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Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include mélodie, songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite ''Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (Poulenc), Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the ''Gloria (Poulenc), Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. He studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poulenc Frères
Poulenc Frères (; Poulenc Brothers) was a French chemical, pharmaceutical and photographic supplies company that had its origins in a Paris pharmacy founded in 1827. From 1852 it began to manufacture (or package) photographic chemicals. It took the name Poulenc Frères in 1881, and by 1900 had a range of high-quality products. That year it went public as the Établissements Poulenc Frères. It began production of synthetic medicines, and continued to grow during World War I (1914–18). In 1928 it merged with the Société des usines chimiques du Rhône to form Rhône-Poulenc. Origins The company can trace its roots to the Pharmacie-Droguerie Hédouin, a pharmacy founded in 1827 in the rue Saint-Merri, Paris. The baker Pierre Wittman (1798–1880) bought the store in 1845. His daughter, Pauline Wittmann (1828–1910), married Étienne Poulenc (1823–78) in February 1851. They had three sons: Gaston (1852–1948), Emile (1855–1917) and Camille (1864–1942). Etienne Poulenc wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialogues Des Carmélites
' (, ''Dialogues of the Carmelites''), FP 159, is an opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc, completed in 1956. Poulenc wrote the libretto for his second opera after the work of the same name by Georges Bernanos, itself based on '' The Song at the Scaffold'' by Gertrud von Le Fort. This is a fictionalized version of the story of the Martyrs of Compiègne, Carmelite nuns who, in 1794 during the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation. The world première of the opera occurred (in Italian translation) on 26 January 1957 at La Scala in Milan. The première of the French-language version took place in Paris on 21 June 1957. The United States première, in English, followed in San Francisco in September 1957. Development Bernanos had been hired in 1947 to write the dialogue for a film screenplay, throu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Bernac
Pierre Louis Bernac (né Bertin; 12 January 1899 – 17 October 1979) was a French singer, a baryton-martin, known as an interpreter of the French mélodie. He had a close artistic association with Francis Poulenc, with whom he performed in France and abroad. Poulenc wrote 90 songs for him during their 25-year musical partnership. Bernac was well known as a teacher; among the singers who studied with him were Elly Ameling, Grace Bumbry, Mattiwilda Dobbs, Carol Neblett, Jessye Norman and Gérard Souzay. He gave masterclasses in France, Britain and the US. In retirement, Bernac wrote two highly regarded books about the interpretation of mélodies in general and Poulenc's in particular. Life and career Early years Born Pierre Bertin in Paris on 12 January 1899, he started his working career in his father's brokerage house. He later changed his surname to Bernac to avoid confusion with the actor Pierre Bertin.Schmidt, p. 216 He began taking singing lessons at the age of 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhône-Poulenc
Rhône-Poulenc () was a French chemical and pharmaceutical company founded in 1928. In 1999, it merged with Hoechst AG to form Aventis. As of 2015, the pharmaceutical operations of Rhône-Poulenc are part of Sanofi and the chemicals divisions are part of Solvay group and Bayer Crop Science. History The company was founded in 1928 through the merger of Société des usines chimiques du Rhône (Society of Rhône Chemical Factories) from Lyon and Poulenc Frères (Poulenc Brothers) from Paris founded by Étienne Poulenc, a 19th-century Parisian apothecary and brought to prominence by his second and third sons Émile, father of composer Francis Poulenc, and Camille Poulenc (1864–1942). Établissements Poulenc Frères had purchased May & Baker in 1922, the latter continuing to trade under its original name until 1990. In 1950, the company synthesized chlorpromazine which it sold to Smith, Kline & French (today part of GlaxoSmithKline) who marketed the drug as Thorazine. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Six
"Les Six" () is a name given to a group of six composers, five of them French and one Swiss, who lived and worked in Montparnasse. The name has its origins in two 1920 articles by critic Henri Collet in '' Comœdia'' (see Bibliography). Their music is often seen as a neoclassic reaction against both the musical style of Richard Wagner and the Impressionist music of Claude Debussy and Maurice Ravel. The members were Georges Auric (1899–1983), Louis Durey (1888–1979), Arthur Honegger (1892–1955), Darius Milhaud (1892–1974), Francis Poulenc (1899–1963), and Germaine Tailleferre (1892–1983). ' In 1917, when many theatres and concert halls were closed because of World War I, Blaise Cendrars and the painter Moïse Kisling decided to put on concerts at 6 , the studio of the painter Émile Lejeune (1885–1964). For the first of these events, the walls of the studio were decorated with canvases by Picasso, Matisse, Léger, Modigliani, and others. Music by Erik Sati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ Concerto (Poulenc)
