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Portato
Portato (; Italian past participle of ''portare'', "to carry"), also mezzo-staccato, French notes portées, in music denotes a smooth, pulsing articulation and is often notated by adding dots under slur markings. Portato is also known as articulated legato. Description Portato is a bowing technique for bowed stringed instruments in which successive notes are gently re-articulated while being joined under a single continuing bow stroke. It achieves a kind of pulsation or undulation, rather than separating the notes. It has been notated in various ways. One early 19th-century writer, Pierre Baillot (''L'art du violon'', Paris, 1834), gives two alternatives: a wavy line, and dots under a slur. Later in the century a third method became common: placing "legato" dashes (tenuto) under a slur. The notation with dots under slurs is ambiguous, because it is also used for very different bowings, including staccato and flying spiccato. Currently, portato is sometimes indicated in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Articulation (music)
Articulation is a Elements of music, musical parameter that determines how a single Note (music), note or other discrete event is sounded. Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its Envelope (music), attack and decay. They can also modify an event's timbre, Dynamics (music), dynamics, and Pitch (music), pitch. Musical articulation is analogous to the Articulation (phonetics), articulation of speech, and during the Baroque music, Baroque and Classical period (music), Classical periods it was taught by comparison to Rhetoric, oratory. Western music has a set of traditional articulations that were standardized in the 19th century#Music, 19th century and remain widely used. Composers are not limited to these, however, and may invent new articulations as a piece requires. When writing Electronic music, electronic and computer music, composers can design articulations from the ground up. In addition to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legato
In music performance and notation, legato (; Italian for "tied together"; French ''lié''; German ''gebunden'') indicates that musical notes are played or sung smoothly, such that the transition from note to note is made with no intervening silence. Legato technique is required for slurred performance, but unlike slurring (as that term is interpreted for some instruments), legato does not forbid articulating the notes with a very slight interruption. Standard notation indicates legato either with the word ''legato'', or by a slur (a curved line) under notes that form one legato group. The latter notation is differentiated from a tie in that the notes have different pitches. Legato, like staccato, is a kind of articulation. There is an intermediate articulation called either ''mezzo staccato'' or ''non-legato'' (sometimes referred to as '' portato''). Classical string instruments In music for Classical string instruments, legato is an articulation that often refers to notes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Language
Italian (, , or , ) is a Romance language of the Indo-European language family. It evolved from the colloquial Latin of the Roman Empire. Italian is the least divergent language from Latin, together with Sardinian language, Sardinian. It is spoken by about 68 million people, including 64 million native speakers as of 2024. Italian is an official language in Languages of Italy, Italy, Languages of San Marino, San Marino, Languages of Switzerland, Switzerland (Ticino and the Grisons), and Languages of Vatican City, Vatican City; it has official Minority language, minority status in Minority languages of Croatia, Croatia, Slovene Istria, Romania, Bosnia and Herzegovina, and the municipalities of Santa Teresa, Espírito Santo, Santa Tereza, Encantado, Rio Grande do Sul, Encantado, and Venda Nova do Imigrante in Languages of Brazil#Language co-officialization, Brazil. Italian is also spoken by large Italian diaspora, immigrant and expatriate communities in the Americas and Austral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slur (music)
A slur is a symbol in Western culture, Western musical notation indicating that the note (music), notes it embraces are to be played without separation (that is, with legato articulation (music), articulation). A slur is denoted with a curved line (geometry), line generally placed over the notes if the stem (music), stems point downward, and under them if the stems point upwards. The example below shows two measures in with a slur for each measure: : \relative c'' Performance Slurs mean different things for different instruments: *For bow (music), bowed string instruments, the notes should be played in one bow stroke. * For plucked string instruments, such as guitars, the notes should be played without plucking the individual strings (hammer-ons and pull-offs). * For wind instruments, the notes should be played without re-articulating each note (tonguing), except for the slide trombone (and other instruments that control the pitch with a slide), on which only certain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staccato
Staccato (; Italian for "detached") is a form of Articulation (music), musical articulation. In modern notation, it signifies a note of shortened duration, separated from the note that may follow by silence. It has been described by theorists and has appeared in music since at least 1676. Notation In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo. However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash indicating a shorter, sharper note, and the dot a longer, lighter one. A number of signs came to be used in the late 19th and early 20th centuries to discriminate more subtle nuances of staccato. These signs involve various combinations of dots, vertical and horizontal dashes, vertical and horiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spiccato
