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Prince Igor (film)
''Prince Igor'' (, ) is an opera in four acts with a prologue, written and composed by Alexander Borodin. The composer adapted the libretto from the early Russian epic '' The Lay of Igor's Host'', which recounts the campaign of the 12th-century prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. He also incorporated material drawn from two medieval Kievan chronicles. The opera was left unfinished upon the composer's death in 1887 and was edited and completed by Nikolai Rimsky-Korsakov and Alexander Glazunov. It was first performed in St. Petersburg, Russia, in 1890. Composition history Original composition: 1869–1887 After briefly considering Lev Mei's ''The Tsar's Bride'' as a subject (later taken up in 1898 by Nikolai Rimsky-Korsakov, his 9th opera), Borodin began looking for a new project for his first opera. Vladimir Stasov, critic and advisor to The Mighty Handful, suggested '' The Lay of Igor's Host'', a 12th century epic prose p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Borodin
Alexander Porfiryevich Borodin (12 November 183327 February 1887) was a Russian Romantic composer and chemist of Georgian–Russian parentage. He was one of the prominent 19th-century composers known as " The Five", a group dedicated to producing a "uniquely Russian" kind of classical music. Abraham, Gerald. ''Borodin: the Composer and his Music''. London, 1927. Borodin is known best for his symphonies, his two string quartets, the symphonic poem '' In the Steppes of Central Asia'' and his opera '' Prince Igor''. A doctor and chemist by profession and training, Borodin made important early contributions to organic chemistry. Although he is presently known better as a composer, he regarded medicine and science as his primary occupations, only practising music and composition in his spare time or when he was ill. As a chemist, Borodin is known best for his work concerning organic synthesis, including being among the first chemists to demonstrate nucleophilic substitution, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
César Cui
César Antonovich Cui (; ; ; 26 March 1918) was a Russian composer and music critic, member of the Belyayev circle and The Five – a group of composers combined by the idea of creating a specifically Russian type of music. As an officer of the Imperial Russian Army, he rose to the rank of Engineer-General (equivalent to full General), taught fortifications in Russian military academies and wrote a number of monographs on the subject. Biography Upbringing and career Cesarius-Benjaminus Cui was born in Wilno, Vilna Governorate of the Russian Empire (now Vilnius, Lithuania) into a Catholic family of French and Polish– Lithuanian descent, the youngest of five children. The original French spelling of his surname was "Queuille." His French father, Antoine (Anton Leonardovich) Cui, entered Russia with Napoleon's army; in 1812, he was injured during the battle near Smolensk and (following the defeat) would settle in Vilnius. He married local noblewoman Julia Gucewicz; s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Opera Society
Russian(s) may refer to: *Russians (), an ethnic group of the East Slavic peoples, primarily living in Russia and neighboring countries *A citizen of Russia *Russian language, the most widely spoken of the Slavic languages *''The Russians'', a book by Hedrick Smith *Russian (comics), fictional Marvel Comics supervillain from ''The Punisher'' series *Russian (solitaire), a card game * "Russians" (song), from the album ''The Dream of the Blue Turtles'' by Sting *"Russian", from the album ''Tubular Bells 2003'' by Mike Oldfield *"Russian", from the album '' '' by Caravan Palace *Nik Russian, the perpetrator of a con committed in 2002 See also * *Russia (other) *Rus (other) *Rossiysky (other) *Russian River (other) *Rushen (other) Rushen may refer to: Places * Rushen, formally Kirk Christ Rushen, a historic parish of the Isle of Man ** Rushen (constituency), a House of Keys constituency of which the parish forms part ** Rushen (sheading ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lev Ivanov
Lev Ivanovich Ivanov (; 2 March 1834, Moscow – 24 December 1901, Saint Petersburg) was a Russian ballet dancer and choreographer and later, Second Balletmaster of the Mariinsky Ballet, Imperial Ballet. As a performer with the Mariinsky Ballet, Imperial Ballet, he achieved prominence after performing as an understudy in a benefit performance of ''La Fille Mal Gardée''. He is most famous as the choreographer of Acts II and IV of ''Swan Lake'', which include the ''Danse des petits cygnes, Dance of the Little Swans'', Act II of ''Cinderella (Fitinhof-Schell), Cinderella'', and ''The Nutcracker'', which he choreographed alongside Marius Petipa. Biography Ivanov entered the Moscow School of Dance, but in 1844 moved to Saint Petersburg where he studied at the Mariinsky Ballet, Imperial Ballet, becoming an official member of the Corps de ballet in 1852. Among his teachers during this time were Jean-Antoine Petipa, Alexandr Pimenov, Pierre Frédéric Malavergne and Emile Gredlu (). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Style
Old Style (O.S.) and New Style (N.S.) indicate dating systems before and after a calendar change, respectively. Usually, they refer to the change from the Julian calendar to the Gregorian calendar as enacted in various European countries between 1582 and 1923. In England, Wales, Ireland and Britain's American colonies, there were two calendar changes, both in 1752. The first adjusted the start of a new year from 25 March (Lady Day, the Feast of the Annunciation) to 1 January, a change which Scotland had made in 1600. The second discarded the Julian calendar in favour of the Gregorian calendar, skipping 11 days in the month of September to do so.. "Before 1752, parish registers, in addition to a new year heading after 24th March showing, for example '1733', had another heading at the end of the following December indicating '1733/4'. This showed where the Historical Year 1734 started even though the Civil Year 1733 continued until 24th March. ... We as historians have no excus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduard Nápravník
Eduard Francevič Naprávnik (Russian: Эдуа́рд Фра́нцевич Напра́вник; 24 August 1839 – 10 November 1916) was a Czech conductor and composer. Nápravník settled in Russian Empire and is best known for his leading role in Russian musical life as the principal conductor of the Imperial Mariinsky Theatre in Saint Petersburg for many decades. In that capacity, he conducted the premieres of many operas by Russian composers, including those by Mussorgsky, Tchaikovsky and Rimsky-Korsakov. Biography Nápravník was born in Býšť, Bohemia, in 1839. His studies of music were precariously uneven as a child, being the son of a poor teacher. Orphaned in 1853 at the age of 14, he first worked as a local church organist. In 1854 he entered the Prague Organ School, where he studied under Jan Bedřich Kittl and others, eventually becoming an assistant teacher as Kittl's generosity allowed him to continue his studies. In 1861, he worked in Russia for the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orientalism
In art history, literature, and cultural studies, Orientalism is the imitation or depiction of aspects of the Eastern world (or "Orient") by writers, designers, and artists from the Western world. Orientalist painting, particularly of the Middle East, was one of the many specialties of 19th-century academic art, and Western literature was influenced by a similar interest in Oriental themes. Since the publication of Edward Said's ''Orientalism (book), Orientalism'' in 1978, much academic discourse has begun to use the term 'Orientalism' to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, 'the West' Essentialism, essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of Imperialism, imperial power. Implicit in this fabrication, writes Said, is the idea that Western society is developed, rational, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Appoggiaturas
An appoggiatura ( , ; or ; ) is a musical ornament that consists of an added non-chord note in a melody that is resolved to the regular note of the chord. By putting the non-chord tone on a strong beat, (typically the first or third beats of the measure, in 4/4 time) this accents the appoggiatura note, which also delays the appearance of the principal, expected chord note. The added non-chord note, or auxiliary note, is typically one degree higher or lower than the principal note, and may be chromatically altered. An appoggiatura may be added to a melody in a vocal song or in an instrumental work. The term comes from the Italian verb , "to lean upon". The appoggiatura is often used to express emotional "yearning". It is also called a long appoggiatura to distinguish it from the short appoggiatura, the acciaccatura. An ascending appoggiatura was previously known as a forefall, while a descending appoggiatura was known as a backfall. Notation The appoggiatura is often written ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melisma
Melisma (, , ; from , plural: ''melismata''), informally known as a vocal run and sometimes interchanged with the term roulade, is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. History General The term ''melisma'' may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Melisma is prevalent in many forms of Gregorian chant (see e.g. Jubilus) as well as late-medieval sacred polyphony, notably in works by Guillaume de Machaut, John Dunstaple, and many early Tudor composers represented in the Eton, Caius, and Lambeth choirbooks. Today, melisma is commonly used in Middle Eastern, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromaticism
Chromaticism is a compositional technique interspersing the primary diatonic scale, diatonic pitch (music), pitches and chord (music), chords with other pitches of the chromatic scale. In simple terms, within each octave, diatonic music uses only seven different notes, rather than the twelve available on a standard piano keyboard. Music is chromatic when it uses more than just these seven notes. Chromaticism is in contrast or addition to tonality or diatonic and chromatic, diatonicism and modality (music), modality (the major scale, major and minor scale, minor, or "white key", scales). Chromatic elements are considered, "elaborations of or substitutions for diatonic scale members".Matthew Brown; Schenker, "The Diatonic and the Chromatic in Schenker's "Theory of Harmonic Relations", ''Journal of Music Theory'', Vol. 30, No. 1 (Spring 1986), pp. 1–33, citation on p. 1. Development of chromaticism Chromaticism began to develop in the late Renaissance music, Renaissance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Glinka
Mikhail Ivanovich Glinka ( rus, links=no, Михаил Иванович Глинка, Mikhail Ivanovich Glinka, mʲɪxɐˈil ɨˈvanəvʲɪdʑ ˈɡlʲinkə, Ru-Mikhail-Ivanovich-Glinka.ogg; ) was the first Russian composer to gain wide recognition within his own country and is often regarded as the fountainhead of Russian classical music. His compositions were an important influence on other Russian composers, notably the members of The Five, who produced a distinctive Russian style of music. Early life and education Glinka was born in the village of Novospasskoye, not far from the Desna River in the Smolensk Governorate of the Russian Empire (now in the Yelninsky District of the Smolensk Oblast). His wealthy father had retired as an army captain, and the family had a strong tradition of loyalty and service to the tsars, and several members of his extended family had lively cultural interests. His great-great-grandfather was a Polish–Lithuanian Commonwealth nobleman, Wikt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Life For The Tsar
''A Life for the Tsar'' ( ) is a "patriotic-heroic tragic" opera in four acts with an epilogue by Mikhail Glinka. During the Soviet era the opera was known under the name '' Ivan Susanin'' ( ), due to the anti-monarchist censorship. The original Russian libretto, based on historical events, was written by Nestor Kukolnik, Egor Fyodorovich (von) Rozen, Vladimir Sollogub and Vasily Zhukovsky. It premiered on 27 November 1836 OS (9 December NS) at the Bolshoi Kamenny Theatre in Saint Petersburg. The historical basis of the plot involves Ivan Susanin, a patriotic hero of the early 17th century who died in the expulsion of the invading Polish army for the newly elected Tsar Michael of Russia, the first of the Romanov dynasty, elected in 1613. History Composition history The plot of ''A Life for the Tsar'' had been used earlier in 1815, when Catterino Cavos, an Italian-Russian composer, had written a two-act singspiel with the same subject and title. The original title of the ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
