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Pre-Bird
''Pre-Bird'' (later re-released as ''Mingus Revisited'') is an album by jazz bassist and composer Charles Mingus consisting of music that was composed before Mingus first heard Charlie Parker, hence the title ''Pre-Bird''. It was released on Mercury Records in September 1961. Recording The album was recorded over May 24–25, 1960 at Plaza Sound Studios in New York City. Tracks 4, 7, and 8 were recorded on the 24th, with tracks 1-3, 5, and 6 recorded the following day. The album includes two tracks which feature contrapuntal arrangements of swing era pieces, aided by stereo mixing. In the first, "Take the "A" Train" is played in the left channel, paired with " Exactly Like You" in the right channel. The same is done with "Do Nothin' Till You Hear From Me" and "I Let a Song Go Out of My Heart". Track listing Personnel ''Personnel via MusicBrainz''. Brass *Marcus Belgrave - trumpet *Ted Curson - trumpet *Hobart Dotson - trumpet *Clark Terry - trumpet * Richard Williams - tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mingus
Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz Double bass, upright bassist, composer, bandleader, pianist, and author. A major proponent of collective Musical improvisation, improvisation, he is considered one of the greatest jazz musicians and composers in history,See the 1998 documentary ''Triumph of the Underdog'' with a career spanning three decades and collaborations with other jazz greats such as Duke Ellington, Charlie Parker, Max Roach, and Eric Dolphy. Mingus's work ranged from advanced bebop and avant-garde jazz with small and midsize jazz ensemble, ensembles to pioneering the post-bop style on seminal recordings like ''Pithecanthropus Erectus (album), Pithecanthropus Erectus'' (1956) and ''Mingus Ah Um'' (1959) and progressive big band experiments such as ''The Black Saint and the Sinner Lady'' (1963). Mingus's compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty (b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mingus Presents Charles Mingus
''Charles Mingus Presents Charles Mingus'' is an album by the jazz double bassist and composer Charles Mingus, recorded in October 1960 and released in December of the same year. The quartet of Mingus, multi-instrumentalist Eric Dolphy, trumpeter Ted Curson, and drummer Dannie Richmond constituted Mingus' core working band at the time, and had been performing the material on this album for weeks at The Showplace in New York. To recreate this atmosphere, Mingus introduces the songs as if he were speaking to the audience, even admonishing them to not applaud or rattle their glasses. This explains why the recordings on ''Presents'' would seemingly give off the illusion of a live album, when in fact it is a studio album. The album was recorded in New York for the Candid label, founded by Nat Hentoff. Mingus usually recorded on major labels like Columbia and Atlantic, but he was given more freedom on Hentoff's independent label. ''Presents'' has received positive reviews from jazz c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mingus (Charles Mingus Album)
''Mingus'' is an album by the jazz bassist and composer Charles Mingus. The album was recorded in October and November 1960 in New York and released in late 1961 on Nat Hentoff's Candid label. Background At this time Mingus was working regularly with a piano-less quartet featuring Eric Dolphy, Ted Curson and Dannie Richmond, as heard on the ''Charles Mingus Presents Charles Mingus'' album also recorded in October 1960. The ''Mingus'' album features one track, "Stormy Weather", recorded by the same quartet, plus two tracks recorded by a larger group featuring piano and additional horns. The track "M.D.M." weaves together the themes from three compositions: Duke Ellington's "Main Stem", Thelonious Monk's "Straight, No Chaser" and Mingus's own "Fifty-First Street Blues". The track "Lock 'Em Up" was inspired by a period of treatment that Mingus describes undergoing in his autobiography '' Beneath the Underdog'', at New York's Bellevue psychiatric facility. Track listings Candid r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take The "A" Train
"Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra. In 1976, the 1941 recording by Duke Ellington on Victor Records was inducted into the Grammy Hall of Fame. History The use of the Strayhorn composition as the signature tune was made necessary by a ruling in 1940 by the American Society of Composers, Authors and Publishers (ASCAP). When ASCAP raised its licensing fees for broadcast use, many ASCAP members, including Ellington, could no longer play their compositions over radio, as most music was played live on radio at the time. Ellington turned to Billy Strayhorn and son Mercer Ellington, who were registered with ASCAP's competitor Broadcast Music Incorporated, BMI, to "write a whole new book for the band," Mercer recalled. A' Train" was one of many tunes written by Strayhorn, and was picked to replace "Sepia Panorama" as the band's signature song. Mercer recalled that he found the composition in a trash ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exactly Like You (song)
