antaka'' (अन्तक) –destroyer. Thus, Yamāntaka means “Destroyer of Death” or "Conqueror of Death". While Yamāntaka is therefore Yama's nemesis, his representation mirrors Yama in many ways: he too often rides a buffalo and is often depicted with a buffalo's head. Because of this mirroring of appearance and similarity in name, it is not hard to find texts and books (which would appear to be reliable sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anuttarayoga Tantra
Classes of Tantra in Tibetan Buddhism refers to the categorization of Buddhist tantric scriptures in Indo-Tibetan Buddhism. Tibetan Buddhism inherited numerous tantras and forms of tantric practice from medieval Indian Buddhist Tantra. There were various ways of categorizing these tantras in India. In Tibet, the Sarma (New Translation) schools categorize tantric scriptures into four classes, while the Nyingma (Ancients) school use six classes of tantra. Sarma ("New Translation") classification The Sarma, "New Translation" schools of Tibetan Buddhism (Gelug, Sakya, Kagyu, Jonang) classify tantric practices and texts into four classes. In this, they follow Indian Tantric Buddhists such as Abhayākara, who makes this distinction in his ''Clusters of Quintessential Instructions''. Tantras are classified according to the capacity of persons, the deities they use, the specific types of methods they employ and how they use desire (''kama'').Tsong-kha-pa, ''The Great Exposition of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sakya (Tibetan Buddhist School)
The ''Sakya'' (, 'pale earth') school is one of four major schools of Tibetan Buddhism, the others being the Nyingma, Kagyu, and Gelug. It is one of the Red Hat Orders along with the Nyingma and Kagyu. Origins Virūpa, 16th century. It depicts a famous episode in his hagiography when he stopped the sun in the sky. The name ''Sakya'' ("pale earth") derives from the unique grey landscape of the Ponpori Hills in southern Tibet near Shigatse, where Sakya Monastery, the first monastery of this tradition, and the seat of the Sakya School was built by Khon Konchog Gyalpo (1034–1102) in 1073. The Sakya tradition developed during the second period of translation of Buddhist scripture from Sanskrit into Tibetan in the late 11th century. It was founded by Drogmi, a famous scholar and translator who had studied at the Vikramashila directly under Naropa, Ratnākaraśānti, Vāgīśvarakīrti and other great Pandita (Buddhism), panditas from India for twelve years. Khon Konchog Gya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajrabhairava
Yamāntaka () or Vajrabhairava (; ; ''Daewideok-myeongwang''; ''Daiitoku-myōō''; ''Erlig-jin Jargagchi'') is the "destroyer of death" deity of Vajrayana Buddhism. Sometimes he is conceptualized as "conqueror of the lord of death". Of the several deities in the Buddhist pantheon named Yamāntaka, the most well known belongs to the Anuttarayoga class of tantra of deities popular within the Gelug school of Tibetan Buddhism. Etymology ''Yamāntaka'' is a Sanskrit name that can be broken down into two primary elements: ''Yama (यम)'', –the god of death; and ''antaka'' (अन्तक) –destroyer. Thus, Yamāntaka means “Destroyer of Death” or "Conqueror of Death". While Yamāntaka is therefore Yama's nemesis, his representation mirrors Yama in many ways: he too often rides a buffalo and is often depicted with a buffalo's head. Because of this mirroring of appearance and similarity in name, it is not hard to find texts and books (which would appear to be reliable sour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yidam
A ''yidam'' or ''iṣṭadevatā'' is a meditational deity that serves as a focus for meditation and spiritual practice, said to be manifestations of Buddhahood or enlightened mind. Yidams are an integral part of Vajrayana, including Tibetan Buddhism, Chinese Esoteric Buddhism and Shingon, which emphasize the use of esoteric practices and rituals to attain enlightenment more swiftly. The yidam is one of the three roots of the inner refuge formula and is also the key element of deity yoga. Yidam is sometimes translated by the term "tutelary deity". A yidam is considered to be a manifestation of enlightened qualities and a means to connect with specific aspects of the enlightened mind. The yidam is visualized during meditation in intricate detail, with the aim of internalizing its qualities and attributes. This practice is intended to facilitate the practitioner's transformation and realization of their own innate enlightened nature. It is believed to help purify the mind, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaraja
Yama (), also known as Kāla and Dharmarāja, is the Hindu god of death and justice, responsible for the dispensation of law and punishment of sinners in his abode, Naraka. He is often identified with Dharmadeva, the personification of ''Dharma'', though the two deities have different origins and myths. In Vedic tradition, Yama was considered the first mortal who died and espied the way to the celestial abodes; as a result, he became the ruler of the departed. His role, characteristics, and abode have been expounded in texts such as the ''Upanishads'', the ''Ramayana'', the ''Mahabharata'', and the ''Puranas''. Yama is described as the twin of the goddess Yami, and the son of the god Surya (sun) (in earlier traditions Vivasvat) and Sanjna. He judges the souls of the dead and, depending on their deeds, assigns them to the realm of the Pitris (forefathers), Naraka (hell), or to be reborn on the earth. Yama is one of the Lokapalas (guardians of the realms), appointed as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
