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Principia Sardonica
''Principia Sardonica'' is the second studio album by the American heavy metal band Rigor Sardonicous. It was released in 2004 on Paragon Records and is the band's first full-length album in 5 years. The album contains the 15-minute track "Possession". Track listing Personnel *Joseph J. Fogarazzo – guitars, vocals *Glenn Hampton – vocals, guitars, bass External links * Allmusic review AllMusic (previously known as All-Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the data ... Rigor Sardonicous albums 2004 albums Paragon Records albums {{2000s-doom-metal-album-stub ...
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Rigor Sardonicous
Rigor Sardonicous is an American doom metal band from Long Island, New York. Coined as "raw, apocalyptic doom", Rigor Sardonicous is one of the earliest American doom metal bands that are still active today among Novembers Doom and Evoken. The band members came together in 1988. According to an interview, the band is influenced by slow parts of death metal bands like Obituary, Winter and Autopsy. The band's name is Latin for "Rigid and sardonic"; the vast majority of their album and song titles are in Latin. However, the lyrics are still in English. On most of their recordings, the band uses a Boss DR-660 Dr. Rhythm drum machine A drum machine is an electronic musical instrument that creates percussion sounds, drum beats, and patterns. Drum machines may imitate drum kits or other percussion instruments, or produce unique sounds, such as synthesized electronic tones. A d .... History Rigor Sardonicous was formed in 1988 by bassist Glenn Hampton, before guitarist-vocalist ...
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Doom Metal
Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos, low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal. During the first half of the 1980s, a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram, Saint Vitus, the Obsessed, Trouble, and Cirith Ungol, and Swedish band Candlemass defined doom metal as a distinct genre. Pentagram, Saint Vitus, Trouble and Candlemass have been referred to as "the Big Four of Doom Metal". Characteristics Instrumentation The electric guitar, bass guitar, and drum kit are the most common instruments used to play doom meta ...
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Funeral Doom
Funeral doom is a subgenre of death-doom with heavy influence from Dirge, funeral dirge music. Low-Guitar tunings, tuned Electric guitar, guitars, death growls, instruments that emulate pipe organ sounds and ponderous pace are typical traits of this style. History An offshoot of death-doom, the genre was mostly inspired by the work of Autopsy (band), Autopsy, Winter (metal band), Winter, Cathedral (band), Cathedral and early Paradise Lost (band), Paradise Lost. Funeral doom truly came into being in the mid-1990s.Hinchliffe 2006a, p. 44. The genre was birthed out of Finland; Thergothon and Skepticism (band), Skepticism are commonly cited as the earliest two bands in the style, as well as Unholy (band), Unholy.Tracey 2006, p. 55.Hinchliffe 2006b, p. 54. Outside Scandinavia, the lines between death-doom and funeral doom pioneers were less clear cut. Disembowelment (band), diSEMBOWELMENT, from Australia, Birmingham-based Esoteric (band), Esoteric, and American act Evoken are examples ...
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Death-doom
Death-doom (also known as death-doom metal or doom-death) is a fusion genre of death metal and doom metal. It combines the slow tempos and pessimistic or depressive mood of doom metal with the deep death growl, growling vocals and double bass drum, double-kick drumming of death metal. The genre emerged in the late 1980s and gained a certain amount of popularity during the 1990s, but had become less common by the turn of the 21st century. In turn, death-doom gave rise to the closely related genre of funeral doom as well as to the more melodic, gloomy and romantic gothic metal. History The first signs of the death/doom genre originated in the mid-1980s when early progenitors like Dream Death began to mix traditional doom metal with the sounds of the nascent death metal scene.Bardin, Olivier (May 2006). "Forgotten Doom: Raiders of the Lost Art", ''Terrorizer'' #144, p.56 Early records in the 1990s by such bands as Autopsy (band), Autopsy, Winter (metal band), Winter, Paradise Lost ( ...