"Exactly Like You" is a popular song with music written by Jimmy McHugh and lyrics by Dorothy Fields and published in 1930. The song was introduced by Harry Richman and Gertrude Lawrence in the 1930 Broadway show ''Lew Leslie's International Revue'' which also featured McHugh and Fields's "On the Sunny Side of the Street". Other versions * Ruth Etting (1930) * Louis Armstrong (1930) * Casa Loma Orchestra (1930) * Roger Wolfe Kahn & His Orchestra with Scrappy Lambert on vocals (1930) * Count Basie with Jimmy Rushing on vocals * Django Reinhardt (1937) * Don Byas with Thelonious Monk (1941) * Nat King Cole Trio (1949) * Dizzy Gillespie and Stan Getz – '' Diz and Getz'' (1953) * Erroll Garner (1954) * Bing Crosby - for his album '' Bing with a Beat'' (1957). * Aretha Franklin * Nina Simone (1959) * Sue Raney - ''Songs for a Raney Day'' (1960) *Sam Cooke - My Kind of Blues (1961) * Benny Goodman with Lionel Hampton on vocals * The Masakowski Family, ''N. O. Escape'' * Dave M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MusicBrainz
MusicBrainz is a MetaBrainz project that aims to create a collaborative music database that is similar to the freedb project. MusicBrainz was founded in response to the restrictions placed on the CDDB, Compact Disc Database (CDDB), a database for software applications to look up audio Compact disc, CD information on the Internet. MusicBrainz has expanded its goals to reach beyond a CD Metadata (computing), metadata (information about the performers, artists, songwriters, etc.) storehouse to become a structured online database for music. MusicBrainz captures information about artists, their recorded works, and the relationships between them. Recorded works entries capture the album title, track titles, and the length of each track at a minimum. These entries are maintained by volunteer editors who follow community written style guidelines. Recorded works can also store information about release date and country, the CD ID, cover art, acoustic fingerprint, free-form annotation text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically dependent on each other, yet independent in rhythm and melodic contour. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". John Rahn describes counterpoint as follows: Counterpoint has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereo
Stereophonic sound, commonly shortened to stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeakers (or stereo headphones) in such a way as to create the impression of sound heard from various directions, as in natural hearing. Because the multi-dimensional perspective is the crucial aspect, the term ''stereophonic'' also applies to systems with more than two channels or speakers such as quadraphonic and surround sound. Binaural sound systems are also ''stereophonic''. Stereo sound has been in common use since the 1970s in entertainment media such as broadcast radio, recorded music, television, video cameras, cinema, computer audio, and the Internet. Etymology The word ''stereophonic'' derives from the Greek (''stereós'', "firm, solid") + (''phōnḗ'', "sound, tone, voice") and it was coined in 1927 by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Do Nothin' Till You Hear From Me
"Do Nothing till You Hear from Me" (also written as "Do Nothin' Til You Hear from Me") is a song with music by Duke Ellington and lyrics by Bob Russell. It originated as a 1940 instrumental ("Concerto for Cootie") that was designed to highlight the playing of Ellington's lead trumpeter, Cootie Williams. Russell's words were added later. In 1944, Ellington's own recording of the song was a number one hit R&B chart for eight non-consecutive weeks and number six on the pop chart. Other recordings to reach the ''Billboard'' charts in 1944 were by Woody Herman and by Stan Kenton (vocal: Red Dorris). Other versions "Do Nothing till You Hear from Me" has since been performed by many other famous musical artists, including: *Nat King Cole, 1944, with The King Cole Trio *Billie Holiday, 1944 – Live, 1955, Studio, '' Stay With Me'' *Lena Horne, 1944, appears on her 2002 compilation album ''The Young Star'' *Patti Page, 1949, released in 1986 on ''The Uncollected Patti Page (1949): Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cash Box
''Cashbox'', also known as ''Cash Box'', is an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1942–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were ''Billboard (magazine), Billboard'' and ''Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
