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Portrait Of Elena Anguissola
The ''Portrait of Elena Anguissola'' (alternative name: ''Portrait of the artist’s sister Elena in the garb of a nun''), dated to 1551, is one of the earliest paintings by Sofonisba Anguissola. An oil painting on canvas, it is in the Southampton City Art Gallery, which acquired it in 1936. Description This portrait shows the nun Elena Anguissola, a novice with the name of Sister Minerva. The painting is signed and dated but difficult to read: : ''SOPHONISBA ANGUSSOLA VIRGO M'' ..''TERI AGO.TI PINXIT MDLI''. Flavio Caroli completed the inscription, adding the following: ''MONASTERI SANCTI AGOSTINI''. Elena Anguissola was a nun in the convent of di Sant'Agostino, in Mantua. The painting demonstrates the ability and expressive force of the painter, and the preference for an expressive physiognomy, typical of cinquecento painting in Lombardy. The attention to psychological expression illustrated here is also present in many other paintings by Sofonisba Anguissola. In ''The Game of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sofonisba Anguissola
Sofonisba Anguissola ( – 16 November 1625), also known as Sophonisba Angussola or Sophonisba Anguisciola, was an Italian Renaissance painter born in Cremona to a relatively poor noble family. She received a well-rounded education that included the fine arts, and her apprenticeship with local painters set a precedent for women to be accepted as students of art. As a young woman, Anguissola traveled to Rome where she was introduced to Michelangelo, who immediately recognized her talent, and to Milan, where she painted Fernando Álvarez de Toledo, 3rd Duke of Alba. The Spanish queen, Elizabeth of Valois, was a keen amateur painter and in 1559 Anguissola was recruited to go to Madrid as her tutor, with the rank of lady-in-waiting. She later became an official court painter to the king, Philip II of Spain, Philip II, and adapted her style to the more formal requirements of official portraits for the Spanish court. After the Queen's death, Philip helped arrange an aristocratic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Southampton City Art Gallery
The Southampton City Art Gallery is an art gallery in Southampton, southern England. It is located in the Civic Centre on Commercial Road. The gallery opened in 1939 with much of the initial funding from the gallery coming from two bequests, one from Robert Chipperfield (1817–1911) and another from Frederick William Smith. The gallery was damaged during World War II and repairing this damage delayed its reopening until 1946. The gallery's art collection covers six centuries of European art history, with over 5,300 works in its fine art collection. It is housed in an example of 1930s municipal architecture. The gallery holds a Designated Collection, considered of national importance. , Culture 24, UK. Highlights of the pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elena Anguissola
Elena Anguissola ( – 1584) was an Italian painter and nun. She was the sister of the better-known painter Sofonisba (or Sophonisba) Anguissola. Biography Elena Anguissola (who became a nun with the name of Sister Minerva) was the daughter of Amilcare Anguissola and Bianca Ponzoni. The spelling of the surname, in sixteenth century documents, varies between Angosciola and Angussola. Her parents were of noble origins. Her father belonged to the Genoese nobility and had moved to Lombardy. With his family, Amilcare Anguissola lived in Cremona, in a building on Via Pellegrino Tibaldi. He taught all of his children a humanistic culture, with readings of Latin and Italian texts, and painting for the eldest daughters Elena and Sofonisba, under the guidance of Bernardino Campi (1522–1591). They lived for three years in the house of Campi and in 1546, when the painter left Cremona and moved to Milan, Sofonisba Anguissola became the painting teacher of her younger sisters. This is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Game Of Chess (Sofonisba Anguissola)
''The Game of Chess'' (or ''Portrait of the artist's sisters playing chess'') is an oil-on-canvas painting executed ca. 1555 by Italian Renaissance artist Sofonisba Anguissola. Anguissola was 23 years old when she painted it. The painting is signed and dated on the edge of the chessboard, where Anguissola left this Latin inscription: – "Sofonisba Angussola virgin daughter of Amilcare painted from life her three sisters and a maid 1555." History Giorgio Vasari, visiting Cremona, was a guest in the house of Amilcare Anguissola and there admired paintings by Amilcare's daughters. About ''The Game of Chess'' he wrote, "I have seen this year in Cremona, in the house of her father a painting made with much diligence, the depiction of his three daughters, in the act of playing chess, and with them an old housemaid, done with such diligence and facility, that they appear alive, and the only thing missing is speech." This is the oldest document that mentions this painting, which remain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-Portrait At A Spinet
