Qingu
Kingu, also spelled Qingu (, ), was a god in Babylonian mythology, and the son of the gods Abzu and Tiamat. After the murder of his father, Abzu, he served as the consort of his mother, Tiamat, who wanted to establish him as ruler and leader of all gods before she was killed by Marduk. Tiamat gave Kingu the Tablet of Destinies, which he wore as a breastplate and which gave him great power. She placed him as the general of her army. However, like Tiamat, Kingu was eventually killed by Marduk. Marduk mixed Kingu's blood with earth and used the clay to mold the first human beings, while Tiamat's body created the earth and the skies. See also * Enûma Elish *Geshtu-E *Pangu *Purusha *Ymir References Sources * External linksThe Enuma Elish{{Webarchive, url=https://web.archive.org/web/20080610090631/http://ccat.sas.upenn.edu/humm/Resources/Ane/enumaA.html , date=2008-06-10 translated by N. K. Sandars Nancy Katharine Sandars, (29 June 1914 – 20 November 2015) was a Brit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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𒀭
''Dingir'' (, usually transliterated DIĜIR, ) is a Sumerian word for "god" or "goddess". Its cuneiform sign is most commonly employed as the determinative for religious names and related concepts, in which case it is not pronounced and is conventionally transliterated as a superscript "d" as in e.g. dInanna. The cuneiform sign by itself was originally an ideogram for the Sumerian word ''an'' ("sky" or "heaven");Hayes, 2000 its use was then extended to a logogram for the word ''diĝir'' ("god" or "goddess")Edzard, 2003 and the supreme deity of the Sumerian pantheon ''An'', and a phonogram for the syllable . Akkadian took over all these uses and added to them a logographic reading for the native '' ilum'' and from that a syllabic reading of . In Hittite orthography, the syllabic value of the sign was again only ''an''. The concept of "divinity" in Sumerian is closely associated with the heavens, as is evident from the fact that the cuneiform sign doubles as the ideogram ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Babylonian Mythology
Babylonian religion is the religious practice of Babylonia. Babylonian mythology was greatly influenced by their Sumerian counterparts and was written on clay tablets inscribed with the cuneiform script derived from Sumerian cuneiform. The myths were usually either written in Sumerian or Akkadian. Some Babylonian texts were translations into Akkadian from the Sumerian language of earlier texts, although the names of some deities were changed. Mythology and cosmology Babylonian myths were greatly influenced by the Sumerian religion, and were written on clay tablets inscribed with the cuneiform script derived from Sumerian cuneiform. The myths were usually either written in Sumerian or Akkadian. Some Babylonian texts were even translations into Akkadian from the Sumerian language of earlier texts, although the names of some deities were changed in Babylonian texts. Many Babylonian deities, myths, and religious writings are singular to that culture; for example, the unique ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Abzu
The Abzu or Apsu (Sumerian: ; Akkadian: ), also called (Cuneiform:, ; Sumerian: ; Akkadian: — ='water' ='deep', recorded in Greek as ), is the name for fresh water from underground aquifers which was given a religious fertilising quality in Sumerian and Akkadian mythology. Lakes, springs, rivers, wells, and other sources of fresh water were thought to draw their water from the abzu. In Sumerian and Akkadian mythology, it is referred to as the primeval sea below the void space of the underworld (Kur) and the earth ( Ma) above. In Sumerian culture In the city of Eridu, Enki's temple was known as E2-abzu (house of the deep waters) and was located at the edge of a swamp, an abzu. Certain tanks of holy water in Babylonian and Assyrian temple courtyards were also called abzu (''apsû''). Typical in religious washing, these tanks were similar to Judaism's mikvot, the washing pools of Islamic mosques, or the baptismal font in Christian churches. In Sumerian cosmology ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tiamat
In Mesopotamian religion, Tiamat ( akk, or , grc, Θαλάττη, Thaláttē) is a primordial goddess of the sea, mating with Abzû, the god of the groundwater, to produce younger gods. She is the symbol of the chaos of primordial creation. She is referred to as a woman and described as "the glistening one". It is suggested that there are two parts to the Tiamat mythos. In the first, she is a creator goddess, through a sacred marriage between different waters, peacefully creating the cosmos through successive generations. In the second Chaoskampf Tiamat is considered the monstrous embodiment of primordial chaos. Some sources identify her with images of a sea serpent or dragon. In the '' Enûma Elish'', the Babylonian epic of creation, Tiamat bears the first generation of deities; her husband, Apsu, correctly assuming that they are planning to kill him and usurp his throne, later makes war upon them and is killed. Enraged, she also wars upon her husband's murderer ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marduk
Marduk (Cuneiform: dAMAR.UTU; Sumerian: ''amar utu.k'' "calf of the sun; solar calf"; ) was a god from ancient Mesopotamia and patron deity of the city of Babylon. When Babylon became the political center of the Euphrates valley in the time of Hammurabi (18th century BC), Marduk slowly started to rise to the position of the head of the Babylonian pantheon, a position he fully acquired by the second half of the second millennium BCE. In the city of Babylon, Marduk was worshipped in the temple Esagila. Marduk is associated with the divine weapon Imhullu. His symbolic animal and servant, whom Marduk once vanquished, is the dragon Mušḫuššu. "Marduk" is the Babylonian form of his name. The name ''Marduk'' was probably pronounced ''Marutuk''. The etymology of the name ''Marduk'' is conjectured as derived from ''amar-Utu'' ("immortal son of Utu" or "bull calf of the sun god Utu"). The origin of Marduk's name may reflect an earlier genealogy, or have had cultural ties to t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tablet Of Destinies
