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In folk magic and witchcraft, a poppet (also known as poppit, moppet, mommet or pippy) is a doll made to represent a person, for casting spells on them, or aiding that person through magic. They are occasionally found lodged in chimneys. These dolls may be fashioned from materials such as carved root, grain, corn shafts, fruit, paper, wax, a potato, clay, branches, or cloth stuffed with herbs, with the intent that any actions performed upon the effigy will be transferred to the subject based on sympathetic magic. Poppets are also used as kitchen witch figures. Etymology The word ''poppet'' is a variant of ''puppet'', from Middle English ''popet'', meaning a small child or a doll. In British English it continues to hold this meaning. ''Poppet'' is also a chiefly British term of endearment or diminutive referring to a young child, much like the words "dear" or "sweetie." Purpose Poppets are commonly believed, in folk magic, to serve as spirit bridges. A poppet can be designed ...
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Witch Dolls Poppets Curse
Witchcraft is the use of Magic (supernatural), magic by a person called a witch. Traditionally, "witchcraft" means the use of magic to inflict supernatural harm or misfortune on others, and this remains the most common and widespread meaning. According to ''Encyclopedia Britannica'', "Witchcraft thus defined exists more in the imagination", but it "has constituted for many cultures a viable explanation of evil in the world". The belief in witches has been found throughout history in a great number of societies worldwide. Most of these societies have used Apotropaic magic, protective magic or counter-magic against witchcraft, and have shunned, banished, imprisoned, physically punished or killed alleged witches. Anthropologists use the term "witchcraft" for similar beliefs about harmful occult practices in different cultures, and these societies often use the term when speaking in English. Belief in witchcraft as malevolent magic is attested from #Ancient Mesopotamian religion ...
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Amethyst
Amethyst is a Violet (color), violet variety of quartz. The name comes from the Koine Greek from - , "not" and (Ancient Greek) / (Modern Greek), "intoxicate", a reference to the belief that the stone protected its owner from Alcohol intoxication, drunkenness. Ancient Greece, Ancient Greeks wore amethyst and carved drinking vessels from it in the belief that it would prevent intoxication. Amethyst, a Gemstone, semiprecious stone, is often used in jewelry. Structure Amethyst is a violet variety of quartz () and owes its violet color to Gemstone irradiation, irradiation, impurities of iron () and in some cases other transition metals, and the presence of other trace elements, which result in complex crystal lattice substitutions. The irradiation causes the iron ions that replace silicon, Si in the lattice to lose an electron and form a color center. Amethyst is a three-dimensional network of tetrahedra where the silicon atoms are in the center and are surrounded by fo ...
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Mexican Rag Doll
The best known Mexican rag dolls are those whose origins can be traced back to México City with the creation of a workshop "Centro de Capacitación Mazahua", with the intentions to enhance income opportunities for the Mazahua-Otomí people after their migration to the larger cities, in search for a better future. In Querétaro, Queretaro, they have been called "Marias" and they have registered a patent for the doll as an attempt to increase tourism. This action has been criticized by some people because it could be perceived as an attempt to cultural appropriation, culturally appropriate a craft that belongs to the Mazahua-Otomí people. Throughout the country people call them "rag dolls" (''muñecas de trapo''). Mexico has a long history of making rag dolls, but the ones known popularly from their appearance nationally, especially in tourist venues may date back only to the 1970s, during the time the workshop was running. Although Amealco de Bonfil, Amealco is strongly connected ...
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Witch Bottle
A witch bottle is a apotropaic magical item used as protection against witchcraft. They are described in historical sources from England and the United States. The earliest surviving mention is from seventeenth-century England. Origins and purpose One of the earliest descriptions of a witch bottle in Suffolk, England, appears in 1681 in Joseph Glanvill’s ''Saducismus Triumphatus, or Evidence concerning Witches and Apparitions'': Since at least the early modern period it has been a common custom to hide objects such as written charms, dried cats, horse skulls, concealed shoes, and witch bottles in the structure of a building. Folk magic contends that witch bottles protect against evil spirits and magical attack, and counteract spells cast by witches; they are countermagical devices, the purpose of which is to draw in and trap harmful intentions directed at their owners. Description Some of the earliest documented witch bottles consist of salt glazed stoneware jugs known as ...
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Hopi Kachina Figure
Hopi kachina figures or Hopi kachina dolls (also spelled katsina (plural: katsinam); Hopi: or ) are figures carved, typically from cottonwood root, by Hopi people to instruct young girls and new brides about kachinas or ''katsinam'', the immortal beings that bring rain, control other aspects of the natural world and society, and act as messengers between humans and the spirit world. These figures are still made and used within the Hopi community, while other kachina figures are carved and sold as artworks to the public. Other Pueblo peoples and later Navajo sculptors carve figures similar to kachina tihu as artworks. History and background Cultural context Hopi people live primarily on three mesas in northeastern Arizona, about 70 miles from Flagstaff. In Hopi cosmology, the majority of katsinam reside on the Humphreys Peak, approximately 60 miles west of the Hopi Reservation. Each year, throughout the period from winter solstice to mid-July, these spirits, in the form of kac ...
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Kachina
A kachina (; Hopi language, Hopi: ''katsina'' , plural ''katsinim'' ) is a spirit being in the religious beliefs of the Pueblo people, Native Americans in the United States, Native American cultures located in the south-western part of the United States. In the Pueblo cultures, kachina rites are practiced by the Hopi, Hopi-Tewa and Zuni peoples and certain Keres People, Keresan tribes, as well as in most Pueblo tribes in New Mexico. The kachina concept has three different aspects: the supernatural being, the kachina dancers, and kachina dolls (small dolls carved in the likeness of the kachina, that are given only to those who are, or will be responsible for the respectful care and well-being of the doll, such as a mother, wife, or sister). Overview Kachinas are spirits or personifications of things in the real world. These spirits are believed to visit the Hopi villages during the first half of the year. The local pantheon of kachinas varies from pueblo community to community. ...
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Voodoo Doll
A voodoo doll is an effigy that is typically used for the insertion of pins. Such practices are found in various forms in the magic (paranormal), magical traditions of many cultures around the world. Despite its name, the voodoo doll is not prominent in the African diaspora religions of Haitian Vodou nor Louisiana Voodoo. Members of the High Priesthood of Louisiana Voodoo have denounced the use of voodoo dolls as irrelevant to the religion. Depictions in culture 20th-century link with Voodoo The association of the voodoo doll and the religion of Voodoo was established through the presentation of the latter in Western popular culture during the first half of the 20th century as part of the broader negative depictions of Black and Afro-Caribbean religious practices in the United States. In John Houston Craige's 1933 book ''Black Bagdad: The Arabian Nights Adventures of a Marine Captain in Haiti'', a Haitian prisoner is described sticking pins into an effigy to induce illness. In ...
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Effigy
An effigy is a sculptural representation, often life-size, of a specific person or a prototypical figure. The term is mostly used for the makeshift dummies used for symbolic punishment in political protests and for the figures burned in certain traditions around New Year, Carnival and Easter. In European cultures, effigies were used in the past for punishment in formal justice when the perpetrator could not be apprehended, and in popular justice practices of social shaming and exclusion. Additionally, "effigy" is used for certain traditional forms of sculpture, namely tomb effigies, funeral effigies and coin effigies. There is a large overlap and exchange between the ephemeral forms of effigies. Traditional holiday effigies are often politically charged, for instance, when the generalised figures Año Viejo (the Old Year) or Judas in Latin America are substituted by the effigy of a despised politician. Traditional forms are also borrowed for political protests. In India, for i ...
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Motanka
A rag doll is a doll made from scraps of fabric. They are one of the oldest children's toys in existence. Today, many rag dolls are commercially produced to mimic aspects of the original home-made dolls, such as simple features, soft cloth bodies, and patchwork clothing. History Traditionally home-made from (and stuffed with) spare scraps of material, they are one of the oldest children's toys in existence. The British Museum has a Roman rag doll, found in a child's grave dating from the 1st to 5th century AD. Historically, rag dolls have been used as comfort objects, and to teach young children nurturing skills. They were often used to teach children how to sew, as the children could practice sewing clothes for the doll and make some simple dolls themselves.Reef, Catherine. “Childhood in the United States, 1790–1850.” ''Childhood in America'', Facts On File, 2002. ''American History Online''. Accessed 1 Dec. 2018. In America, from the colonial era up to the early 20th cent ...
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Hōko (doll)
A is a kind of soft-bodied doll given to young women of age and especially to pregnant women in Japan to protect both mother and unborn child. Traditionally, ''hōko'' dolls were made of silk and human hair, and stuffed with cotton. The dolls could be made for both boys and girls. Boys' dolls would be given up and "consecrated" at a shrine when boys came of age at 15 years old, while girls would give up their dolls at marriage. The dolls were given to children either at birth, or on special days shortly after birth. Pregnant woman would be given new ones, so as to protect her and her unborn child together, for the duration of the pregnancy. History ''Hōko'' can be traced back to "talismanic figures" from early Japanese history, and are likely related to the concept of using paper dolls (''hina''), as "stand-ins for people." The use of in spiritual practice as stand-ins to take on the brunt of a person's sins or misfortune also played a role in the creation of ''hōko'' dolls ...
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Corn Husk Doll
A corn husk doll is a Native American doll made out of the dried leaves or "husk" of a corn cob. Maize, known in some countries as corn, is a large grain plant domesticated by indigenous peoples in Mesoamerica in prehistoric times. Every part of the ear of corn was used. Women braided the husks for rope and twine and coiled them into containers and mats. Shredded husks made good kindling and filling for pillows and mattresses. The corncobs served as bottle stoppers, scrubbing brushes, and fuel for smoking meat. Corn silk made hair for corn husk dolls. Corn husk dolls have been made by Northeastern Native Americans probably since the beginnings of corn agriculture more than a thousand years ago. Brittle dried cornhusks become soft if soaked in water and produce finished dolls sturdy enough for children's toys. Making corn husk dolls was adopted by early European settlers in the United States of America. Corn husk doll making is now practiced in the United States as a link to Nativ ...
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Corn Dolly
Corn dollies or corn mothers are a form of straw work made as part of harvest customs of Europe before mechanisation. Scholars of the 18th and 19th centuries theorized that before Christianisation, in traditional pagan European culture it was believed that the spirit of the corn (in American English, "corn" would be "grain") lived amongst the crop, and that the harvest made it effectively homeless. James Frazer devotes chapters in ''The Golden Bough'' to "Corn-Mother and Corn-Maiden in Northern Europe" (chs. 45–48) and adduces European folkloric examples collected in great abundance by the folklorist Wilhelm Mannhardt. Among the customs attached to the last sheaf of the harvest were hollow shapes fashioned from the last sheaf of wheat or other cereal crops. The corn spirit would then spend the winter in this home until the "corn dolly" was ploughed into the first furrow of the new season. Background James George Frazer discusses the Corn-mother and the Corn-maiden in Norther ...
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