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Quadrophenia (soundtrack)
''Quadrophenia'' is the soundtrack album of the 1979 film ''Quadrophenia'', which refers to the 1973 rock opera ''Quadrophenia''. It was initially released on Polydor Records in 1979 as a cassette and LP and was re-released as a compact disc in 1993 and 2001. The album was dedicated to Peter Meaden, a prominent Mod and first manager of The Who, who had died a year prior to the album's release. The album contains ten of the seventeen tracks from the original rock opera ''Quadrophenia''. These are different mixes than those that appear on the 1973 album as they were remixed (including newly recorded Steinberger bass guitar parts) in 1979 by John Entwistle. The most notable difference is the track " The Real Me" (used for the title sequence of the film) which features a different and more prominent bass track, more prominent vocals and a more definite ending, which was part of the original recording but faded out on the previous mix. Most of the tracks are also edited to be slig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Who
The Who are an English Rock music, rock band formed in London in 1964. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon. Considered one of the most influential rock bands of the 20th century, their contributions to rock music include the development of the Marshall Stack, Marshall stack, large public address systems, the use of synthesizers, Entwistle's and Moon's influential playing styles, Townshend's Guitar feedback, feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, punk, power pop and mod (subculture), mod bands. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who evolved from an earlier group, the Detours, and established themselves as part of the pop art and mod (subculture), mod movements, featuring auto-destructive art by Instrument destruction, destr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Real Me (The Who Song)
"The Real Me" is a song written by Pete Townshend on The Who's second full-scale rock opera, ''Quadrophenia'' in 1973. This is the second track on the album, although it is the first with lyrics. It concerns a boy named Jimmy, a young England, English Mod (subculture), Mod with four distinct personalities. The song describes how he angrily deals with several individuals to identify "the real me". The song was released as a single (backed with "I'm One") in the United States and Canada in 1974. The song is known for its virtuosic Bass guitar, bass performance by John Entwistle. According to a 1996 interview with Entwistle by Goldmine Magazine, the bass part was recorded on the first take. Entwistle claimed he was "joking around" when he played the part, but the band loved it and used it in the final version. Aside from the verses about the psychiatrist, mother and preacher, Townshend's original demo of the song on his solo album ''Scoop 3'' includes another verse about rock and rol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louie Louie
"Louie Louie" is a rhythm and blues song written and composed by American musician Richard Berry in 1955, recorded in 1956, and released in 1957. It is best known for the 1963 hit version by the Kingsmen and has become a Standard (music), standard in pop music, pop and rock music, rock. The song is based on the tune "El Loco Cha Cha" popularized by bandleader René Touzet and is an example of Music of African heritage in Cuba, Afro-Cuban influence on American popular music. "Louie Louie" tells, in simple verse–chorus form, the first-person story of a "lovesick sailor's lament to a bartender about wanting to get back home to his girl". Historical significance The "extraordinary roller-coaster tale of obscurity, scandal, success and immortality" and "remarkable historical impact" of "Louie Louie" have been recognized by organizations and publications worldwide. A partial list (see #Recognition and rankings, Recognition and rankings table below) includes the Rock and Roll Hall o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Brown
James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, songwriter, dancer, musician, and record producer. The central progenitor of funk music and a major figure of 20th-century music, he is referred to by Honorific nicknames in popular music, various nicknames, among them "Mr. Dynamite", "the Hardest-Working Man in Show Business", "Minister of New Super Heavy Funk", "Godfather of Soul", "King of Soul", and "Soul Brother No. 1". In a career that lasted more than 50 years, he influenced the development of several music genres. Brown was one of the first ten inductees into the Rock and Roll Hall of Fame on January 23, 1986. His music has been heavily sampled by hip-hop musicians and other artists. Brown began his career as a Gospel music, gospel singer in Toccoa, Georgia. He rose to prominence in the mid-1950s as the lead singer of the Famous Flames, a rhythm and blues vocal group founded by Bobby Byrd. With the hit ballads "Please, Please, Please (James Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Night Train (Jimmy Forrest Composition)
"Night Train" is a twelve-bar blues instrumental standard first recorded by Jimmy Forrest in 1951. Origins and development "Night Train" has a long and complicated history. The piece's opening riff was first recorded in 1940 by a small group led by Duke Ellington sideman Johnny Hodges, under the title "That's the Blues, Old Man". Ellington used the same riff as the opening and closing theme of a longer-form composition, "Happy-Go-Lucky Local", that was itself one of four parts of his 1946 ''Deep South Suite''. Jimmy Forrest was part of Ellington's band when it performed this composition, which has a long tenor saxophone break in the middle. After leaving Ellington, Forrest recorded "Night Train" on United Records, and his record was the fifth best selling R&B record of 1952. While "Night Train" employs the same riff as the earlier recordings, Forrest's record used a rhythm and blues arrangement, and included a stop-time tenor sax break not used in the Hodges or Ellington arr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Punk And The Godfather
