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Queer Baiting
Queerbaiting is a marketing technique for fiction and entertainment in which creators hint at, but do not depict, same-sex romance or other LGBTQ+ representation. The purpose of this method is to attract (" bait") a queer or straight ally audience with the suggestion or possibility of relationships or characters that appeal to them, while not alienating homophobic members of the audience or censors by actually portraying queer relationships. Queerbaiting has been observed in popular culture and fiction such as films, television series, books, music, ads, various forms of media, but also in celebrities who convey an ambiguous sexual identity through their works and statements. The term arose in and has been popularized through discussions in Internet fandom since the early 2010s. It comes from a larger history of LGBTQ+ discourse in media representation dating back to the 1970s from subtle marketing to LGBTQ+ people through commercials and books. Assessments Queer audience conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hays Code
The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors of America (MPPDA) from 1922 to 1945. Under Hays's leadership, the MPPDA, later the Motion Picture Association of America (MPAA) and the Motion Picture Association (MPA), adopted the Production Code in 1930 and began rigidly enforcing it in 1934. The Production Code spelled out acceptable and unacceptable content for motion pictures produced for a public audience in the United States. From 1934 to 1954, the code was closely associated with Joseph Breen, the administrator appointed by Hays to enforce the code in Hollywood. The film industry followed the guidelines set by the code well into the late 1950s, but it began to weaken, owing to the combin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ND Stevenson
Nate Diana "Indy" Stevenson (born Noelle Diana Stevenson, December 31, 1991), known professionally as ND Stevenson, is an American cartoonist and animation producer. He is the creator, showrunner, and executive producer of the animated television series ''She-Ra and the Princesses of Power'', which ran from 2018 to 2020. He is also known for the science fantasy graphic novel ''Nimona'', as co-writer of the comic series ''Lumberjanes'', and ''The Fire Never Goes Out'', his autobiographical collection. Stevenson's work has won multiple Eisner Awards as well as a Daytime Emmy Award and a GLAAD Media Award. Stevenson is non-binary and transmasculine, and has written about being transgender in his webcomic ''I'm Fine I'm Fine Just Understand''. Early life Nate Diana Stevenson was born Noelle Diana Stevenson on December 31, 1991, in Columbia, South Carolina, to Diana and Hal Stevenson. He is the third of five siblings. Stevenson was homeschooled before attending A.C. Flora High ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harley Quinn
Harley Quinn (Dr. Harleen Frances Quinzel, PhD) is a fictional American character appearing in American comic books published by DC Comics. She was created by Paul Dini and Bruce Timm for ''Batman: The Animated Series'' as a henchwoman for the Joker (character), Joker, and debuted in its 8th episode, "Joker's Favor", on September 11, 1992. While intended to appear in one episode, Quinn became a recurring character within the DC Animated Universe (DCAU) as the Joker's sidekick and love interest, and was adapted into DC Comics' Canon (fiction), canon seven years later, beginning with the One-shot (comics), one-shot ''Batman: Harley Quinn'' #1 (October 1999). Quinn's origin story features her as a former psychologist at Gotham City's Arkham Asylum who was manipulated by and fell in love with the Joker, her patient, eventually becoming his accomplice and lover. The character's alias is a word play, play on the stock character Harlequin from the 16th-century Theatre of Italy, Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
