A rage aria is an

opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...

tic

aria In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompan ...

expressing the rage of the character performing it. Normally in

da capo Da capo ( , , ; often abbreviated as D.C.) is an Italian musical term that means "from the beginning" (literally, "from the head"). The term is a directive to repeat the previous part of music, often used to save space, and thus is an easie ...

form, such arias emerged during the

Baroque The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from ...

period and are typically found in

opera seria ''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abou ...

. Rage arias were known by various terms in Italian, including ' and '. H. Rosenthal and

John Warrack John Hamilton Warrack (born 9 February 1928) is an English music critic, writer on music, and oboist. Career Born in London, Warrack is the son of Scottish conductor and composer Guy Warrack and Jacynth Mary Ellerton. He was educated at Winches ...

(1972), ''The Concise Oxford Dictionary of Opera'', London: Oxford University Press, p. 16. Typically, they display the musical characteristics of quick

tempo In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition ...

s and fast runs, and are short in length. Such arias have been written by, amongst other composers,

George Frideric Handel George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti. Born in Halle, Germany, H ...

in the Baroque period and

Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age ...

in the Classical period.

History

According to the

doctrine of the affections The doctrine of the affections, also known as the ''doctrine of affects'', ''doctrine of the passions'', ''theory of the affects'', or by the German term Affektenlehre (after the German ''Affekt''; plural ''Affekte'') was a theory in the aestheti ...

, a theory of aesthetics that dictates emotions based on outward visible and auditory signs, each aria in an opera must have a single emotion. According to the philosophy of affects, complex musical gestures are more easily suited to the emotions of hatred, retaliation, and fury than to those of gentle affects. Mattheson, Johann, and Hans Lenneberg. "Johann Mattheson on Affect and Rhetoric in Music (I)." ''

Journal of Music Theory The ''Journal of Music Theory'' is a peer-reviewed academic journal specializing in music theory and analysis. It was established by David Kraehenbuehl (Yale University) in 1957. According to its website, " e ''Journal of Music Theory'' fosters co ...

'', vol. 2, no. 1, 1958, pp. 47–84. Retrieved 5 December 2017 Rage arias were amongst various types of aria which were employed in 18th century opera, including the more restrained ', the ' (lament), and the showy '. One of the best-known examples of the genre is the Queen of the Night's "

Der Hölle Rache kocht in meinem Herzen "" ("Hell's vengeance boils in my heart"), commonly abbreviated "", is an aria sung by the Queen of the Night, a coloratura soprano part, in the second act of Mozart's opera ''The Magic Flute'' ('). It depicts a fit of vengeful rage in which the ...

", from ''

Die Zauberflöte ''The Magic Flute'' (, ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. It is a ''Singspiel'', a popular form that included both singing and spoken dialogue. The work premiered on ...

''. Others include "No, no, I'll take no less", from Handel's ''

Semele Semele (; ), or Thyone (; ) in Greek mythology, was the youngest daughter of Cadmus and Harmonia (Greek goddess), Harmonia, and the mother of Dionysus by Zeus in one of his many origin myths. Certain elements of the cult of Dionysus and Semele ...

'', "I am the wife of Mao Tse-Tung" from John Adams' ''

Nixon in China ''Nixon in China'' is an opera in three acts by John Adams with a libretto by Alice Goodman. Adams's first opera, it was inspired by U.S. president Richard Nixon's 1972 visit to the People's Republic of China. The work premiered at the Houston ...

'', "D'Oreste, d'Ajace" in Mozart's ''

Idomeneo (Italian for ''Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', Köchel catalogue, K. 366) is an Italian-language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Vares ...

''.

History

Notes

See also

References

Further reading