The ''Concerto pour orgue, cordes et timbales'' (Concerto for organ, timpani and strings) in G minor, FP 93, is an organ concerto composed by Francis Poulenc between 1934 and 1938. It has become one of the most frequently performed pieces of the genre not written in the Baroque period. History of composition The organ concerto was commissioned by Princess Edmond de Polignac in 1934, as a piece with a chamber orchestra accompaniment and an easy organ part that the princess could probably play herself. The commission was originally given to Jean Françaix, who declined, but Poulenc accepted. Poulenc quickly abandoned this idea for something much more grandiose and ambitious; his earlier harpsichord concerto and double-piano concerto were simpler, more light-hearted pieces. As he wrote in a letter to Françaix, "The concerto...is not the amusing Poulenc of the Concerto for two pianos, but more like a Poulenc en route for the cloister." The death of a colleague and friend, the young ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gloria (Poulenc)
The Gloria by Francis Poulenc, FP 177, scored for soprano solo, large orchestra, and chorus, is a setting of the Gloria text from the mass ordinary. One of Poulenc's most celebrated works, it was commissioned by the Koussevitsky Foundation in honor of Sergei Koussevitzky and his wife Natalia, the namesakes of the foundation. Background Poulenc would later claim that the idea for the Gloria began while he worked on his opera, '' Dialogues des Carmélites'', although it has been impossible to establish the dating of his initial sketches with certainty. He also said that the “Laudamus te” had been inspired by the sight of Benedictine monks playing soccer. On April 18, 1959, the composer wrote to Bernard Gavoty that he was “back at work” and had “just begun a Gloria for chorus, soloist, and orchestra in the Vivaldi style.” Despite being commissioned by the Koussevitzky Foundation, the composition of Poulenc's Gloria was not a direct result of their involvement. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Champêtre
''Concert champêtre'' (, ''Pastoral Concerto''), FP 49, is a harpsichord concerto by Francis Poulenc, which also exists in a version for piano solo with very slight changes in the solo part. It was written in 1927–28 for the harpsichordist Wanda Landowska who said she "adored" playing it as it made her "insouciant and gay!" Landowska was responsible for the composition of several other new pieces of music for the instrument, notably Manuel de Falla's harpsichord concerto and his '' El retablo de Maese Pedro'' (at the premiere of which, at the salon of Winnaretta Singer, Poulenc and Landowska met for the first time). After a private performance in which Poulenc played the orchestral parts on the piano, the piece's public premiere was on May 3, 1929 at the Salle Pleyel in Paris, with Landowska playing the solo part and the Orchestre Symphonique de Paris conducted by Pierre Monteux. The work is scored for an orchestra of two flutes, piccolo, two oboes, cor anglais, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denise Duval
Denise Duval (23 October 192125 January 2016) was a French soprano, best known for her performances in the works of Francis Poulenc on stage and in recital. During an international career, Duval created the roles of Thérèse in '' Les mamelles de Tirésias'' and Elle in '' La voix humaine'' and excelled in the role of Blanche de la Force in '' Dialogues of the Carmelites'',Obituary – Denise Duval. ''Opera'', April 2016, Vol 67 No 4, p448-449. leaving recordings of these and several other of her main roles. Life and career Duval was born in Paris, and attended the Collège de Libourne, appearing in the play ''Les Plus beaux yeux du monde'' by Jean Sarment. Her father, a colonel, allowed her to enrol in the theatre classes at the Conservatoire de Bordeaux, where she was spotted by the director, Gaston Poulet, who got her into the vocal classes.Laurent, François. Hommage : Denise Duval. '' Diapason'', No.644, March 2016, p16-17. From there she made her debut in ''Cavalleria ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ricardo Viñes
Ricardo Viñes y Roda (, , ; 5 February 1875 – 29 April 1943) was a Spanish pianist. He gave the premieres of works by Ravel, Debussy, Satie, Falla and Albéniz. He was the piano teacher of the composer Francis Poulenc and the pianists Marcelle Meyer, Joaquín Nin-Culmell and Léo-Pol Morin. Life and career Viñes was born in Lleida, Spain. He studied the piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac.Timbrell, Charles and Esperanza Berrocal"Viñes, Ricardo" Grove Music Online, Oxford University Press, retrieved 19 September 2014 In 1895 Viñes made his début at the Salle Pleyel, Paris. From 1900 he had an international career, touring in Russia and throughout Europe and South America. Between 1930 and 1936 he lived in Argentina, returning to Paris in 1936 where he continued to play until the final year of his life. According to Charles Timbrell and Esperanza Berrocal in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Debussy
Achille Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, ''Pelléas et Mélisande (opera), Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes (Debussy), Nocturnes'' (1897–1899 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erik Satie
Eric Alfred Leslie Satie (born 17 May 18661 July 1925), better known as Erik Satie, was a French composer and pianist. The son of a French father and a British mother, he studied at the Conservatoire de Paris, Paris Conservatoire but was an undistinguished student and did not obtain a diploma. In the 1880s he worked as a pianist in café-cabarets in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and ''Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a period in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum de Paris, Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