In Mesopotamian mythology, the Tablet of Destinies ( sux, ; akk, ṭup šīmātu, ṭuppi šīmāti, script=Latn, italic=yes) was envisaged as a clay tablet inscribed with cuneiform writing, also impressed with cylinder seals, which, as a permanent legal document, conferred upon the god Enlil his supreme authority as ruler of the universe. Other mention In the Sumerian poem '' Ninurta and the Turtle'' it is the god Enki, rather than Enlil, who holds the Tablet, as Enki has stolen it and brought it to the ''Abzu''. Both this poem and the Akkadian Anzû poem also share concern of the theft of the tablet by the bird Imdugud (Sumerian) or Anzû (Akkadian).. In the Babylonian '' Enuma Elish'', Tiamat bestows this tablet on Kingu and gives him command of her army. In the end, the Tablet always returns to Enlil. See also *List of Mythological Objects Mythological objects encompass a variety of items (e.g. weapons, armor, clothing) found in mythology, legend, folklore, tall tale ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Geshtu-E
Ilawela (formerly variously transcribed as Geshtu-(E), Geshtu, Gestu, or We-ila) is, in Sumerian and Akkadian mythology, a minor god of intelligence. In the Atra-Hasis Epic he was sacrificed by the great gods and his blood was used in the creation of mankind: See also *Kingu Kingu, also spelled Qingu (, ), was a god in Babylonian mythology, and the son of the gods Abzu and Tiamat. After the murder of his father, Abzu, he served as the consort of his mother, Tiamat, who wanted to establish him as ruler and leader of ... References {{Reflist *Michael Jordan, ''Encyclopedia of Gods'', Kyle Cathie Limited, 2002 Mesopotamian gods Killed deities ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pangu
Pangu (, ) is a primordial being and creation figure in Chinese mythology who separated heaven and earth and became geographic features such as mountains and rivers. Legends The first writer to record the myth of Pangu was Xu Zheng during the Three Kingdoms period. Recently his name was found in a tomb dated AD 156 (predating the Three Kingdoms period). In the beginning, there was nothing and the universe was in a featureless, formless primordial state. This primordial state coalesced into a cosmic egg for about 18,000 years. Within it, the perfectly opposed principles of yin and yang became balanced and Pangu emerged (or woke up) from the egg. Pangu inside the cosmic egg symbolizes Taiji. Pangu is usually depicted as a primitive, hairy giant who has horns on his head. Pangu began creating the world: he separated yin from yang with a swing of his giant axe, creating the earth (murky ''yin'') and the sky (clear ''yang''). To keep them separated, Pangu stood between them ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Purusha
''Purusha'' (' or ) is a complex concept whose meaning evolved in Vedic and Upanishadic times. Depending on source and historical timeline, it means the cosmic being or self, awareness, and universal principle.Karl Potter, Presuppositions of India’s Philosophies, Motilal Banarsidass, , pp 105-109 In early Vedas, ''Purusha'' was a cosmic being whose sacrifice by the gods created all life. This was one of many creation myths discussed in the Vedas. In the Upanishads, the ''Purusha'' concept refers to the abstract essence of the Self, Spirit and the Universal Principle that is eternal, indestructible, without form, and is all-pervasive. In Sankhya philosophy, Purusha is the plural immobile cosmic principle, pure consciousness, unattached and unrelated to anything, which is “nonactive, unchanging, eternal, and pure”. Purusha uniting with Prakṛti (matter) gives rise to life. In Kashmir Shaivism, Purusha is enveloped in five sheaths of time ('' Kāla''), desire ('' Raga' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ymir
In Norse mythology, Ymir (, ), also called Aurgelmir, Brimir, or Bláinn, is the ancestor of all jötnar. Ymir is attested in the '' Poetic Edda'', compiled in the 13th century from earlier traditional material, in the '' Prose Edda'', written by Snorri Sturluson in the 13th century, and in the poetry of skalds. Taken together, several stanzas from four poems collected in the ''Poetic Edda'' refer to Ymir as a primeval being who was born from Eitr, yeasty venom that dripped from the icy rivers called the Élivágar, and lived in the grassless void of Ginnungagap. Ymir gave birth to a male and female from his armpits, and his legs together begat a six-headed being. The grandsons of Búri, the gods Odin, Vili and Vé, fashioned the Earth (elsewhere personified as a goddess, Jörð) from his flesh, from his blood the ocean, from his bones the mountains, from his hair the trees, from his brains the clouds, from his skull the heavens, and from his eyebrows the middle rea ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mesopotamian Gods
Deities in ancient Mesopotamia were almost exclusively anthropomorphic. They were thought to possess extraordinary powers and were often envisioned as being of tremendous physical size. The deities typically wore ''melam'', an ambiguous substance which "covered them in terrifying splendor" and which could also be worn by heroes, kings, giants, and even demons. The effect that seeing a deity's ''melam'' has on a human is described as ''ni'', a word for the " physical creeping of the flesh". Both the Sumerian and Akkadian languages contain many words to express the sensation of ''ni'', including the word ''puluhtu'', meaning "fear". Deities were almost always depicted wearing horned caps, consisting of up to seven superimposed pairs of ox-horns. They were also sometimes depicted wearing clothes with elaborate decorative gold and silver ornaments sewn into them. The ancient Mesopotamians believed that their deities lived in Heaven, but that a god's statue was a physical embodiment ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |