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Pyramus And Thisbe (opera)
''Pyramus and Thisbe'' is a "mock opera" by the German-born composer John Frederick Lampe on the story of Pyramus and Thisbe. It was first performed at Covent Garden Theatre, London, on 25 January 1745. The anonymous libretto (possibly the work of the composer or Henry Carey) is based on Richard Leveridge's ''The Comickal Masque of Pyramus and Thisbe'' (1716), itself inspired by the "play within a play" in act 5 of William Shakespeare's ''A Midsummer Night's Dream''. This was the last of Lampe's operas, and was a much-needed success after a difficult period for musicians in the London theatre. In 1741 the revolution in Shakespearean acting initiated by Macklin and Garrick diverted attention away from music, and Lampe produced no new work in the major theatres for four years. ''Pyramus'' returns to the vein of burlesque that he mined in ''The Dragon of Wantley'' (1737), his first popular success; it ridicules Italian-style opera and opera singers rather than Shakespeare's plays a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Operas By John Frederick Lampe
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1745 Operas
Events January–March * January 7 – War of the Austrian Succession: The Austrian Army, under the command of Field Marshal Károly József Batthyány, makes a surprise attack at Amberg and the winter quarters of the Bavarian Army, and scatters the Bavarian defending troops, then captures the Bavarian capital at Munich * January 8 – The Quadruple Alliance treaty is signed at Warsaw by Great Britain, Austria, the Dutch Republic and the Duchy of Saxony. * January 20 – Less than two weeks after the disastrous Battle of Amberg leaves Bavaria undefended, the electorate's ruler (and Holy Roman Emperor) Karl VII Albrecht dies from gout at the age of 47, leaving the duchy without an adult to lead it. His 17-year-old son, Maximilian III Joseph, signs terms of surrender in April. * February 22 – The ruling white colonial government on the island of Jamaica foils a conspiracy by about 900 black slaves, who had been plotting to seize control and to massa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English-language Operas
English is a West Germanic languages, West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots language, Scots, and then closest related to the Low German, Low Saxon and Frisian languages, English is Genetic relationship (linguistics), genealogically West Germanic language, West Germanic. However, its vocabulary is also distinctively influenced by Langues d'oïl, dialects of France (about List of English words of French origin, 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amanda Holden (writer)
Amanda Juliet Holden (; 19 January 1948 – 7 September 2021) was a British pianist, librettist, translator, editor and academic teacher. She is known for translating opera librettos to more contemporary English for the English National Opera, and for writing new librettos, especially in collaboration with Brett Dean. She contributed to encyclopedias such as the ''New Penguin Opera Guide''. Life and career Amanda Juliet Warren was born in London, the daughter of Sir Brian Warren and Dame Josephine Barnes. She was educated at Benenden School, and studied at Lady Margaret Hall, Oxford, with Egon Wellesz where she gained a Master of Arts (MA), at Guildhall School of Music and Drama and a MA at the American University, Washington, DC. She also had degrees from the Royal Academy of Music (ARCM and LRAM).Holden /Amanda, ''Who's Who'' (UK), 2012 She first worked as a freelance pianist and accompanist, teacher at the Guildhall School, and therapist from 1973 to 1986. Libr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Holman
Peter Kenneth Holman MBE (born 19 October 1946, London) is an English conductor and musicologist best known for reviving the music of Purcell and his English contemporaries. Holman, with the ensemble The Parley of Instruments made many of the extensive series of recordings of lesser-known English baroque music on Hyperion Records in that label's ''English Orpheus'' series from 1980-2010. The ensemble was co-founded in 1979 by Holman and the violinist Roy Goodman. Holman and the ensemble now record on the Chandos Classics Frederick Warne (13 October 1825 – 17 November 1901) was a British publisher, founder of Frederick Warne & Co. Early life and career Warne was born in Westminster in 1825, sixth and youngest son of the twelve children of Edmund Warne, a builder ... label. Holman was appointed Member of the Order of the British Empire (MBE) in the 2015 New Year Honours for services to early music. Publications * Dowland: Lachrimae (1604) 1999 * Henry Purcell 1994 * Lif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Padmore
Mark Padmore (born 8 March 1961) is a British tenor appearing in concerts, recitals, and opera. He was born in London on 8 March 1961, and raised in Canterbury, Kent, England. Padmore studied clarinet and piano prior to his gaining a choral scholarship to King's College, Cambridge. He graduated in 1982 with an honours degree in music. Padmore has appeared in the St Matthew and St John Passions with the Berlin Philharmonic and Sir Simon Rattle, staged by Peter Sellars, including Berlin, Salzburg, New York and the BBC Proms. In the opera house, Padmore has worked with directors Peter Brook, Katie Mitchell, Mark Morris and Deborah Warner. Recent work includes the leading roles in Harrison Birtwistle's ''The Corridor'' and The Cure at the Aldeburgh Festival and in London; Handel ''Jephtha'' for WNO and ENO and Captain Vere in Britten ''Billy Budd'' and Evangelist in a staging of St Matthew Passion for Glyndebourne Festival Opera. He also played Peter Quint in an acclaimed BB ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secco Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rage Aria
A rage aria is an operatic aria expressing the rage of the character performing it. Normally in da capo form, such arias emerged during the Baroque period and are typically found in opera seria. Rage arias were known by various terms in Italian, including ' and '. H. Rosenthal and John Warrack (1972), ''The Concise Oxford Dictionary of Opera'', London: Oxford University Press, p. 16. Typically, they display the musical characteristics of quick tempos and fast runs, and are short in length. Such arias have been written by, amongst other composers, George Frideric Handel in the Baroque period and Wolfgang Amadeus Mozart in the Classical period. History According to the doctrine of the affections, a theory of aesthetics that dictates emotions based on outward visible and auditory signs, each aria in an opera must have a single emotion. According to the philosophy of affects, complex musical gestures are more easily suited to the emotions of hatred, retaliation, and fury than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
