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Psychogeographers
Psychogeography is the exploration of urban environments that emphasizes interpersonal connections to places and arbitrary routes. It was developed by members of the Letterist International and Situationist International, which were revolutionary groups influenced by Marxist and anarchist theory as well as the attitudes and methods of Dadaists and Surrealists. In 1955, Guy Debord defined psychogeography as "the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals." One of the key tactics for exploring psychogeography is the loosely defined urban walking practice known as the ''dérive''. As a practice and theory, psychogeography has influenced a broad set of cultural actors, including artists, activists and academics. Development Psychogeography was originally developed by the Lettrist International 'around the summer of 1953'. Debord describes psychogeography as 'charmingly v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Chtcheglov
Ivan Vladimirovitch Chtcheglov ( Russian: Ива́н Влади́мирович Щегло́в; 16 January 1933 – 21 April 1998), also known as Gilles Ivain, was a French political theorist, activist and poet, born in Paris to Russian parents. Biography Family background Ivan was the son of Vladimir Chtcheglov, a revolutionary sentenced to two years imprisonment following the 1905 Revolution. After his release, Vladimir left the Russian Empire with his wife Hélene Zavadsky. After originally staying in Belgium for three years, the couple moved to Paris in 1910, where Vladimir continued work as a taxi driver. He was active in the CGT and involved in the 1911 drivers strike. Activities Ivan wrote ''Formulaire pour un urbanisme nouveau'' (Formulary for a New Urbanism) in 1953, at age nineteen under the name Gilles Ivain, which was an inspiration to the Lettrist International and Situationist International. The following quotation from the text was used as the inspiration fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guy Debord
Guy-Ernest Debord (; ; 28 December 1931 – 30 November 1994) was a French Marxist theorist, philosopher, filmmaker, critic of work, member of the Letterist International, founder of a Letterist faction, and founding member of the Situationist International. He was also briefly a member of '' Socialisme ou Barbarie''. Biography Early life Guy Debord was born in Paris in 1931. Debord's father, Martial, was a pharmacist who died when Debord was young. Debord's mother, Paulette Rossi, sent Guy to live with his grandmother in her family villa in Italy. During World War II, the Rossis left the villa and began to travel from town to town. As a result, Debord attended high school in Cannes, where he began his interest in film and vandalism. The family lived in Pau, Pyrénées-Atlantiques for a period where he attended Lycée Louis-Barthou. As a young man, Debord actively opposed the French war in Algeria and joined in demonstrations in Paris against it. Debord studied law at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architecture
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes ; ; . Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. The practice, which began in the prehistoric era, has been used as a way of expressing culture for civilizations on all seven continents. For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient times. The earliest surviving text on architectural theories is the 1st century AD treatise ''De architectura'' by the Roman architect Vitruvius, according to whom a good building embodies , and (durability, utility, and beauty) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Praxis (process)
Praxis (from grc, πρᾶξις, translit=praxis) is the process by which a theory, lesson, or skill is enacted, embodied, or realized. "Praxis" may also refer to the act of engaging, applying, exercising, realizing, or practising ideas. This has been a recurrent topic in the field of philosophy, discussed in the writings of Plato, Aristotle, St. Augustine, Francis Bacon, Immanuel Kant, Søren Kierkegaard, Ludwig von Mises, Karl Marx, Antonio Gramsci, Martin Heidegger, Hannah Arendt, Jean-Paul Sartre, Paulo Freire, Murray Rothbard, and many others. It has meaning in the political, educational, spiritual and medical realms. Origins In Ancient Greek the word praxis (πρᾶξις) referred to activity engaged in by free people. The philosopher Aristotle held that there were three basic activities of humans: ''theoria'' (thinking), '' poiesis'' (making), and ''praxis'' (doing). Corresponding to these activities were three types of knowledge: theoretical, the end goal being trut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revolutionary
A revolutionary is a person who either participates in, or advocates a revolution. The term ''revolutionary'' can also be used as an adjective, to refer to something that has a major, sudden impact on society or on some aspect of human endeavor. Definition The term—both as a noun and adjective—is usually applied to the field of politics, but is also occasionally used in the context of science, invention or art. In politics, a revolutionary is someone who supports abrupt, rapid, and drastic change, usually replacing the status quo, while a reformist is someone who supports more gradual and incremental change, often working within the system. In that sense, revolutionaries may be considered radical, while reformists are moderate by comparison. Moments which seem revolutionary on the surface may end up reinforcing established institutions. Likewise, evidently small changes may lead to revolutionary consequences in the long term. Thus the clarity of the distinction between r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoist
Neoism is a parodistic -ism. It refers both to a specific subcultural network of artistic performance and media experimentalists, and, more generally, to a practical underground philosophy. It operates with collectively shared pseudonyms and identities, pranks, paradoxes, plagiarism and fakes, and has created multiple contradicting definitions of itself in order to defy categorization and historization. Background Definitions of Neoism were always disputed. The main source of this is the undefinable concept of Neoism which created vastly different, tactically distorted accounts of Neoism and its history. Undisputed, however, are the origin of the movement in the late 1970s Canada. It was initiated by Hungarian-born Canadian performance and media-artist Istvan Kantor (aka Monty Cantsin) in 1979, in Montreal. At around the same time the open-pop-star identity of Monty Cantsin was spread through the Mail Artist David Zack (born New Orleans, June 12, 1938, died presumably in Texas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' |
Détournement
A détournement (), meaning "rerouting, hijacking" in French, is a technique developed in the 1950s by the Letterist International, and later adapted by the Situationist International (SI),'' Report on the Construction of Situations'' (1957) that was defined in the SI's inaugural 1958 journal as " e integration of present or past artistic productions into a superior construction of a milieu. In this sense there can be no situationist painting or music, but only a situationist use of those means. In a more elementary sense, ''détournement'' within the old cultural spheres is a method of propaganda, a method which reveals the wearing out and loss of importance of those spheres." It has been defined elsewhere as "turning expressions of the capitalist system and its media culture against itself"—as when slogans and logos are turned against their advertisers or the political status quo. Détournement was prominently used to set up subversive political pranks, an influential ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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