Ptocheia
Ptocheia or Ptokheia (pronounced pa-toh-KEE-uh; ) was the ancient Greek female spirit of beggary. She was regarded as a companion (and a sister) of Penia and Amechania. Her opposites were Euthenia and Ploutos.Aristophanes Aristophanes (; ; ) was an Ancient Greece, Ancient Greek Ancient Greek comedy, comic playwright from Classical Athens, Athens. He wrote in total forty plays, of which eleven survive virtually complete today. The majority of his surviving play ..., '' Plutus'' 549 ff. Note Greek goddesses Personifications in Greek mythology {{Greek-deity-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Penia
In Plato's ''Symposium'', Penia (Ancient Greek: , ''Penía''), or Penae (Latin: "Poverty", "Deficiency"), is the personification of poverty and need. She conceived Eros with an intoxicated Porus ("Resource", "Contrivance") in Zeus's garden while at Aphrodite's birthday. Her sisters are Amechania and Ptocheia. Penia was also mentioned by other ancient Greek writers such as Alcaeus (Fragment 364), Theognis (Fragment 1; 267, 351, 649), Aristophanes ('' Plutus'', 414ff), Herodotus, Plutarch (''Life of Themistocles''), and Philostratus (''Life of Apollonius''). Mythology Plato's account Perhaps one of the most famous mentions is in Plato's Symposium (203b–e), a Socratic Dialogue written by Plato c. 385–370 BC. She is part of a story narrated by Socrates, that he originally heard from a priestess by the name of Diotima. There, Penia appears during a banquet thrown by the gods to celebrate the birth of Aphrodite, in order to beg. In the hope for alleviating her misery, she ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Amechania
In Greek mythology, Amechania or Amekhania (Ancient Greek: Àμηχανίην) was the spirit of impossibility. She was regarded as a close companion (and sister) of Penia and Ptocheia. She was virtually identical to Aporia. Amechania was mentioned by ancient Greek authors such as Alcaeus and Herodotus.Herodotus, '' Histories'' 8.111.1 Notes References * Herodotus, ''The Histories'' with an English translation by A. D. Godley. Cambridge. Harvard University Press. 1920. Online version at the Topos Text Project.Greek text available at Perseus Digital Library * '' Realencyclopädie der classischen A ...
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Ancient Greek
Ancient Greek (, ; ) includes the forms of the Greek language used in ancient Greece and the classical antiquity, ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Greek Dark Ages, Dark Ages (), the Archaic Greece, Archaic or Homeric Greek, Homeric period (), and the Classical Greece, Classical period (). Ancient Greek was the language of Homer and of fifth-century Athens, fifth-century Athenian historians, playwrights, and Ancient Greek philosophy, philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Homeric Greek, Epic and Classical periods of the language, which are the best-attested periods and considered most typical of Ancient Greek. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Beggar
Begging (also known in North America as panhandling) is the practice of imploring others to grant a favor, often a gift of money, with little or no expectation of reciprocation. A person doing such is called a beggar or panhandler. Beggars may operate in public places such as transport routes, urban parks, and markets. Besides money, they may also ask for food, drink, cigarettes or other small items. Internet begging is the modern practice of asking people to give money to others via the Internet, rather than in person. Internet begging may encompass requests for help meeting basic needs such as medical care and shelter, as well as requests for people to pay for vacations, school trips, and other things that the beggar wants but cannot ostensibly afford. Beggars differ from religious mendicants in that some mendicants do not ask for money. Their subsistence is reciprocated by providing society with various forms of religious service, moral education, and preservation of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Euthenia
Euthenia (; , ''Eustheneia'') was the feminine personification of prosperity, abundance, and wealth. The Goddess contrasting her is Penia ("Poverty"). Their sisters were Eucleia, Eupheme, and Philophrosyne. According to the Orphic fragments, her parents were Hephaestus and Aglaia. Rome On Roman coins, Euthenia is often compared to Abundantia, the personification of abundance and prosperity, and Annona, the personification of the grain supply to Rome. Egypt She is also a part of the Egyptian pantheon, though was later assimilated to tales related to Goddess Isis Isis was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom () as one of the main characters of the Osiris myth, in which she resurrects her sla .... During Ptolemaic times, she became the consort of Nilus. Her first appearance on Egyptian coins date back to the last decade of BC. Notes References * K ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ploutos
In ancient Greek religion and mythology, Plutus (; ) is the god and the personification of wealth, and the son of the goddess of agriculture Demeter and the mortal Iasion. Family Plutus is most commonly the son of Demeter and Iasion, with whom she lay in a thrice-ploughed field. He is alternatively the son of the fortune goddess Tyche.Aesop, ''Fables'413 Phaedrus_(fabulist).html" ;"title="Phaedrus (fabulist)">Phaedrus 4.12 Two ancient depictions of Plutus, one of him as a little boy standing with a cornucopia before Demeter, and another inside the cornucopia being handed to Demeter by a goddess rising out of the earth, perhaps implying that he had been born in the Underworld, were interpreted by Karl Kerenyi to mean that Plutus was supposed to be the son of Hades and Persephone, the king and the queen of the Greek Underworld, Underworld, though no such version is attested in any primary source. In the arts In the philosophized mythology of the later Classical period, Plutus ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Aristophanes
Aristophanes (; ; ) was an Ancient Greece, Ancient Greek Ancient Greek comedy, comic playwright from Classical Athens, Athens. He wrote in total forty plays, of which eleven survive virtually complete today. The majority of his surviving plays belong to the genre of comic drama known as Old Comedy and are considered its most valuable examples. Aristophanes' plays were performed at the religious festivals of Athens, mostly the City Dionysia and the Lenaia, and several of them won the first prize in their respective competitions. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes wrote plays that often dealt with real-life figures, including Euripides and Alcibiades, and contemporary events, such as the Peloponnesian War. He has been said to recreate the life of ancient Athens more convincingly than any other author. His plays are characterized by preposterous premises, explicit language, wordplays, and political satire. His powers of ridicule ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Plutus (play)
''Plutus'' (, ''Ploutos'', "Wealth") is an Ancient Greek comedy by the playwright Aristophanes, which was first produced in 388 BC. A political satire on contemporary Athens, it features the personified god of wealth Plutus. Reflecting the development of Old Comedy towards New Comedy, it uses such familiar character types as the stupid master and the insubordinate slave to attack the morals of the time. Plot The play features an elderly Athenian citizen, Chremylos, and his slave Cario or Carion. Chremylos presents himself and his family as virtuous but poor, and has accordingly gone to seek advice from an oracle. The play begins as he returns to Athens from Delphi, having been instructed by Apollo to follow the first man he meets and persuade him to come home with him. That man turns out to be the god Plutus — who is, contrary to all expectations, a blind beggar. After much argument, Plutus is convinced to enter Chremylos's house, where he will have his vision restored ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Greek Goddesses
In ancient Greece, deities were regarded as immortal, anthropomorphism, anthropomorphic, and powerful. They were conceived of as individual persons, rather than abstract concepts or notions, and were described as being similar to humans in appearance, albeit larger and more beautiful. The emotions and actions of deities were largely the same as those of humans; they frequently engaged in sexual activity, and were jealous and amoral. Deities were considered far more knowledgeable than humans, and it was believed that they conversed in a language of their own. Their immortality, the defining marker of their godhood, meant that they ceased aging after growing to a certain point. In place of blood, their veins flowed with ichor, a substance which was a product of their diet, and conferred upon them their immortality. Divine power allowed the gods to intervene in mortal affairs in various ways: they could cause natural events such as rain, wind, the growing of crops, or epidemics, and w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |