|
Post-Baroque
In music, galant refers to the style which was fashionable in the upper-class societies of Western Europe from the 1720s to the 1770s. On the other hand, the term found a narrowing in musicology in the 19th and 20th centuries: the focus is on compositions that can be seen as moving away from the Baroque in its more rhetorical formal language, but which at the same time only display qualities that can be attributed to the pre-classical period to a limited extent. At this point, the galant style can be seen as a step towards the formally freer, sensitive style, '' Empfindsamkeit,'' that prepared the early classical period. Music styles This movement featured a return to simplicity and immediacy of appeal after the complexity of the late Baroque era. This meant simpler, more song-like melodies, decreased use of polyphony, short, periodic phrases, a reduced harmonic vocabulary emphasizing tonic and dominant, and a clear distinction between soloist and accompaniment. C. P. E. Bach a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composition School
A composition school is a group of composers or a style of composition purportedly shared by a group of composers, often from the same area or who studied in the same place. The membership of almost all groups is assigned by others and disputed. Older groups tend to be larger and are all assigned, while more contemporary groups tend to be more specific and may be self identified. For example, the title "mighty handful" was coined by music critic Vladimir Stasov in 1867 to describe the composers also referred to as The Five—first by Balakirev in 1870 , while the " Boston Six" were grouped by others and may include ten members. The international members of the Darmstadt School all attended the Darmstädter Ferienkurse. The Franco-Flemish School The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers to the style of polyphonic vocal music composition originat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti. Born in Halle, Germany, Handel spent his early life in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical breakdown, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick The Great
Frederick II (; 24 January 171217 August 1786) was the monarch of Prussia from 1740 until his death in 1786. He was the last Hohenzollern monarch titled ''King in Prussia'', declaring himself ''King of Prussia'' after annexing Royal Prussia from the Polish–Lithuanian Commonwealth in 1772. His most significant accomplishments include military successes in the Silesian Wars, Silesian wars, reorganisation of the Prussian Army, the First Partition of Poland, and patronage of the arts and the Enlightenment. Prussia greatly increased its territories and became a major military power in Europe under his rule. He became known as Frederick the Great () and was nicknamed "Old Fritz" (). In his youth, Frederick was more interested in music and philosophy than war, which led to clashes with his authoritarian father, Frederick William I of Prussia. However, upon ascending to the throne, he attacked and annexed the rich Habsburg monarchy, Austrian province of Silesia in 1742, winning mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Anton Benda
Georg Anton Benda (; 30 June 17226 November 1795) was a Bohemian composer, violinist and ''Kapellmeister'' of the classical period. Biography Born into a family of notable musicians in Old Benatek (today Benátky nad Jizerou), Bohemia, he studied at the Piarist Gymnasium (grammar school) in Kosmanos and at the Jesuit Gymnasium in Gitschin from 1735 to 1742. Benda was 19 when Frederick the Great bestowed upon him in 1741 the position of second violinist in the chapel of Berlin. The following year Benda was summoned to Potsdam as a composer and arranger for his older brother Franz, himself an illustrious composer and violinist. Seven years later, in 1749, he entered the service of the Duke of Gotha as ''Kapellmeister,'' where he constantly cultivated his talents for composition, specializing in religious music. A stipend from the duke allowed Benda to take a study trip to Italy in 1764. He returned to Gotha in 1766, and devoted himself to composition. In all, he wrote abo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Benda
Franz Benda (; baptised 22 November 1709 – 7 March 1786) was a Bohemian violinist and composer, who worked for much of his life at the court of Frederick the Great. Life Benda was born in Old Benatek in Bohemia, the son of Jan Jiří Benda. His brother was the composer Georg Benda. Many of Benda's offspring ( Maria Carolina Wolf (1742–1820), Friedrich Wilhelm Heinrich Benda (1745–1814), Karl Hermann Heinrich Benda (1748–1836), Juliane Reichardt (1752–1783)) and his granddaughter ( Louise Reichardt (1779–1826)) were also composers. Benda wrote his autobiography in 1763: it not only gives a detailed account of his own life, but also a valuable record of the lives of other musicians whom he encountered during his career. In his youth Benda was a chorister in Prague and afterward in the Chapel Royal at Dresden. At the same time he began to study the violin, and soon joined a company of strolling musicians who attended fetes, fairs, etc. At eighteen years of age Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Heinrich Graun
