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Power Moves
Power moves are dance moves which are loosely defined as moves relying on speed, momentum, and acrobatic elements for performance. They are prominent in B-boying, often the centerpieces of routines featuring the other elements (toprock, downrock, and freezes) that make up breaking. Power moves are closer to gymnastics than dancing. B-boys who focus heavily on power moves and execute them as a main part of their routines are often called "power heads". Types *Spins *Airflare * Floats * Swipes *Flares A flare, also sometimes called a fusée, fusee, or bengala, bengalo in several European countries, is a type of pyrotechnic that produces a bright light or intense heat without an explosion. Flares are used for distress signaling, illuminatio ... References See also {{DEFAULTSORT:Power Move Breakdance moves ...
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R16 Cypher
R16 may refer to: Roads * R16 road (Ghana) * R-16 regional road (Montenegro) Vehicles * R16 (New York City Subway car) * Lublin R-XVI, a 1932 Polish passenger and air ambulance aircraft * Renault 16, a family hatchback * Romano R.16, a high wing monoplane * , a destroyer of the Royal Canadian Navy * , an aircraft carrier of the Royal Navy * , a submarine of the United States Navy Other uses * R-16 or Restricted-16, a movie rating from the Movie and Television Review and Classification Board * R-16 (missile) The R-16 was the first successful intercontinental ballistic missile deployed by the Soviet Union. In the West it was known by the NATO reporting name SS-7 Saddler, and within Russia, it carried the GRAU index 8K64. Description The missile was ..., a Soviet intercontinental ballistic missile * R16 (Rodalies de Catalunya), a regional rail line in Catalonia, Spain * '' Aika R-16: Virgin Mission'', an anime OVA series * R-16 Korea, an international b-boy competiti ...
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B-boying
Breakdancing or breaking, also called b-boying (when performed by men) or b-girling (women), is a style of street dance originated by African Americans and Nuyorican, Puerto Ricans in The Bronx borough of New York City. Breakdancing consists mainly of four kinds of movement—toprock, Floorwork#B-boying, footwork, power moves, and Freeze (b-boy move), freezes—and is typically set to songs containing drum Break (music), breaks, especially in funk, soul music, soul, and hip-hop. Its modern dance elements originated among the poor youth of New York during the early 1980s. It is tied to the birth of hip-hop, whose DJs developed rhythmic break for dancers. The dance form has expanded globally, with an array of organizations and independent competitions supporting its growth. Breaking became an Breaking at the Summer Olympics, Olympic sport at the 2024 Summer Olympics in Paris, as per a December 7, 2020 decision by the International Olympic Committee, after a proposal by the Wo ...
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Toprock
In breakdancing, toprock is foot movement performed while standing, serving as the opening display of style, and as a warm-up for transitions into the more acrobatic maneuvers of downrock. It allows the dancer to demonstrate coordination, flexibility, rhythm, and style. Breakers may devote considerable time to developing their toprock, which may include elements of salsa, Lindy Hop, Liquid dancing and the Robot. Common toprock steps include the Indian step, Bronx step, Charlie rock, hip twist, kick step and side step. References See also *Freeze (b-boy move) A freeze is a b-boying technique that involves halting all body motion, often in an interesting or balance-intensive pose, for a few seconds. It is implied that the position is hit and held from motion as if freezing in motion, or into ice. ... {{Street dance Breakdance moves Funk dance ...
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Downrock
In dance, floorwork refers to movements performed on the floor. Floorwork is used extensively in modern dance, particularly Graham technique, Erick Hawkins, Hawkins technique, and breakdancing. Some dance training practices, notably Zena_Rommett#Floor-Barre_technique, Floor-Barre, consist entirely of floorwork. Floorwork changes the body's relationship with gravity, and requires dancers to navigate between higher and lower levels ("going in and out of the floor"). These features are central to the use of floorwork in choreography, and also affect its role in technique classes. Executing floorwork smoothly requires flexible joints, a relaxed body, and attention to the kinesthetic feedback provided by the floor. The "low" or floorwork level is one of three principal spatial levels dancers may occupy, along with the middle or bipedestrian (upright) and the high or aerial (jumping) levels. Concert dance The use of floorwork is one of the major differences between modern dance and ...