"The Punk and the Godfather" (titled "The Punk Meets the Godfather" on the US album) is a song written by Pete Townshend, the guitarist for The Who, for their sixth album, ''Quadrophenia''. Lyrics In "The Punk and the Godfather", the protagonist of Quadrophenia, Jimmy, goes to see a mod band perform, only to be disappointed that the band were just part of the mod culture that made up the audience. In the song, Townshend was "apparently... also trying to understand the roots of the Who, its attraction as rallying point and its eventual rejection by such as Jimmy", according to a review in ''Rolling Stone''. According to Who biographer John Atkins, Jimmy "questions the balance of power that prevails between rock star and fan." Pete Townshend said of the song's lyrics: The song quotes The Who's 1965 hit, "My Generation". Composition According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, the song is set in the time signature of common time. It is c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-Heel Sneakers
"Hi-Heel Sneakers" (often also spelled "High Heel Sneakers") is a blues song written and recorded by Tommy Tucker in 1963. Blues writer Mary Katherine Aldin describes it as an uptempo twelve-bar blues, with "a spare, lilting musical framework", and a strong vocal. The song's rhythmic approach has also been compared to that of Jimmy Reed. Tucker's lyrics recall the time he spent as a Golden Gloves boxer in the 1950s: Background and recording The song came out of Tucker's association with producer Herb Abramson, who was a co-founder of Atlantic Records. Abramson operated A-1 Sound Studios in New York, where many popular R&B artists recorded; he leased Tucker's recording to Checker Records, which released it as a single in 1964. Although writers cite a 1963 recording date, there is conflicting information about the studio location. Aldin puts it in Chicago, while the Blues Foundation locates it in New York City. The song's distinctive guitar parts are provided by Dean Young. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The High Numbers
The Who are an English rock band formed in London in 1964. Their classic lineup (1964–1978) consisted of lead vocalist Roger Daltrey, guitarist Pete Townshend, bassist John Entwistle and drummer Keith Moon. Considered one of the most influential rock bands of the 20th century, their contributions to rock music include the development of the Marshall stack, large public address systems, the use of synthesizers, Entwistle's and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk, power pop and mod bands. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who evolved from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by destroying guitars and drums on stage. Their first single as the Who, " I Can't Explain" (1965), reached the UK top ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoot Suit (song)
A zoot suit (occasionally spelled zuit suit) is a men's suit with high-waisted, wide-legged, tight-cuffed, pegged trousers, and a long coat with wide lapels and wide padded shoulders. It is most notable for its use as a cultural symbol among the Hepcat and Pachuco subcultures. Originating among African Americans it later became popular with Mexican Americans, Mexican, Filipino Americans, Filipino, Italian Americans, Italian, and Japanese Americans, Japanese Americans in the 1940s. The zoot suit originated in African American comedy shows within the Chitlin' Circuit in the 1920s. Comedians such as Pigmeat Markham, Stepin Fetchit, and many others dressed in rags or in baggy suits for their comedic routines. This style of oversized suits later became more stylish and popular in the inner city ghettos. Many Tap dance, tap and Lindy hop dancers wore loose-fitting suits to the clubs and ballrooms. These suits made it much easier to navigate through the dance floor while dancing. Jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell Boy (song)
"Bell Boy" is a song recorded by the Who for the 1973 album ''Quadrophenia'' and 1979 movie of the same name. It was never released as a single. Music and lyrics Besides the main lead vocals by lead singer Roger Daltrey, the song features vocals by drummer Keith Moon (most of whose relatively few vocals for the band dated from the '60s). Moon mostly talks (or sings) his lines in a cartoonish voice with an exaggerated cockney accent; however, the bridge and the last line are sung in his natural voice. The shouts of "Bell Boy" are the lines of Jimmy from the disgusted realization of what the Ace Face actually was, symbolic of the theme of disillusionment throughout the album. Lyrically, this is the final straw for Jimmy, having just found out that the Ace Face he had looked up to as a Mod was now working as a bell boy at the same Brighton hotel that the Mods had previously smashed up ("''I don't suppose you would remember me/But I used to follow you back in '63''") instead of ruli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love Reign O'er Me
"Love, Reign o'er Me", subtitled "Pete's Theme", is a song by English rock band The Who. Written and composed by guitarist Pete Townshend, it was released on 27 October 1973 as the second single from the band's sixth studio album and second rock opera, ''Quadrophenia.'' It is the final song on the album, and has been a concert staple for years. The song peaked at number 76 on the US ''Billboard'' Hot 100 and number 54 on ''Cash Box''. Origin and recording "Love, Reign o'er Me," along with "Is It in My Head?" (also from ''Quadrophenia''), date back to 1972. Both songs were originally intended to be part of the unreleased autobiographical album, '' Rock Is Dead—Long Live Rock!'' This later evolved into ''Quadrophenia.'' Lyrics "Love, Reign o'er Me" concerns the main character of ''Quadrophenia,'' Jimmy, having a personal crisis. With nothing left to live for, he finds a spiritual redemption in pouring rain. As Townshend described the song: trefers to Meher Baba's one time comme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm One
"I'm One" is a song by The Who. It was released on the group's 1973 rock opera album ''Quadrophenia''. Written and sung by Pete Townshend, the song has since become a fan favorite. Background "I'm One" is one of the main moments of introspection spread throughout the narrative and also an indication that Jimmy, the main character of the album's story, may not be as Mod as he would wish to appear, given the way he asks a fellow Mod where he got his clothes (Mods would lose face asking another Mod where he obtained his clothes from). Pete Townshend said of the song's lyrical inspiration: The song features an acoustic opening followed by the rest of the band (excluding singer Roger Daltrey) joining in. "I'm One" was one of the ten original ''Quadrophenia'' tracks to appear in remixed form on the soundtrack to the Who's 1979 film ''Quadrophenia'', which was based on the original rock opera. This version of the song also saw single release as the B-side to the 1979 remixed sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