''Spiccato'' is a bowing technique for string instruments in which the bow appears to bounce lightly upon the string. The term comes from the past participle of the Italian verb ''spiccare'', meaning "to separate". The terms '' martelé'', '' saltando'', and '' sautillé'' describe similar techniques. Technique In typically consistent rhythms (of quavers or semiquavers, or quicker repeated sounds), the bow is held in a more relaxed manner and allowed to bounce, resulting in a series of short, distinct notes. This occurs because of the elasticity of the string and the natural springiness of the bow. The ability to create the effect is largely tempo-dependent. In slower tempos, a ''spiccato'' can also be manufactured using the fingers and wrist to deliberately manipulate how the bow falls to the string. The speed with which the ''spiccato'' is performed depends on bow placement. At the balance point – about a third from the frog – the ''spiccato'' will be slow, while above ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bowed Stringed Instrument
Bowed string instruments are a subcategory of string instruments that are played by a bow rubbing the strings. The bow rubbing the string causes vibration which the instrument emits as sound. Despite the numerous specialist studies devoted to the origin of bowing, the origin of bowing remains unknown.Friedrich Behn, Musikleben im Altertum und frühen page 159 List of bowed string instruments Violin family * Cello (violoncello) * Pochette * Viola (altviol, bratsche) * Violin (violino) * Double bass (contrabasso) ;Variants on the standard members of the violin family include: * Baroque violin * Cello da spalla * Five string violin * Hardanger fiddle * Kit violin * Kontra * Låtfiol * Lira da braccio * Octobass * Sardino * Stroh violin * Tenor violin Viol family (Viola da Gamba family) * Alto viol * Bass viol * Tenor viol * Treble viol ;Variants on the standard four members of the viol family include * Baryton * Division viol * Lirone * Lyra viol * Parde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Baillot
Pierre Marie François de Sales Baillot (; 1 October 1771 – 15 September 1842) was a French violinist and composer born in Passy. He studied the violin under Giovanni Battista Viotti and taught at the Conservatoire de Paris together with Pierre Rode (also a pupil of Viotti) and Rodolphe Kreutzer, who wrote the Conservatoire's official violin method (published in the early 19th century). He was sole author of the instructional ''L'Art du violon'' (1834). Baillot's teachings had a profound influence on technical and musical development in an age in which virtuosity was openly encouraged. He was leader of the Paris Opéra, gave solo recitals and was a notable performer of chamber music. Biography Early life Pierre Baillot, who was associated with Rode and Kreutzer in the compilation of the celebrated ''Methode du Violon'', was born at Passy, near Paris, and became one of the best violinists of his time. His eminence in his profession was not obtained without a long struggle again ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenuto
In musical notation, ''tenuto'' ( Italian, past participle of ''tenere'', "to hold"), written as a horizontal bar above or below a note, is a direction for the performer to hold or sustain a note for its full length. Its precise interpretation can be somewhat contextual in practice, especially when combined with dynamic directions affecting loudness. In that case, it can mean either ''accent the note in question by holding it to its full length (or longer, with slight rubato)'', or ''play the note slightly louder''. In other words, the ''tenuto'' mark may alter the length of a note at the same time a dynamic mark adjusts its volume. Either way, the tenuto marking indicates that a note should receive some degree of emphasis. Tenuto is one of the earliest directions to appear in music notation. Notker of St. Gall (c. 840–912) discusses the use of the letter ''t'' in plainsong notation as meaning ''trahere vel tenere debere'' in one of his letters. The mark's meaning may a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portamento
In music, portamento (: ''portamenti''; from old , meaning 'carriage' or 'carrying'), also known by its French name glissade, is a pitch sliding from one Musical note, note to another. The term originated from the Italian language, Italian expression ('carriage of the voice'), denoting from the beginning of the 17th century its use in vocal performances and emulation by members of the violin family and certain wind instruments, and is sometimes used interchangeably with Nonchord tone#Anticipation, anticipation. It is also applied to one type of glissando on, e.g., slide trombones, as well as to the "glide" function of Pedal steel guitar, steel guitars and synthesizers. Vocal portamento In the first example, Rodolfo's first aria in ''La sonnambula'' (1831), the portamento is indicated by the Slur (music), slur between the third and fourth notes. The second example, Judit's first line in ''Bluebeard's Castle'' (1912) by composer Béla Bartók, employs an inclining, wavy line b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bariolage
Bariolage is a musical technique used with bowed string instruments that involves rapidly playing alternated notes on adjacent strings, one of which is generally left open,Stowell, Robin (1990). ''Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries'', p.172. Cambridge. . thereby exploiting the different timbres of each string.Patricia, Strange and Strange, Allen (2003). ''The Contemporary Violin: Extended Performance Techniques'', p.32. Scarecrow. .Winold, Allen (2007). ''Bach's Cello Suites, Volumes 1 and 2: Analyses and Explorations'', p.19. Indiana University. . "Involves rapid alternation between two adjacent strings, usually with an open string note on one string and fingered notes on the other string," the difference producing an "interesting timbre." Bariolage may involve quick alternation between a static note and changing notes that form a melody either above or below the static note. The static note is usually an open string not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to music journalism, beco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
