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Public Art Fund
Public Art Fund is an independent, non-profit arts organization founded in 1977 by Doris C. Freedman. The organization presents contemporary art in New York City's public spaces through a series of highly visible artists' projects, new commissions, installations, and exhibitions that are emblematic of the organization's mission and innovative history. History Public Art Fund was founded in 1977 by Doris C. Freedman who served as the first Director of New York City's Department of Cultural Affairs, the President of the Municipal Art Society, and a tireless supporter of New York City's Percent for Art legislation. Public Art Fund was born from the merger of two preexisting organizations, CityWalls, which was founded in 1966, and the Public Arts Council, founded in 1971. Working with artists and museums, Public Art Fund works to bring artwork outside of traditional spaces and into the public sphere. Since its inception, Public Art Fund has presented more than 500 artists' exhibitio ...
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Public Art Fund Nancy Rubins By David Shankbone
In public relations and communication science, publics are groups of individual people, and the public (a.k.a. the general public) is the totality of such groupings. This is a different concept to the sociological concept of the ''Öffentlichkeit'' or public sphere. The concept of a public has also been defined in political science, psychology, marketing, and advertising. In public relations and communication science, it is one of the more ambiguous concepts in the field. Although it has definitions in the theory of the field that have been formulated from the early 20th century onwards, and suffered more recent years from being blurred, as a result of conflation of the idea of a public with the notions of audience, market segment, community, constituency, and stakeholder. Etymology and definitions The name "public" originates with the Latin '' publicus'' (also '' poplicus''), from ''populus'', to the English word ' populace', and in general denotes some mass population ("the ...
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Agnes Denes
Agnes Denes (Dénes Ágnes; born 1931 in Budapest) is a Hungarian-born American conceptual artist based in New York. She is known for works in a wide range of media—from poetry and philosophical writings to extremely detailed drawings, sculptures, and iconic land art works, such as '' Wheatfield — A Confrontation'' (1982), a two-acre field of wheat in downtown Manhattan, commissioned by the Public Art Fund, and ''Tree Mountain—A Living Time Capsule'' (1992–96) in , Finland. Her work ''Rice/Tree/Burial with Time Capsule'' (1968–79) is recognized as one of the earliest examples of ecological art. She lives and works in New York City. Early life and career Born in Budapest, Hungary in 1931, her family survived World War II, the Nazi occupation, and moved to Sweden on their way to the United States. As a teenager, she created her first environmental/philosophical work, ''Bird Project,'' in Sweden, comparing migrating bird colonies to people — the migrants of the world. ...
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Ilya Kabakov
Ilya Iosifovich Kabakov (Ukrainian: Ілля Йосипович Кабаков; Russian: Илья́ Ио́сифович Кабако́в; September 30, 1933 – May 27, 2023) was an American and Soviet conceptual artist, born in Dnipropetrovsk in what was then the Ukrainian SSR of the Soviet Union, now Ukraine. He worked for thirty years in Moscow, from the 1950s until the late 1980s. After emigrating to the United States he lived and worked on Long Island. Early life Ilya Iosifovich Kabakov was born on September 30, 1933, in Dnipropetrovsk. His mother, accountant Bertha Judelevna Solodukhina, and his father, locksmith Iosif Bentcionovitch Kabakov, were Jewish. Ilya was evacuated during World War II to Samarkand with his parents. There he started attending the school of the Leningrad Academy of Art which was evacuated to Samarkand. His classmates included the painter Mikhail Turovsky. After the war the Kabakov family moved to Moscow. Education From 1945 to 1951, he studie ...
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Gran Fury
Emerging from ACT UP (AIDS Coalition to Unleash Power) in 1988, Gran Fury was an AIDS activist artist collective from New York City consisting of 11 members including: Richard Elovich, Avram Finkelstein, Amy Heard, Tom Kalin, John Lindell, Loring McAlpin, Marlene McCarty, Donald Moffett, Michael Nesline, Mark Simpson and Robert Vazquez-Pacheco. The participation of "visual artists in ACT UP and other collectives was essential to the effectiveness of the campaigns of protest, education and awareness about AIDS." The collective mutually disbanded in 1995, a year prior to Mark Simpson's death on November 10, 1996, from AIDS. Gran Fury organized as an autonomous collective, describing themselves as a "...band of individuals united in anger and dedicated to exploiting the power of art to end the AIDS crisis." The contribution of recycling historical images of homoerotic pleasure contributed to the pictorial landscape of the AIDS activist movement. Recycling the title of the Plym ...
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Félix González-Torres
Félix González-Torres or Felix Gonzalez-Torres (November 26, 1957 – January 9, 1996) was a Cuban-born American Visual arts, visual artist. He lived and worked primarily in New York City between 1979 and 1995 after attending university in Puerto Rico. González-Torres’s practice incorporates a minimalist visual vocabulary and certain artworks that are composed of everyday materials such as strings of light bulbs, paired wall clocks, stacks of paper, and individually wrapped candies. He was openly gay and frequently explored themes around his sexuality and stigma in his work. González-Torres is known for having made significant contributions to the field of conceptual art in the 1980s and 1990s. His practice continues to influence and be influenced by present-day cultural discourses. González-Torres died in Miami in 1996 from HIV/AIDS, AIDS-related illness. Work González-Torres was trained as a photographer and his work incorporates this medium in varying ways. He is we ...
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