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Portrait Of Erasmus (Dürer)
''Portrait of Erasmus'' is a late period 1526 copper engraving by the German artist Albrecht Dürer. The portrait was commissioned by the Dutch Renaissance Humanism, humanist Erasmus, Desiderius Erasmus of Rotterdam (c.1466-69 – 1536) when the two men met in the Netherlands between 1520 and 1521. Erasmus was then at the height of his fame and required representations of himself to accompany his writings. It was not completed until some six years later, but proceeds a number of preparatory sketches. It is not a close representation of Erasmus' physical characteristics, for which has sometimes been criticised, including by Erasmus himself, and by Martin Luther, with whom Erasmus had a prolonged and thorny relationship. It is today viewed by art historians as a pioneering capture of his moral integrity, intellectualism and scholarship, and is one of the most popular and recognisable portraits of the sitter. Commission Erasmus was a renowned humanist scholar and theologian. He res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Wölfflin
Heinrich Wölfflin (; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles (" painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. He taught at Basel, Berlin and Munich in the generation that saw German art history's rise to pre-eminence. His three most important books, still consulted, are ''Renaissance und Barock'' (1888), ''Die Klassische Kunst'' (1898, "Classic Art"), and ''Kunstgeschichtliche Grundbegriffe'' (1915, "Principles of Art History"). Wölfflin taught at Berlin University from 1901 to 1912, at Munich University from 1912 to 1924, and at University of Zurich from 1924 until his retirement. Origins and career Wölfflin was born in Winterthur, Switzerland. His father, Eduard Wölfflin, was a professor of classical philology who taught at the Munich university and helped to found and organize the '' Thesaurus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portraits By Albrecht Dürer
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face is always predominant. In arts, a portrait may be represented as half body and even full body. If the subject in full body better represents personality and mood, this type of presentation may be chosen. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, to most successfully engage the subject with the viewer, but portrait may be represented as a profile (from aside) and 3/4. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeffrey Chipps Smith
Jeffrey Chipps Smith is an American art historian specialising in the Northern Renaissance and Baroque art and architecture. He has published a number of prize winning books on art history. In 2005 he wrote the introduction for a reprint of Erwin Panofsky Erwin Panofsky (March 30, 1892 – March 14, 1968) was a German-Jewish art historian whose work represents a high point in the modern academic study of iconography, including his hugely influential ''Renaissance and Renascences in Western Art ...'s classic "The Life and Art of Albrecht Dürer". He is an inaugural co-editor of the '' Journal of the Historians of Netherlandish Art''. . ''Journal of Historians of Netherlandish Art'', v. 3:2, Summer 2011. Retrieved 17 March 2012. Publications * ''New Perspectives on the Art of Renaissance Nuremberg: Five Essays''. Austin, 1985 * ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lily Of The Valley
Lily of the valley (''Convallaria majalis'' ), sometimes written lily-of-the-valley, is a woodland flowering plant with sweetly scented, pendent, bell-shaped white flowers borne in sprays in spring. It is native throughout the cool temperate Northern Hemisphere in Asia and Europe. ''Convallaria majalis'' Variety (botany), var. ''montana'', also known as the American lily of the valley, is native to North America. Due to the concentration of cardiac glycosides (cardenolides), it is highly poisonous if consumed by humans or other animals. Other names include May bells, Our Lady's tears, and Mary's tears. Its French name, ''muguet'', sometimes appears in the names of perfumes imitating the flower's scent. In pre-modern England, the plant was known as glovewort (as it was a Wort (plant), wort used to create a salve for sore hands), or Apollinaris (according to a legend that it was discovered by Apollo). Description ''Convallaria majalis'' is a herbaceous plant, herbaceous perenni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Jakob Friedländer