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Paragon Records
Paragon may refer to: Places *Paragon, Indiana, a town in the United States * Paragon, Nebraska, former community in the United States *The Paragon, Bath, a Georgian street in the Walcot area of Bath * The Paragon, Blackheath, London, built by Michael Searles *McLaren Technology Centre, formerly called the Paragon Technology Centre *Hull Paragon Interchange, a railway station and transportation complex in Kingston upon Hull, England *Paragon International School (Cambodia), a private school in Phnom Penh, Cambodia * Paragon International University, a private university in Phnom Penh, Cambodia Shopping malls *The Paragon, Singapore, a shopping mall *Siam Paragon, a shopping complex in Bangkok, Thailand Companies *Paragon Cable, a cable company based in Minneapolis; acquired by Time Warner Cable in 1999 * Paragon China, a British manufacturer of bone china *Paragon Gaming, an American casino company * Paragon Group of Companies, a British mortgage lender *Paragon Software, a vide ...
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Apocalypsis Damnare
''Apocalypsis Damnare'' (Latin for "Revelation Give a Damn") is the debut album by American doom metal band Rigor Sardonicous. It was released in 1999. A remade version of the album was released in 2005 under the label Smiling Death Records, featuring two different bass players. Track listing Critical reception Considered extreme even within a musical style defined by extremism this is about as uplifting as a post-genocide funeral procession. Personnel * Joseph J. Fogarazzo – guitars, vocals * Glenn Hampton – vocals, guitars, bass * Steve Moran – session bass (ex-Evoken) References External links * Allmusic review AllMusic (previously known as All-Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the data ...Blabbermouth reviewRYM review 1999 debut albums Rigor Sardonicous albums Paragon Records al ...
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Vallis Ex Umbra De Mortuus
''Vallis Ex Umbra De Mortuus'' (Latin for "The Valley of the Shadow of Death") is the third studio album by the American funeral doom band Rigor Sardonicous. It was released in 2008 on Paragon Records. The album's vinyl edition contains a cover of the song "Mad World" by English pop rock band Tears for Fears Tears for Fears are an English pop rock band formed in Bath in 1981 by Curt Smith and Roland Orzabal. Founded after the dissolution of their first band, the mod-influenced Graduate, Tears for Fears were associated with the synth-pop bands o .... Track listing Vinyl bonus track Personnel *Joseph J. Fogarazzo – guitars, vocals *Glenn Hampton – vocals, guitars, bass References External links Encyclopedia Metalllum RYM page 2008 albums Rigor Sardonicous albums Paragon Records albums {{2000s-doom-metal-album-stub ...
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Heavy Metal Music
Heavy metal (or simply metal) is a Music genre, genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distortion (music), distorted guitars, extended guitar solos, emphatic Beat (music), beats and loudness. In 1968, three of the genre's most famous pioneers – British bands Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss (band), Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1 ...
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Rigor Sardonicous Albums
Rigour (British English) or rigor (American English; see spelling differences) describes a condition of stiffness or strictness. These constraints may be environmentally imposed, such as "the rigours of famine"; logically imposed, such as mathematical proofs which must maintain consistent answers; or socially imposed, such as the process of defining ethics and law. Etymology "Rigour" comes to English through old French (13th c., Modern French '' rigueur'') meaning "stiffness", which itself is based on the Latin">Wiktionary:fr:rigueur">rigueur'') meaning "stiffness", which itself is based on the Latin ''rigorem'' (nominative ''rigor'') "numbness, stiffness, hardness, firmness; roughness, rudeness", from the verb ''rigere'' "to be stiff". The noun was frequently used to describe a condition of strictness or stiffness, which arises from a situation or constraint either chosen or experienced passively. For example, the title of the book ''Theologia Moralis Inter Rigorem et Laxit ...
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2004 Albums
4 (four) is a number, numeral (linguistics), numeral and numerical digit, digit. It is the natural number following 3 and preceding 5. It is a square number, the smallest semiprime and composite number, and is tetraphobia, considered unlucky in many East Asian cultures. Evolution of the Hindu-Arabic digit Brahmic numerals represented 1, 2, and 3 with as many lines. 4 was simplified by joining its four lines into a cross that looks like the modern plus sign. The Shunga Empire, Shunga would add a horizontal line on top of the digit, and the Northern Satraps, Kshatrapa and Pallava dynasty, Pallava evolved the digit to a point where the speed of writing was a secondary concern. The Arabs' 4 still had the early concept of the cross, but for the sake of efficiency, was made in one stroke by connecting the "western" end to the "northern" end; the "eastern" end was finished off with a curve. The Europeans dropped the finishing curve and gradually made the digit less cursive, endi ...
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