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Proserpine (Rossetti)
''Proserpine'' (also ''Proserpina'' or ''Persephone'') is an oil painting on canvas by English artist and poet Dante Gabriel Rossetti, painted in 1874 and now in Tate Britain. Rossetti began work on the painting in 1871 and painted at least eight separate versions, the last only completed in 1882, the year of his death. Early versions were promised to Charles Augustus Howell. The painting discussed in this article is the so-called seventh version commissioned by Frederick Richards Leyland, now at the Tate Gallery, with the very similar final version now at the Birmingham Museum and Art Gallery. History In his ''Proserpine'', the artist illustrates in his typical Pre-Raphaelite style the Roman goddess Proserpina who lives in the underworld during Winter. Although Rossetti inscribed the date 1874 on the picture, he worked for seven years on eight separate canvases before he finished with it. His Proserpine, like his model Jane Morris, is an exquisitely beautiful woman, with delic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Gabriel Rossetti
Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti ( ; ), was an English poet, illustrator, painter, translator, and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti inspired the next generation of artists and writers, William Morris and Edward Burne-Jones in particular. His work also influenced the European Symbolism (movement), Symbolists and was a major precursor of the Aesthetic movement. Rossetti's art was characterised by its sensuality and its medieval revivalism. His early poetry was influenced by John Keats and William Blake. His later poetry was characterised by the complex interlinking of thought and feeling, especially in his sonnet sequence ''The House of Life''. Poetry and image are closely entwined in Rossetti's work. He frequently wrote sonnets to accompany his pictures, spanning from ''The Girlhood of Mary Virgin' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceres (Roman Mythology)
In ancient Roman religion, Ceres ( , ) was a goddess of agriculture, grain crops, fertility and motherly relationships.Room, Adrian, ''Who's Who in Classical Mythology'', p. 89-90. NTC Publishing 1990. . She was originally the central deity in Rome's so-called plebeian or Aventine Triad, then was paired with her daughter Proserpina in what Romans described as "the Greek rites of Ceres". Her seven-day April festival of Cerealia included the popular ''Ludi Ceriales'' (Ceres' games). She was also honoured in the May lustration (''lustratio'') of the fields at the Ambarvalia festival: at harvesttime: and during Roman marriages and funeral rites. She is usually depicted as a mature woman. Ceres is the only one of Rome's many agricultural deities to be listed among the Dii Consentes, Rome's equivalent to the Twelve Olympians of Greek mythology. The Romans saw her as the counterpart of the Greek goddess Demeter,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Art
English art is the body of visual arts made in England. England has Europe's earliest and northernmost ice-age cave art. Prehistoric art in England largely corresponds with art made elsewhere in contemporary Britain, but early medieval Anglo-Saxon art saw the development of a distinctly English style, and English art continued thereafter to have a distinct character. English art made after the formation in 1707 of the Kingdom of Great Britain may be regarded in most respects simultaneously as art of the United Kingdom. Medieval English painting, mainly religious, had a strong national tradition and was influential in Europe. The English Reformation, which was antipathetic to art, not only brought this tradition to an abrupt stop but resulted in the destruction of almost all wall-paintings. Only illuminated manuscripts now survive in good numbers. There is in the art of the English Renaissance a strong interest in portraiture, and the portrait miniature was more popular in Englan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triptych
A triptych ( ) is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry. Beyond its association with art, the term is sometimes used more generally to connote anything with three parts, particularly if integrated into a single unit. Etymology The word ''triptych'' was formed in English by compounding the prefix '' tri-'' with the word '' diptych''. ''Diptych'' is borrowed from the Latin , which itself is derived from the Late Greek () . is the neuter plural of () . In art The triptych form appears in early Christian art, and was a popular standard format for altar paintings from the Middle Ages onwa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Lilith
''Lady Lilith'' is an oil painting by Dante Gabriel Rossetti first painted in 1866–1868 using his mistress Fanny Cornforth as the model, then altered in 1872–73 to show the face of Alexa Wilding. The subject is Lilith, who was, according to ancient Judaic myth, "the first wife of Adam" and is associated with the seduction of men and the murder of children. She is shown as a "powerful and evil temptress" and as "an iconic, Amazon-like female with long, flowing hair."Delaware Art Museum, ''Lady Lilith'' Rossetti overpainted Cornforth's face, perhaps at the suggestion of his client, shipping magnate Frederick Richards Leyland, who displayed the painting in his drawing room with f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veronica Veronese
''Veronica Veronese'' is an oil painting by Dante Gabriel Rossetti painted in 1872 with Alexa Wilding as the model. The painting was conceived as a companion to ''Lady Lilith.'' Rossetti sold the painting to one of his best clients, shipping magnate Frederick Richards Leyland.''Waking Dreams'', p.194. In 1923 it was acquired by the estate of Samuel Bancroft which donated it in 1935 to the Delaware Art Museum. Painting Like much of Rossetti's work of the 1860s and 1870s, ''Veronica Veronese'' was inspired by Venetian painting. It is believed to represent "the artistic soul in the act of creation". This theme is expounded by the fictitious quote inscribed on the frame of the painting. Though the quote is attributed on the frame to "The Letters of Girolamo Ridolfi," critics believe that Algernon Charles Swinburne or Rossetti actually wrote it. The symbolism in the painting includes the uncaged bird, which may represent "the marriage of the voices of nature and the soul" and over ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Gabriel Rossetti00
