Prom King (album)
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Prom King (album)
''Prom King'' is the debut album by Skylar Spence, a pseudonym of New York City-based electronic musician Ryan DeRobertis. The album was released on September 18, 2015 via Carpark Records. DeRobertis started using the Skylar Spence name after copyright issues with his previous name, Saint Pepsi. ''Prom King'' was mostly recorded at home and four singles were released preceding the album. ''Prom King'' is a pop and dance album, marking a sonic departure for DeRobertis. In the album, DeRobertis sings and strays from the sampled vaporwave-like music he had created previously. The album received generally positive reviews from music critics, and placed on ''PopMatters''' year-end best list for 2015. Common comments from critics were about the album's effervescence, its nostalgia, and its cohesiveness. Background and recording Ryan DeRobertis previously created music as Saint Pepsi, but as he gained popularity, the name created legal trouble with PepsiCo. DeRobertis adopted the ps ...
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Skylar Spence
Ryan DeRobertis (known by his stage names Skylar Spence and SAINT PEPSI) is an American electronic musician and singer who grew up in Farmingville, New York and attended Boston College for two years studying music. His electronic music project SAINT PEPSI began in December 2012. After the release of his ninth studio album ''Hit Vibes'' in May 2013, he would retire the SAINT PEPSI name due to legal threats from the soft-drink company PepsiCo. He would adopt the name Skylar Spence in 2015, and release his debut record under that moniker, ''Prom King''. In 2019, he would return under the name SAINT PEPSI with the release of ''Mannequin Challenge'', and he currently uses that name for live performances and certain releases. Career Stereogum named DeRobertis their "band to watch" in July 2013, calling his music "addicting and fun." Pitchfork praised the release of "Mr. Wonderful," the lead track off the 2014 EP ''Gin City'', which was hosted on the music blog Gorilla vs. Bear. In Febr ...
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AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All-Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar, and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as compact discs (CDs) replaced LP record, LPs and cassette (format), cassettes as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he res ...
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Dance Club
Dance is an art form, consisting of sequences of body movements with aesthetic and often symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography, by its repertoire of movements or by its historical period or place of origin. Dance is typically performed with musical accompaniment, and sometimes with the dancer simultaneously using a musical instrument themselves. Two common types of group dance are theatrical and participatory dance. Both types of dance may have special functions, whether social, ceremonial, competitive, erotic, martial, sacred or liturgical. Dance is not solely restricted to performance, as dance is used as a form of exercise and occasionally training for other sports and activities. Dance performances and dancing competitions are found across the world exhibiting various different styles and standards. Dance may also be participated in alone as a form of exercise or self expression. Dancing is ...
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Sophisti-pop
Sophisti-pop is a pop music subgenre that developed during the mid-1980s out of the British new wave era. It originated with acts who blended elements of jazz, soul, and pop with lavish production. The term "sophisti-pop" was coined only after the genre's peak in the mid-late 1980s. Characteristics Sophisti-pop is characterized by its extensive use of electronic keyboards, synthesizers, and polished arrangements. Artists also utilized cutting-edge studio technology and perfectionist recording methods. The genre has been described as mellow, romantic, and atmospheric, with artists often adopting a sharp, well-dressed and well-groomed visual presentation. History ''Stylus Magazine'' suggested that acts had been influenced by the work of Roxy Music (such as 1982's '' Avalon'', often cited as the first sophisti-pop album), and Bryan Ferry's '' Boys and Girls'' (1985) and '' Bête Noire'' (1987). ''Sweetwater'' named major artists in the genre as including the Blue Nile, Prefa ...
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Victimisation
Victimisation ( or victimization) is the state or process of being victimised or becoming a victim. The field that studies the process, rates, incidence, effects, and prevalence of victimisation is called victimology. Peer victimisation Peer victimisation is the experience among children of being a target of the aggressive behaviour of other children, who are not siblings and not necessarily age-mates. Peer victimisation is correlated with an increased risk of depression and decreased well-being in adulthood. Secondary victimisation Secondary victimization (also known as post crime victimization"post-crime victimization or secondary victimization". Comprehensive Criminal Justice Terminology. Prentice Hall. Archived from the original on 10 March 2013. Retrieved 9 January 2008. or double victimization) refers to further victim-blaming from criminal justice authorities following a report of an original victimization. Revictimisation The term revictimisation refers to a patter ...
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Disco Funk
Disco is a genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightlife, particularly in African-American, Italian-American, Gay and Latino communities. Its sound features four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric pianos, synthesizers, and electric rhythm guitars. Discothèques, mostly a French invention, were imported to the United States with the opening of Le Club, a members-only restaurant and nightclub at 416 East 55th Street in Manhattan, by French expatriate Olivier Coquelin, on New Year's Eve 1960. Disco music originated from music popular with African Americans, Latino Americans, and Italian Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant ro ...
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