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Quatuor Pour La Fin Du Temps
''Quatuor pour la fin du Temps'' (), originally ''Quatuor de la fin du Temps'' ("''Quartet of the End of Time''"), also known by its English title ''Quartet for the End of Time'', is an eight-movement piece of chamber music by the French composer Olivier Messiaen. It was premiered in 1941. The work is scored for clarinet (in B-flat), violin, cello, and piano; a typical performance of the complete work lasts about 50 minutes. Messiaen wrote the piece while a prisoner of war in German captivity and it was first performed by his fellow prisoners. It is generally considered one of his most important works. Composition and first performance Messiaen was 31 years old when France entered World War II. He was drafted into the French army as a medical auxiliary and in June 1940 captured by the German army and imprisoned in Stalag VIII-A, a prisoner-of-war camp in Görlitz, Germany (now Zgorzelec, Poland). While in transit to the camp, Messiaen showed the clarinetist Henri Akoka, also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of Musical instrument, instruments—traditionally a group that could fit in a Great chamber, palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Dupré
Marcel Jean-Jules Dupré (; 3 May 1886 – 30 May 1971) was a French organist, composer, and pedagogue. Early life and education Born in Rouen into a wealthy musical family, Marcel Dupré was a child prodigy. His father Aimable Albert Dupré was titular organist of Saint-Ouen Abbey from 1911 till his death and a friend of Aristide Cavaillé-Coll, who built an organ in the family house when Marcel was 10 years old. His mother Marie-Alice (née Chauvière) was a cellist who also gave music lessons, and his paternal uncle Henri Auguste Dupré was a violinist and violist. Both of his grandfathers, Étienne-Pierre Chauvière ( maître de chapelle at Saint-Patrice in Rouen and an operatic bass) and Aimable Auguste-Pompée Dupré (also a friend of Cavaillé-Coll) were also organists. Having already taken lessons from Alexandre Guilmant (due to his appealing to his father), Dupre entered the Paris Conservatoire in 1904, where he studied with Louis Diémer and Lazare Lévy (pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ondes Martenot
The ondes Martenot ( ; , ) or ondes musicales () is an early electronic musical instrument. It is played with a lateral-vibrato Keyboard instrument, keyboard or by moving a ring tied to a wire, creating "wavering" sounds similar to a theremin. Dynamics and timbre are adjusted using controls in a drawer on the instrument's left side. A player of the ondes Martenot is called an ondist. The ondes Martenot was invented in 1928 by the French inventor Maurice Martenot. Martenot was inspired by the accidental overlaps of tones between military radio oscillators, and wanted to create an instrument with the expressiveness of the cello. The ondes Martenot is used in more than 100 orchestral compositions. The French composer Olivier Messiaen used it in pieces such as his 1949 symphony ''Turangalîla-Symphonie'', and his sister-in-law Jeanne Loriod was a celebrated player of the instrument. It appears in numerous film and television soundtracks, particularly Science fiction film, science fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fête Des Belles Eaux
''Fête des belles eaux'', or ''Festival of the beautiful waters'' in English, is a 1937 composition by French composer Olivier Messiaen. The work is scored for six ''ondes Martenots'' and was commissioned for the 1937 Paris Exposition. The work was written to accompany the movement of the fountains at the Exhibition. Structure This composition is in eight movements and takes approximately 30 minutes to perform. The movement list is as follows: The melodic theme used in the fourth movement was also used later in the fifth movement ("''Louange à l'Éternité de Jésus''") of Messiaen's ''Quatuor pour la fin du temps ''Quatuor pour la fin du Temps'' (), originally ''Quatuor de la fin du Temps'' ("''Quartet of the End of Time''"), also known by its English title ''Quartet for the End of Time'', is an eight-movement piece of chamber music by the French composer ...''. References External links Olivier Messiaen: Fête des belles eaux (1937)(YouTube) {{DEFAULTSORT:Fete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Of John
The Gospel of John () is the fourth of the New Testament's four canonical Gospels. It contains a highly schematic account of the ministry of Jesus, with seven "Book of Signs, signs" culminating in the raising of Lazarus (foreshadowing the resurrection of Jesus) and seven "I am (biblical term), I am" discourses (concerned with issues of the Split of early Christianity and Judaism, church–synagogue debate at the time of composition) culminating in Thomas the Apostle, Thomas's proclamation of the risen Jesus as "my Lord and my God". The penultimate chapter's concluding verse set out its purpose, John 20:31, "that you may believe that Jesus is the Christ, the Son of God, and that believing you may have life in his name." John reached its final form around AD 90–110, although it contains signs of origins dating back to AD 70 and possibly even earlier. Like the three other gospels, it is anonymous, although it identifies an unnamed "disciple whom Jesus loved" as the source o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic
