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Preobrajenska
Olga Iosifovna Preobrajenska (russian: О́льга Ио́сифовна Преображе́нская; born Preobrazhenskaya; – 27 December 1962) was a Russian ballerina of the Mariinsky Ballet, Russian Imperial Ballet and a ballet instructor. Biography She was born in Saint Petersburg as Olga Preobrazhenskaya (the final syllable of her surname was dropped to shorten her name for professional purposes, and she used the French transliteration, Preobrajenska). Olga—born frail and with a crooked spine—was an unlikely prima ballerina. But she had dreams of being a dancer, and for years her parents tried unsuccessfully to get her enrolled in dance school. The selection committee repeatedly rejected her as a candidate. But after three years of trying, her parents succeeded and the eight-year-old Olga entered the Imperial Ballet School in 1879. Despite her physical shortcomings, Preobrazhenskaya grew strong with training under Marius Petipa, Lev Ivanov and Anna Johansso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamara Toumanova
Tamara Toumanova ( ka, თამარა თუმანოვა; 2 March 1919 – 29 May 1996) was a Georgian-American prima ballerina and actress. A child of exiles in Paris after the Russian Revolution of 1917, she made her debut at the age of 10 at the children's ballet of the Paris Opera. She became known internationally as one of the Baby Ballerinas of the Ballet Russe de Monte Carlo after being discovered by her fellow émigré, balletmaster and choreographer George Balanchine. She was featured in numerous ballets in Europe. Balanchine featured her in his productions at Ballet Theatre, New York, making her the star of his performances in the United States. While most of Toumanova's career was dedicated to ballet, she appeared as a ballet dancer in several films, beginning in 1944. She became a naturalized United States citizen in 1943 in Los Angeles, California. Career Toumanova was the daughter of Yevgenia [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote (ballet), Don Quixote'' (1869); ''La Bayadère'' (1877); ''The Talisman (ballet), Le Talisman'' (1889); ''The Sleeping Beauty Ballet, The Sleeping Beauty'' (1890); ''The Nutcracker'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rachel Cameron
Rachel Cameron (27 March 1924—6 March 2011) was an Australian ballet dancer and teacher. She was one of the leading dancers in early Australian ballet in the 1940s, performing with the Borovansky and Kirsova ballet companies, and was one of the first ballet dancers in Australia to reach the rank of principal. After emigrating to Great Britain she was an inspirational educator of ballet teachers at the Royal Academy of Dance in London for over forty years. In 2010, she received the Royal Academy of Dance's prestigious Queen Elizabeth II Coronation Award in recognition of her outstanding services to ballet. Early life Rachel Cameron was born in Brisbane, Queensland, Australia on 27 March 1924.Register of Births, Deaths and Marriages, Queensland Government, Australia She was the first of two children of a bank manager, Ewen Carlyle Cameron, who was of Scottish extraction, and his wife, Adeline Maude Wilson, whose ancestors were Scottish and Irish. Through her father Camer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymonda -Grand Pas Hongrois -Olga Preobrajeska -1903
''Raymonda'' (russian: Раймонда) is a ballet in three acts, four scenes with an apotheosis, choreographed by Marius Petipa to music by Alexander Glazunov, his Opus 57. It was first presented by the Imperial Ballet at the Imperial Mariinsky Theatre on in Saint Petersburg, Russia. The ballet was created especially for the benefit performance of the Italian ballerina Pierina Legnani, who created the title role. Among the ballet's most celebrated passages is the ''Pas classique hongrois'' (a.k.a. ''Raymonda Pas de dix'') from the third act, which is often performed independently. Today ''Raymonda'' is performed by many ballet companies throughout the world with choreography that is derived primarily from the Kirov Ballet's 1948 revival as staged by Konstantin Sergeyev. Sergeyev greatly altered, and in some cases changed entirely, Marius Petipa's choreography, particularly in the dances for the ''corps de ballet''. The choreography as revised by Sergeyev remains the traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White émigré
White Russian émigrés were Russians who emigrated from the territory of the former Russian Empire in the wake of the Russian Revolution (1917) and Russian Civil War (1917–1923), and who were in opposition to the revolutionary Bolshevik communist Russian political climate. Many white Russian émigrés participated in the White movement or supported it, although the term is often broadly applied to anyone who may have left the country due to the change in regimes. Some white Russian émigrés, like Mensheviks and Socialist-Revolutionaries, were opposed to the Bolsheviks but had not directly supported the White Russian movement; some were apolitical. The term is also applied to the descendants of those who left and who still retain a Russian Orthodox Christian identity while living abroad. The term " émigré" is most commonly used in France, the United States, and the United Kingdom. A term preferred by the émigrés themselves was first-wave émigré (russian: link= no, э� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irina Baronova
Irina Mikhailovna Baronova FRAD (; 13 March 1919 – 28 June 2008) was a Russian ballerina and actress who was one of the Baby Ballerinas of the Ballet Russe de Monte Carlo, discovered by George Balanchine in Paris in the 1930s. She created roles in Léonide Massine's ''Le Beau Danube'' (1924), ''Jeux d'enfants'' (1932), and ''Les Présages'' (1933); and in Bronislava Nijinska's ''Les Cent Baisers'' (1935). Biography Baronova was born in Saint Petersburg (then known as Petrograd) in 1919, the daughter of a lieutenant in the Imperial Navy, Mikhail Baronov, and his wife Lidia (). In November 1920, the Baronov family escaped the Russian Revolution by dressing as peasants and crossing the border into Romania. After first arriving in Arges, Romania, the family eventually settled in Bucharest. Irina's father found work at a factory and, for the next several years, the Baronov family lived in the slums surrounding the various factories where Mikhail was employed. Their start on lif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tatiana Dokoudovska