Carl Heinrich Graun (7 May 1704 – 8 August 1759) was a German composer and tenor. Along with Johann Adolph Hasse, he is considered to be the most important German composer of Italian opera of his time. Biography Graun was born in Wahrenbrück in the Electorate of Saxony. In 1714, he followed his brother, Johann Gottlieb Graun, to the school of the Kreuzkirche, Dresden, and sang in the Dresdner Kreuzchor and the chorus of the Opernhaus am Zwinger. He studied singing with Christian Petzold and composition with (1664–1728). In 1724, Graun moved to Braunschweig, singing at the opera house and writing six operas for the company. In 1735, Graun moved to Rheinsberg in Brandenburg, after he had written the opera ''Lo specchio della fedeltà'' for the marriage of the then crown prince Frederick (the Great) and Elisabeth Christine in Schloss Salzdahlum in 1733. He was ''Kapellmeister'' to Frederick the Great from his ascension to the throne in 1740 until Graun's death ninetee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Gottlieb Graun
Johann Gottlieb Graun (1702/1703 – 27 October 1771) was a German Baroque/Classical era composer and violin The violin, sometimes referred to as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino picc ...ist, born in Wahrenbrück. His brother Carl Heinrich was a singer and also a composer, and is the better known of the two. Johann Gottlieb studied with J.G. Pisendel in Dresden and Giuseppe Tartini in Padua. Appointed Konzertmeister in Merseburg in 1726, he taught the violin to J.S. Bach's son Wilhelm Friedemann. He joined the court of the Prussian crown prince (the future Frederick the Great) in 1732. Graun was later made ''Konzertmeister'' of the Berlin Opera in 1740. He composed over 50 songs and compositions. Graun's compositions were highly respected, and continued to be performed after his death: "The concert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Joachim Quantz
Johann Joachim Quantz (; 30 January 1697 – 12 July 1773) was a German composer, flute, flutist and flute maker of the late Baroque music, Baroque period. Much of his professional career was spent in the court of Frederick the Great, where he served as the king's flute teacher. Quantz composed hundreds of flute sonatas and concertos, and wrote ''On Playing the Flute'', an influential treatise on flute performance. His works were known and appreciated by Bach, Haydn and Mozart. Biography 1697–1723: Early life Quantz was born as Hanß Jochim Quantz in Scheden, Oberscheden, near Göttingen, Lower Saxony, in the Electorate of Hanover. His father, Andreas Quantz, was a blacksmith who died when Hans was not yet 11; on his deathbed, he declared that his son should follow in his footsteps. Quantz states in his autobiography that he had been trained as a blacksmith from the age of nine. As a result of his father's death he was given the opportunity to choose his own career path and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ossian
Ossian (; Irish Gaelic/Scottish Gaelic: ''Oisean'') is the narrator and purported author of a cycle of epic poems published by the Scottish poet James Macpherson, originally as ''Fingal'' (1761) and ''Temora (poem), Temora'' (1763), and later combined under the title ''The Poems of Ossian''. Macpherson claimed to have collected word-of-mouth material in Scottish Gaelic language, Scottish Gaelic, said to be from ancient sources, and that the work was his translation of that material. Ossian is based on Oisín, son of Fionn mac Cumhaill (anglicised to Finn McCool), a legendary bard in Irish mythology. Contemporary critics were divided in their view of the work's authenticity, but the current consensus is that Macpherson largely composed the poems himself, drawing in part on traditional Gaelic poetry he had collected. The work was internationally popular, translated into all the literary languages of Europe, and was highly influential both in the development of the Romanticism, Rom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Macpherson
James Macpherson ( Gaelic: ''Seumas MacMhuirich'' or ''Seumas Mac a' Phearsain''; 27 October 1736 – 17 February 1796) was a Scottish writer, poet, literary collector, and politician. He is known for the Ossian cycle of epic poems, which he claimed to have discovered and translated from Gaelic. Early life and education Macpherson was born at Ruthven in the parish of Kingussie in Badenoch, Inverness-shire. This was a Scottish Gaelic-speaking area but near the Ruthven Barracks of the British Army, established in 1719 to enforce Whig rule from London after the Jacobite uprising of 1715. Macpherson's uncle, Ewen Macpherson joined the Jacobite army in the 1745 march south, when Macpherson was nine years old and after the Battle of Culloden, had had to remain in hiding for nine years. In the 1752-3 session, Macpherson was sent to King's College, Aberdeen, moving two years later to Marischal College (the two institutions later became the University of Aberdeen), reading Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reliques Of Ancient Poetry
The ''Reliques of Ancient English Poetry'' (sometimes known as ''Reliques of Ancient Poetry'' or simply Percy's ''Reliques'') is a collection of ballads and popular songs collected by Bishop Thomas Percy and published in 1765. Sources The basis of the work was the manuscript which became known as the Percy Folio. Percy found the folio in the house of his friend Humphrey Pitt at Shifnal, a small market town of Shropshire. It was on the floor, and Pitt's maid had been using the leaves to light fires. Once rescued, Percy would use just forty-five of the ballads in the folio for his book, despite claiming the bulk of the collection came from this folio. Other sources were the Pepys Library of broadside ballads collected by Samuel Pepys and '' Collection of Old Ballads'' published in 1723, possibly by Ambrose Philips. Bishop Percy was encouraged to publish the work by his friends Samuel Johnson and the poet William Shenstone, who also found and contributed ballads. Percy did n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
