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Post-punk EPs
Post-punk (originally called new musick) is a broad genre of music that emerged in late 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the music production, production techniques of dub music, dub and disco; and ideas from art and politics, including critical theory, modernist art, Film, cinema and modernist literature, literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire (band), Wire, Public Image Ltd, the Pop Group, Magazine (band), Magazine, Joy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punk Movement
The punk subculture includes a diverse and widely known array of Punk rock, music, Punk ideologies, ideologies, Punk fashion, fashion, and other forms of expression, Punk visual art, visual art, dance, Punk literature, literature, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the DIY ethics, the culture originated from punk rock. The punk ethos is primarily made up of beliefs such as non-conformity, anti-capitalism, anti-authoritarianism, anti-corporatism, a DIY ethic, do-it-yourself ethic, anti-consumerist, anti-corporate greed, direct action, and not "selling out". There is a wide range of punk fashion, including T-shirts, leather jackets, Dr. Martens boots, hairstyles such as brightly coloured hair and spiked mohawks, cosmetics, tattoos, jewellery, and body modification. Women in the hardcore scene typically wore clothing categorised as masculine. This included black, ripped jeans and tops. Punk aesthetics determine t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jangle Pop
Jangle pop is a Music subgenre, subgenre of pop rock and college rock that emphasizes jangle, jangly guitars and 1960s-style pop music, pop melodies. The "jangly" guitar sound is characterized by its clean, shimmering and Arpeggio, arpeggiated tone, often created using 12-string electric guitar, 12-string electric guitars. The term is usually applied to late 1970s/early 1980s bands emerging from the post-punk scene, often influenced by 1960s groups such as the Byrds. Notable acts include Big Star, R.E.M. and the Smiths. Etymology and characteristics In the late 1970s and 1980s, prominent early jangle pop groups included Big Star, R.E.M., the dB's, 10,000 Maniacs, and the Smiths. In the early to mid 1980s, the term "jangle pop" emerged as a label for an American post-punk movement that recalled the sounds of "jangly" acts from the 1960s. Between 1983 and 1987, the description "jangle pop" was used to describe bands like R.E.M. and Let's Active as well as the Paisley Underground ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dream Pop
Dream pop (also typeset as dreampop) is a subgenre of alternative rock and neo-psychedelia that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus. It often overlaps with the related genre of shoegaze, and the two genre terms have at times been used interchangeably. The genre came into prominence in the 1980s through groups associated with the UK label 4AD, most prominently Cocteau Twins, This Mortal Coil, and A.R. Kane. Subsequently, UK-based acts such as My Bloody Valentine, Slowdive, and Lush alongside US-based artists Galaxie 500, Julee Cruise, and Mazzy Star released significant albums in the style. It saw renewed popularity among millennial listeners following the late-2000s success of indie act Beach House. Etymology and characteristics The term dream pop is thought to relate to the "immersion" in the music experienced b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoegazing
Shoegaze (originally called shoegazing and sometimes conflated with dream pop) is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume.Pete Prown / Harvey P. Newquist: "One faction came to be known as dream-pop or "shoegazers" (for their habit of looking at the ground while playing the guitars on stage). They were musicians who played trancelike, ethereal music that was composed of numerous guitars playing heavy droning chords wrapped in echo effects and phase shifters.", Hal Leonard 1997, It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during such concerts. My Bloody Valentine and their 1991 album '' Loveless'' are wid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twee Pop
Twee pop is a subgenre of indie pop that originates from the 1986 ''NME'' compilation '' C86''. Twee pop gets its name from the aesthetic of twee, which is known for its simplicity and childlike innocence. Some of its defining features are boy-girl harmonies, catchy melodies, and lyrics about love. For many years, prominent independent record labels associated with twee pop were Sarah Records (in the UK) and K Records (in the US). Twee pop gained popularity in the 1990s and has seen a recent revival in the 2020s. Etymology The definition of twee is something "excessively or affectedly quaint, pretty, or sentimental," supposedly born from a childish mispronunciation of the word sweet. With the twee movement's embrace of innocence and femininity, the genre has strong associations with feminism. Characteristics According to NPR, twee pop "was fervently informed by punk: snappy riffs, fast-track tempos, propulsive drums." Artists such as Heavenly, Talulah Gosh, and Marine Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock
Post-rock is a subgenre of experimental rock that emphasizes Texture (music), texture, atmosphere, and non-traditional song structures over conventional rock techniques. Post-rock artists often combine rock instrumentation and rock stylings with Electronic musical instrument, electronics and digital production as a means of enabling the exploration of textures, timbres and different styles. Vocals, when present, are often used as an instrumental layer, with many bands opting for entirely instrumental compositions. The genre began in Indie music scene, indie and underground music scenes, but deviated. The term ''post-rock'' was coined by music journalist Simon Reynolds, being popularized in a review of Bark Psychosis' 1994 album ''Hex (Bark Psychosis album), Hex'', and he later expanded the concept as music "using rock instrumentation for non-rock purposes". The term has since developed to refer to bands oriented around dramatic and suspense-driven instrumental rock, making the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Pop