''Self-Portrait at a Spinet'' is an oil-on-canvas painting by the Italian artist Sofonisba Anguissola, from ''c.'' 1555. It is held in the National Museum of Capodimonte, in Naples.Flavio Caroli, ''Sofonisba Anguissola e le sue sorelle'', Milan, A. Mondadori, 1987 (Italian) It was in cardinal Fulvio Orsini's collection, which passed to Odoardo Farnese Odoardo Farnese may refer to: *Odoardo Farnese (cardinal) (1573–1626) * Odoardo Farnese, Duke of Parma (1612–1646) *Odoardo Farnese, Hereditary Prince of Parma Odoardo Farnese (12 August 1666 – 6 September 1693) was the eldest son of Duke ... in 1600. Orsini's collection also included Anguissola's ''Partita'' and two drawings by her. See also * List of paintings by Sofonisba Anguissola References Bibliography * Mina Gregori (coordinator), ''I Campi: cultura artistica cremonese del Cinquecento'', Milan, Electa, 1985 (Italian), SBN IT\ICCU\PAL\0002579. * Flavio Caroli, ''Sofonisba Anguissola e le sue sorelle'', Milan, A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earl Of Yarborough
Earl of Yarborough is a title in the Peerage of the United Kingdom. It was created in 1837 for Charles Anderson-Pelham, 2nd Baron Yarborough. History The Anderson-Pelham family descends from Francis Anderson of Manby, Lincolnshire. He married Mary, daughter of Charles Pelham of Brocklesby, Lincolnshire. Their grandson Charles Anderson assumed the additional surname of Pelham and represented Beverley and Lincolnshire in the House of Commons. In 1794 he was created Baron Yarborough, of Yarborough in the County of Lincoln, in the Peerage of Great Britain. He was succeeded by his son, the second Baron. He sat as Member of Parliament for Great Grimsby and for Lincolnshire. Lord Yarborough married Henrietta Anne Maria Charlotte Bridgeman Simpson (d. 1813), daughter of John Simpson and Henrietta Francis Worsley, daughter of Sir Thomas Worsley, 6th Baronet, of Appuldurcombe (a title which became extinct in 1825; see Worsley baronets). Through this marriage Appuldurcombe House on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecellio (; 27 August 1576), Latinized as Titianus, hence known in English as Titian ( ), was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the Habsburgs and the papacy. Along with Giorgione, he is considered a founder of the Venetian school of Italian Renaissance painting. In 1590, the painter and art theorist Giovanni Paolo Lomazzo describe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Da Correggio
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was an Italian Renaissance painter who was the foremost painter of the Parma school of the High Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro. Early life Antonio Allegri was born in Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter Lorenzo Allegri. In 1503–1505, he was apprenticed to Francesco Bianchi Ferrara in Modena, where he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Renaissance painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic individuality, even an idiosyncratic style (although ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Gatti
Bernardino Gatti (c.1495 – 22 February 1576) was an Italian painter of the Renaissance, active mainly in Parma and Cremona. He is also commonly called il Sojaro. He was born in or near Pavia or Cremona. His early apprenticeship is unclear, though he was influenced by the pre-eminent local painters: Pordenone, alongside whose works are many of Gatti's frescoes, as well as Correggio. Gatti worked for 12 years, 1560–72, in the fresco decoration of the cupola of the duomo of Parma, where he was assisted by Bartholomaeus Spranger. His major works are the large fresco in the refectory of San Pietro in Cremona from 1552, frescoes in the dome of the Santa Maria della Steccata (1560–66) in Parma, and his ''Assunta'' in the Duomo of Cremona. He also worked in Pavia (1531) and Piacenza (1543). Among his most famous pupils are Sofonisba Anguissola Sofonisba Anguissola ( – 16 November 1625), also known as Sophonisba Angussola or Sophonisba Anguisciola, was an Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The United Kingdom
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
