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Puriya Khaliltash
Puriya is a major hexatonic raga of Hindustani classical music Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' .... Note emphasis: Ni, Ga, (Ma is an important pivot note.) Pakad or Chalan Ni Ni Ni Ma, Ni Dha Ni re Sa Ma, (Ni) D (Sa) Ni (re) Sa () = grace note Ni re Ga Ni re Ga, Ga re Sa Ni re Ma Ma Ga Ma Dha Ni, Ma Dha, Ga Ma G Details Sources Hindustani ragas {{India-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marwa (that)
Marwa may refer to: Places * Al-Safa and Al-Marwah, hills in Saudi Arabia * Marwah, a subdivision of Kishtwar district, Jammu and Kashmir, India * Marwa Thermal Power Plant, power station near Marwa village in Janjgir–Champa district, Chhattisgarh, India People * Marwa (name), Arabic feminine given name, or Kuria masculine given name; also a surname Arts and entertainment *Marwas or Minwas, a small double-sided hand drum originally from the Middle East *"Marwa Blues", an instrumental by English musician George Harrison *''Marwa and al-Majnun al-Faransi'', a classical Middle Eastern love story See also * Marva (other) * Marfa (other) Marfa may refer to: Music * Marfa (instrument), an African percussion instrument * Marfa (music), celebratory music of the Hyderabadi Muslims Places * Márfa, a village in Baranya county, Hungary * Marfa, Chad * Marfa, Texas, a city in t ... * Marwah (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hexatonic
In music and music theory, a hexatonic scale is a scale with six pitches or notes per octave. Famous examples include the whole-tone scale, C D E F G A C; the augmented scale, C D E G A B C; the Prometheus scale, C D E F A B C; and the blues scale, C E F G G B C. A hexatonic scale can also be formed by stacking perfect fifths. This results in a diatonic scale with one note removed (for example, A C D E F G). Whole-tone scale The whole-tone scale is a series of whole tones. It has two non-enharmonically equivalent positions: C D E F G A C and D E F G A B D. It is primarily associated with the French impressionist composer Claude Debussy, who used it in such pieces of his as ''Voiles'' and ''Le vent dans la plaine'', both from his first book of piano '' Préludes''. This whole-tone scale has appeared occasionally and sporadically in jazz at least since Bix Beiderbecke's impressionistic piano piece ''In a Mist''. Bop pianist Thelonious Monk often interpolated whole-tone scale fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar (raga), Bahar and Sahana (raga), Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa (raga), Marwa, the primary development of which has been going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century Common Era, CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu language, Telugu, Kannada, Tamil language, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj Bhasha, Braj, Awadhi language, Avadhi, Bhojpuri language, Bhojpuri, Bengali language, Bengali, Rajasthani languages, Rajasthani, Marathi language, Marathi and Punjabi language, Punjabi. Knowledge of Hindustani classical music is taught through a network of classical musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marva (thaat)
Marva or Marwa () is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat. Description Marva thaat is obtained by adding a komal Rishabh to the Kalyan (thaat), Kalyan thaat. The mood of the Marva family of ragas is strongly and easily recognisable. Ragas Other ragas in Marva thaat: *Marva (raga), Marva *Puriya *Sohni *Lalit (raga), Lalit (although it is sometimes placed in Purvi (thaat), Purvi thaat) *Bibhas (two other types of Bibhas are placed in Bhairav (thaat), Bhairav thaat or Purvi (thaat), Purvi thaat) *Pancham (raga), Pancham (Hindol Pancham) *Maligaura *Purba (raga), Purba (Purbya) *Purvakalyan *Jait (Jayat) (not to be confused with Jait Kalyan *Varati (raga) *Bhatiyar *Bhankar *Lalita Gauri (sometimes placed in Purvi (thaat), Purvi thaat) *Sazgiri According to O. Thakur Pūrvā Kalyāṇa is Marwa with Pa and less emphasis on komal Re. R. Jha treats Bhaṭiya as a mixture of Marwa and Maand. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