New pop is a British-centric pop music movement consisting of ambitious, DIY-minded artists who achieved commercial success in the early 1980s, aided by platforms like MTV. Rooted in the post-punk movement of the late 1970s, the movement encompassed a wide variety of styles and artists, including acts such as Orange Juice, The Human League, and ABC. The term " rockist", a pejorative aimed at those who rejected this type of music, became associated with new pop.Harvell, Jess"Now That's What I Call New Pop!" ''Pitchfork Media''. 12 September 2005. "New music" is a similar but slightly more expansive umbrella term referring to a pop music and cultural phenomenon in the US tied to the Second British Invasion. The term was popularized by the music industry and American journalists during the 1980s to describe emerging movements such as new pop and New Romanticism. Characteristics Many new pop artists created music that blended less commercial and experimental elements with a po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-psychedelia
Neo-psychedelia is a genre of psychedelic music that draws inspiration from the music production approaches and songwriting of 1960s psychedelia, either exploring emulations of the sounds of the era or applying its ethos to new styles of music. It has occasionally seen mainstream pop success but is typically explored within alternative music, indie music and underground scenes. Neo-psychedelia first developed in the late-1970s as an outgrowth of the British post-punk scene, where it was also known as acid punk. A neo-psychedelic wave of British alternative rock in the 1980s spawned the subgenres of dream pop and shoegaze. Neo-psychedelia may also include forays into psychedelic pop, jangly guitar rock, heavily distorted free-form jams, or recording experiments. Characteristics Neo-psychedelic acts consistently borrow a variety of elements from 1960s psychedelic music. Some emulated the psychedelic pop and psychedelic rock of bands such as the Beatles and early Pin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimal Wave
Minimal wave is a broad classification of music that comprises obscure, atypical examples of genres such as new wave, stripped-down electronic or synthesizer music, synth-pop, post-punk, and coldwave. Most of the music tends to focus on electronic, pre-MIDI instrumentation and themes of sincere, rather than ironic, detachment. The term "minimal wave" draws some contention. Although much minimal wave is classified in the late 1970s and early 1980s and subsequently appeared on bootleg and one-off compilations, the genre didn't have a name until a record label of the same name began releasing compilations and reissues in the mid-2000s. Background and etymology Veronica Vasicka, founder of the Minimal Wave record label, claims to have coined the genre name. She said in a 2009 interview, For a 2009 publicity piece, Vasicka wrote that the music overlaps with several other genres, "The Minimal Wave genre actually formed only several years ago, as a result of a resurgence of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Rock
Industrial rock is a fusion genre that fuses industrial music and rock music. It initially originated in the 1970s, and drew influence from early experimental and industrial acts such as Throbbing Gristle, Einstürzende Neubauten and Chrome. Industrial rock became more prominent in the 1980s with the success of artists such as Killing Joke, Swans, and partially Skinny Puppy, and later spawned the offshoot genre known as industrial metal. The genre was made more accessible to mainstream audiences in the 1990s with the aid of acts such as Nine Inch Nails and Marilyn Manson, both of which have released platinum-selling records. History Origins (late 1970s and 1980s) Richie Unterberger assessed the Red Krayola as "a precursor to industrial rock" with their 1967 record '' The Parable of Arable Land'' exhibiting music made by 50 people on anything from industrial power tools to a revving motorcycle whilst ''Pitchfork'''s Alex Lindhart cited their 1968 follow up '' God ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United Kingdom, United States and New Zealand in the early to mid-1980s. Although the term was originally used to describe rock music released through independent record labels, by the 1990s it became more widely associated with the music such bands produced. The sound of indie rock has its origins in the New Zealand Dunedin sound of the Chills, Tall Dwarfs, the Clean and the Verlaines, and early 1980s college rock radio stations who would frequently play jangle pop bands like the Smiths and R.E.M. The genre solidified itself during the mid–1980s with ''NME''s ''C86'' cassette in the United Kingdom and the underground success of Sonic Youth, Dinosaur Jr. and Unrest (band), Unrest in the United States. During the 1990s, indie rock bands like Sonic Youth, the Pixies and Radiohead all released albums on major labels and subgenres like slowcore, Midwest emo, slacker rock and space rock began. By this time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Pop
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with a DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, Independent record label, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of ''indie pop'' has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop. Development and characteristics Origins and etymology Both ''indie'' and ''indie pop'' had originally referred to the same thing during the late 1970s, originally abbreviations for ''Independent music, independent'' and ''Popular music, popular''. Inspired more by punk rock's DIY ethos than its style, guitar bands were formed on the then-novel prem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