Dante Alighieri (; most likely baptized Durante di Alighiero degli Alighieri; – September 14, 1321), widely known mononymously as Dante, was an Italian poet, writer, and philosopher. His ''Divine Comedy'', originally called (modern Italian: ) and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante chose to write in the vernacular, specifically, his own Tuscan dialect, at a time when much literature was still written in Latin, which was accessible only to educated readers, and many of his fellow Italian poets wrote in French or Provençal. His ' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Blessed Damozel
"The Blessed Damozel" is perhaps the best known poem by Dante Gabriel Rossetti, as well as the title of his painting (and its replica) illustrating the subject. The poem was first published in 1850 in the Pre-Raphaelite journal '' The Germ''. Rossetti subsequently revised the poem twice and republished it in 1856, 1870 and 1873. Poem The poem was partially inspired by Edgar Allan Poe's poem "The Raven", with its depiction of a lover grieving on Earth over the death of his loved one. Rossetti chose to represent the situation in reverse. The poem describes the damozel observing her lover from heaven, and her unfulfilled yearning for their reunion in heaven. The first four stanzas of the poem are inscribed on the frame of the painting: Paintings ''The Blessed Damozel'' is the only one of Rossetti's paired pictures and poems in which the poem was completed first. Friends and patrons repeatedly urged Rossetti to illustrate his most famous poem,Treuherz et al. (2003), p. 100 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mnemosyne (Rossetti)
__NOTOC__ ''Mnemosyne'', also titled ''Lamp of Memory'' and ''Ricordanza'', is an oil painting by Dante Gabriel Rossetti begun in 1875 or early 1876 and completed in 1881. Jane Morris was the model, and Frederick Richards Leyland bought the painting in 1881 and displayed it in his drawing room with five other Rossetti "stunners."''Waking Dreams'', p.206. At about the same time Rossetti, a founder of the Pre-Raphaelite Brotherhood, was painting ''Astarte Syriaca'', a larger painting completed in 1877 with Morris in a very similar pose. Painting ''Mnemosyne'' began as an oil study for ''Astarte Syriaca'', for which Jane Morris sat over the winter of 1875–1876,Marsh (1987), p. 130 but Rossetti later worked it up as an image of Mnemosyne, the Greek personification of Memory. Rossetti wrote to his mother about the two paintings on 29 April 1876: A month later Rossetti was considering ordering a frame for the painting and selling it to Clarence Fry. Fry declined and in July 187 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monna Rosa
''Monna Rosa'' is the title of two oil paintings by Dante Gabriel Rossetti, both portraits of Frances Leyland, the wife of shipping magnate Frederick Richards Leyland, a regular patron of Rossetti. The earlier and smaller painting was completed in 1862 and its whereabouts is now unknown. The second was completed in 1867 and is now in a private collection. Frederick Leyland displayed the larger painting in his drawing room with five other Rossetti "stunners." Painting Rossetti wrote to Frederick Leyland about the painting on 18 June 1867: Rossetti asked Leyland to return the painting for reworking and soon finished on 3 December 1873 at Kelmscott. About the time Rossetti was painting ''Monna Rosa'', he introduced James Abbott McNeill Whistler to Leyland. ''Monna Rosa's'' peacock background and blue and white Chinese porcelain are similar to the themes in ''The Peacock Room'' that Whistler later created for Leyland. File:FRLeylandsdrawingroom1892.jpg, 320px, Six Rossetti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
8th Rossetti Proserpine Cropped
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Eighth is ordinal form of the number eight. Eighth may refer to: * One eighth, , a fraction, one of eight equal parts of a whole * Eighth note (quaver), a musical note played for half the value of a quarter note (crotchet) * Octave, an interval between seventh and ninth * Eighth octave C, a C note * Eighth Lake, a lake by Inlet, New York See also * 1/8 (other) * 8 (other) * The 8th (other) * The Eighth Day (other) The Eighth Day may refer to: Observances * Octave (liturgy) * Shemini Atzeret, the eighth day of the Jewish Feast of Tabernacles * The eighth day (Christian) Film * ''Gattaca'', a 1997 film with working title ''The Eighth Day'' * On the Eight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adonis
In Greek mythology, Adonis (; ) was the mortal lover of the goddesses Aphrodite and Persephone. He was considered to be the ideal of male beauty in classical antiquity. The myth goes that Adonis was gored by a wild boar during a hunting trip and died in Aphrodite's arms as she wept; his blood mingled with her tears and became the anemone flower. The Adonia festival commemorated his tragic death, celebrated by women every year in midsummer. During this festival, Greek women would plant "gardens of Adonis", small pots containing fast-growing plants, which they would set on top of their houses in the hot sun. The plants would sprout but soon wither and die. Then, the women would mourn the death of Adonis, tearing their clothes and beating their breasts in a public display of grief. The Greeks considered Adonis's cult to be of Near Eastern origin. Adonis's name comes from a Canaanite word meaning "lord" and most modern scholars consider the story of Aphrodite and Adonis to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