Max Jakob Friedländer (5 July 1867 in Berlin – 11 October 1958 in Amsterdam) was a German-Jewish museum curator and art historian. He was a specialist in Early Netherlandish painting and the Northern Renaissance, who volunteered at the Kupferstichkabinett Berlin in 1891 under Friedrich Lippmann. On Lippmann's recommendation, Wilhelm von Bode took him on as his assistant in 1896 for the paintings division. He was appointed deputy director of the Kaiser Friedrich Museum (then containing the Berlin State Museums' old master paintings and sculpture) under Bode in 1904 and became director himself from 1924 to 1932, working on his history ''From Van Eyck to Bruegel'' and the 14-volume (printed in 16, with supplements) survey ''Early Netherlandish Painting''. In 1933 he was dismissed as a "non-Aryan" and in 1939 had to move to Amsterdam because he was Jewish. He attained the rank and title of geheimrat (privy councillor) under the German Empire. He also donated several works to the col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Erasmus Of Rotterdam
Hans Holbein the Younger painted the ''Portrait of Erasmus of Rotterdam'' several times, and his paintings were much copied, at the time and later. It is difficult to disentangle Holbein's original work from that of his workshop and other copyists. Possibly five largely original versions survive, as well as a number of drawings made as studies. Holbein's portraits played an important part in spreading the painter's reputation across Europe, as they and their copies were widely distributed. When Holbein moved to England he had a letter of recommendation from Erasmus to Thomas More, in whose house he initially lived. Commission Desiderius Erasmus of Rotterdam (1466/69–1536) was a renowned humanist scholar and theologian. He moved in 1521 to Basel, the city where Hans Holbein the Younger lived and had his workshop. Such was the fame of Erasmus, who corresponded with scholars throughout Europe, that he needed many portraits of himself to send abroad to his protectors; although no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Holbein The Younger
Hans Holbein the Younger ( , ; ; – between 7 October and 29 November 1543) was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. He also produced religious art, satire, and Reformation propaganda, and he made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father Hans Holbein the Elder, an accomplished painter of the International Gothic, Late Gothic school. Holbein was born in Augsburg but worked mainly in Basel as a young artist. At first, he painted murals and religious works, and designed stained glass windows and illustrations for books from the printer Johann Froben. He also painted an occasional portrait, making his international mark with portraits of humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erwin Panofsky
Erwin Panofsky (March 30, 1892 – March 14, 1968) was a German-Jewish art historian whose work represents a high point in the modern academic study of iconography, including his hugely influential ''Renaissance and Renascences in Western Art'' and his seminal '' Early Netherlandish Painting''.Shone, Richard and Stonard, John-Paul, eds. ''The Books that Shaped Art History'', chapter 7. London: Thames & Hudson, 2013. Panofsky's ideas were highly influential in intellectual history in general,Chartier, Roger. ''Cultural History'', pp. 23–24 (from "Intellectual History and the History of ''Mentalités''"). Ithaca: Cornell University Press, 1988 particularly in his use of historical ideas to interpret artworks and vice versa. Many of his books are still in print, including ''Studies in Iconology: Humanist Themes in the Art of the Renaissance'' (1939), ''Meaning in the Visual Arts'' (1955), and his 1943 study ''The Life and Art of Albrecht Dürer''. His academic career was pursue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erasmus By Hans Holbein The Younger
Desiderius Erasmus Roterodamus ( ; ; 28 October c. 1466 – 12 July 1536), commonly known in English as Erasmus of Rotterdam or simply Erasmus, was a Dutch Christian humanist, Catholic priest and theologian, educationalist, satirist, and philosopher. Through his works, he is considered one of the most influential thinkers of the Northern Renaissance and one of the major figures of Dutch and Western culture. Erasmus was an important figure in classical scholarship who wrote in a spontaneous, copious and natural Latin style. As a Catholic priest developing humanist techniques for working on texts, he prepared pioneering new Latin and Greek scholarly editions of the New Testament and of the Church Fathers, with annotations and commentary that were immediately and vitally influential in both the Protestant Reformation and the Catholic Reformation. He also wrote '' On Free Will'', ''The Praise of Folly'', '' The Complaint of Peace'', ''Handbook of a Christian Knight'', ''On Civil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