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Freeze (b-boy Move)
A freeze is a b-boying technique that involves halting all body motion, often in an interesting or balance-intensive pose, for a few seconds. It is implied that the position is hit and held from motion as if freezing in motion, or into ice. Freezes often incorporate various twists and distortions of the body into stylish and often difficult positions. Spin (breakdance move), Spins are often combined with freezes, and the spins are usually done in the form of Kick (breakdance move), highkicks. Various handstands ("inverts", "Nikes", and "pikes") can be frozen, and skilled breakers sometimes incorporate the technique of ''threading'' into handstands by forming a loop with one arm and leg, then "threading" the other leg in and out of the loop. Variants There are many different variations of freezes. A common naming convention categorizes freezes based on what part of the body is in contact with the ground. First Freezes were chin freaks, Tracks, Splits, deadman freeze, chairs. ...
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Spin (b-boy Move)
A spin is a b-boying move that involves rotation of the breaker's body about some axis in contact with the ground. It is possible to perform a spin on virtually any part of the body, but bare skin often causes painful and spin-killing friction with the floor. To solve this problem, many breakers employ pieces of cloth or wear long clothing, pads, or caps. When the dancer uses his hands to aid in speeding up the spin, it is called ''tapping''. A dancer may tap for a few rotations and then glide for subsequent rotations. Spins form an integral part of many breakers' routines, while others eschew them in favor of more complex-looking repeated movements, back and forth, after each rotation in a given direction. Variants *1990s and 2000s are spinning handstands sometimes considered to be power moves. The term 1990 was created by ken swift of the Rocksteady crew but the actual move of spinning on one hand was created by Spinner of the Dynamic Rockers who at the time called it a hand spi ...
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Airflare
The airflare (or air-flare) refers to an acrobatic movement in which the performer rotates the torso around the vertical axis of their body (extending from the head down vertically) whilst simultaneously traveling in a circular path along a plane parallel with the floor. The feet are not allowed to touch the ground during the execution of this move and both hands are used to execute standard airflares. Origins and pioneers The move emerged from a similar move called the ''airtrack'', in which one rotates in a vertical axis but does not travel in a circular path. The airtrack can be traced back to the early 1980s. By the 1990s, a dancer named Paulo Nunes in Europe had created the variation which is essentially the same move as the modern airflare. At that time in Europe it, was referred to as the airtwist. By the mid 1990s video arrived by way of EZ-Rock of Rocksteady which introduced the maneuver to the States at that time, in particular, to California Breakdance, b-boys/breakd ...
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Float (breakdance Move)
The float or turtle is a b-boying move in which breakdancers turn on their hands with their body horizontal to the floor. Its origins are from basic gymnastics. Though it appears to demand great strength, the float actually requires balance above all because the breaker's weight is supported on the elbows which are firmly planted ("stabbed") into the lower abdomen near the anterior superior iliac spine. Stationary floats are often employed as freeze poses. On the other hand, breakers can "walk" with floats by shifting weight from one hand to the other and thus moving in a straight line or circle. These moving floats can be made to spin very fast and become the first power moves Power moves are dance moves which are loosely defined as moves relying on speed, momentum, and acrobatic elements for performance. They are prominent in B-boying, often the centerpieces of routines featuring the other elements (toprock, downrock, ... that were done in the 80's. Variants *Crab - The Cr ...
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Swipe (breakdance Move)
The Swipe is one of the most recognizable power moves in b-boying. The b-boy or b-girl leans back, whips his or her arms to one side to touch the ground, and his or her legs follow closely behind, twisting 360 degrees to land on the ground once again. An example is the swipe performed by the character Samir in the movie Office Space. Variants Normal swipes begin from the crab position, or they may be Air Swipes in which the b-boy jumps back directly from a standing position into a swipe, sometimes ending up in standing position once again. (The Air Swipe is described in the opening sentence and the step-by-step section). Regardless of the beginning, there are several swipe variations that basically differ in terms of which parts of the arms hit the ground. *X – swipes – Swipes with legs crossed * Baby Swipe – Essentially a footwork move, often launched from the 6-step, that employs a twist of the hips similar to the swipe. *Elbow Swipe – Elbows replace the hands. *Forearm S ...
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Flare (breakdance Move)
The ''flare'' is an acrobatic move in which the performer alternates balancing the torso between either arm while swinging the legs beneath in continuous circles. It is a fundamental b-boying/bgirl power move, and in gymnastics it may be performed on a pommel horse or during the floor exercise. The move is commonly spelled flair in gymnastics and further may be called a "Thomas flair" after its originator, Kurt Thomas. Step by step :''The description assumes counter-clockwise rotation'' The left leg begins about 10 inches behind the right (not lined up). If the breaker already has momentum, he/she quickly puts down his left hand close to the left leg facing the fingers away from the body, towards the left. Next, the left leg is swung around as hard as possible while doing a jump. The breaker is prepared to put down the right hand. All of the breaker's weight shifts to the right arm, and he/she kicks the left leg up as high as possible. The right leg swings under the left and ...
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