Tatiana Dokoudovska (13 January 1921 – 21 September 2005) was a French ballet dancer, choreographer and ballet master of Russian origin. Biography Tatiana Dokoudovska was born on 13 January 1921 in Beausoleil, France, near Monte Carlo, from Alexis and Nadia Dokoudovsky. His father was the son of a Russian nobleman and the Italian grandfather of her mother Nadia, an opera singer. A student of Olga Preobrajenska, prima ballerina of the Russian Imperial Theatre, Dokoudovska at the age of 12 started her professional career, dancing in operettas and films. While attending the Ecole des Artes (Professional School), she danced for the lyric season in Monte Carlo, then was hired as a soloist by the Ballet Russe de l'Opera Comique in Paris. In 1939 she traveled to the United States and joined the Mordkin Ballet, with which she toured and spent a season in New York City, continuing with the company that would later be called the American Ballet Theatre. She died on 21 September 2005. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Seasons (ballet)
''The Seasons'' (russian: Времена года, ''Vremena goda''; also french: Les Saisons) is an allegorical ballet in one act, four scenes, by the choreographer Marius Petipa, with music by Alexander Glazunov, his Op. 67. The work was composed in 1899 and first performed by the Imperial Ballet in 1900 in St. Petersburg, Russia. History Composition history The score for Marius Petipa's ''Les Saisons'' (''The Seasons'') was originally intended to have been composed by the Italian composer and conductor Riccardo Drigo, who was Glazunov's colleague and close friend. Since 1886, Drigo held the posts of director of music and ''chef d’orchestre'' to the Ballet of the St. Petersburg Imperial Theatres, while also serving as conductor for performances of the Italian operas in the repertory of the Imperial Opera. Petipa's '' Les Millions d’Arlequin'' (also known as ''Harlequinade'') was also in its preliminary stages at the same time as ''Les Saisons'', and was originally intende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Millions D'Arlequin
''Les Millions d'Arlequin'' (English: ''Harlequin's Millions'') (Russian: "Миллионы Арлекина", ''Milliony Arlekina'') also known under the title ''Harlequinade'' (Russian: "Арлекинада", ''Arlekinada'') is a ''ballet comique'' in two acts and two tableaux with libretto and choreography by Marius Petipa and music by Riccardo Drigo. It was first presented at the Theatre of the Imperial Hermitage Museum by the Imperial Ballet in Saint Petersburg on . The ballet was given a second premiere with the same cast at the Imperial Mariinsky Theatre on . The ''Sérénade'' from the first act of the ballet became a popular repertory piece that has been arranged for various instruments and recorded on numerous occasions. History Ivan Vsevolozhsky took up the directorship of the Imperial Hermitage Museum in 1899, a post that required supervision over performances given at the museum's theatre. Vsevolozhsky commissioned Marius Petipa—the renowned ''Premie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Youskevitch
Igor Youskevitch (russian: link=no, Игорь Юскевич, uk, Ігор Юскевич) (13 March 1912 – 13 June 1994) was a ballet dancer and a choreographer of Russian-Ukrainian origin, famous as one of the greatest male ballet dancers of the 20th century, as a master of the classic style, e.g., in ''Afternoon of a Faun'', and as a dance partner to Alicia Alonso. Early years Born in the village of Pyriatyn, Poltava Oblast, (then part of the Russian Empire, now Ukraine in central Ukraine), Youskevitch was the son of a judge. The family fled the Russian Revolution and in 1920 settled in Belgrade. Youskevitch was educated in Belgrade and graduated with a degree in engineering from Belgrade University. He did not begin his ballet training until the age of twenty although prior to that he was active in a Slavic athletic organisation and received early training as a gymnast. In 1932, the Yugoslavian ballerina Zenia Grunt saw him at a tournament and persuaded him to take up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sainte-Geneviève-des-Bois Russian Cemetery
Sainte-Geneviève-des-Bois Russian Cemetery (french: Cimetière russe de Sainte-Geneviève-des-Bois) is part of the ''Cimetière de Liers'' and is called the Russian Orthodox cemetery, in Sainte-Geneviève-des-Bois, Paris, France. History The ''Cimetière de Liers'' was created as the second communal cemetery on February 8, 1879 in the city of Sainte Geneviève des Bois in France, 25 km south from Paris. To house the burials of the White Russians who arrived in Moscow after the Bolshevik revolution in Russia, some of the land was granted in 1927 to an English benefactress, Dorothy Paget who had set up with Elena Orlov and her sister Princess Vera Meshchersky a still active retirement home for Russian émigrés nearby in the Château de la Cossonnerie. This part of the cemetery is since known as ''the Russian Cemetery''. In 1938–39 Albert Benois designed the Dormition Church (Église de la Dormition-de-la-Mère-de-Dieu) which serves the cemetery. The church is regard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Alonso
Alberto Julio Rayneri Alonso (22 May 1917 – 31 December 2007) was a Cuban dancer and choreographer, the brother of Fernando Alonso and brother-in-law of Alicia Alonso (née Martinez). He was influential in the development of the Cuban style of ballet, a combination of Russian and Western techniques with a Latin style. Biography Alonso was born in Havana, and attended Springhill College in Mobile, Alabama. On returning to Cuba, he began ballet training in 1932 at the ''Sociedad Pro-Arte Musical'' arts school in Havana with Nikolai Yavorsky. He studied in Paris with several teachers including Preobrazhenska and Idzikowski, and danced with the Ballets Russes de Colonel W. de Basil from 1936 to 1940, performing principal roles in several ballets created by Michel Fokine. He subsequently danced with the Ballet Theatre from 1943 to 1945, in works created by Fokine, George Balanchine and Leonid Massine. Back in Cuba in 1948, he co-founded with Alicia and Fernando Alonso the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