A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively, the term can include other musical elements such as tonal color. It is the foreground to the background accompaniment. A line or part need not be a foreground melody. Melodies often consist of one or more musical phrases or motifs, and are usually repeated throughout a composition in various forms. Melodies may also be described by their melodic motion or the pitches or the intervals between pitches (predominantly conjunct or disjunct or with further restrictions), pitch range, tension and release, continuity and coherence, cadence, and shape. Function and elements Johann Philipp Kirnberger argued: The Norwegian composer Marcus Paus has argued: Given the many and varied elements and styles of melody "many extant explanations f melod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verdun
Verdun ( , ; ; ; official name before 1970: Verdun-sur-Meuse) is a city in the Meuse (department), Meuse departments of France, department in Grand Est, northeastern France. It is an arrondissement of the department. In 843, the Treaty of Verdun, which divided the Carolingian Empire into three kingdoms—considered the foundation of Germany and France—was signed there. An episcopal principality of the Holy Roman Empire since the 10th century, Verdun was subjugated by France in 1552, during the "Voyage to Austrasia". Along with the other free cities of the Empire, Metz and Toul, it formed the province of the Three Bishoprics, which was attached to the Kingdom of France in 1648 by the Treaty of Münster (1648), Treaty of Münster. Verdun is the biggest city in Meuse, although the capital of the department is Bar-le-Duc, which is slightly smaller than Verdun. It is well known for giving Battle of Verdun, its name to the longest battle in modern history in the World War I, Fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quaver
180px, Figure 1. An eighth note with stem extending up, an eighth note with stem extending down, and an eighth rest. 180px, Figure 2. Four eighth notes beamed together. An eighth note ( American) or a quaver (British) is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note. It is the equivalent of the ''fusa'' in mensural notation. Notation Eighth notes are notated with an oval, filled-in note head and a straight note stem with one note flag (see Figure 1). The stem is on the right of the notehead extending upwards or on the left extending downwards, depending primarily on where the notehead lies relative to the middle line of the staff. A related symbol is the eighth rest (or quaver rest), which denotes a silence for the same duration. Eighth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intermezzo
In music, an intermezzo (, , plural form: intermezzi), in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work. In music history, the term has had several different usages, which fit into two general categories: the opera intermezzo and the instrumental intermezzo. Renaissance intermezzo The Renaissance intermezzo was also called the intermedio. It was a masque-like dramatic piece with music, which was performed between the acts of a play at Italian court festivities on special occasions, especially weddings. By the late 16th century, the intermezzo had become the most spectacular form of dramatic performance, and an important precursor to opera. The most famous examples were created for Medici weddings in 1539, 1565, and 1589. In Baroque Spain the equivalent entremés or paso was a one-act comic scene, often ending in music and dance, between ''jornadas'' (acts) of a play.L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liturgy
Liturgy is the customary public ritual of worship performed by a religious group. As a religious phenomenon, liturgy represents a communal response to and participation in the sacred through activities reflecting praise, thanksgiving, remembrance, supplication, or repentance. It forms a basis for establishing a relationship with God. Technically speaking, liturgy forms a subset of ritual. The word ''liturgy'', sometimes equated in English as " service", refers to a formal ritual enacted by those who understand themselves to be participating in an action with the divine. Etymology The word ''liturgy'' (), derived from the technical term in ancient Greek (), ''leitourgia'', which means "work or service for the people" is a literal translation of the two affixes λήϊτος, "leitos", derived from the Attic form of λαός ("people, public"), and ἔργον, "ergon", meaning "work, service". In origin, it signified the often expensive offerings wealthy Greeks made in serv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
