Polish Colourism
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Polish Colourism
Kapists or KPists (Polish: ''Kapiści'', from KP, the Polish acronym for the Paris Committee), also known as the Colourists, were a group of Polish painters of the 1930s who dominated the Polish artistic landscape of the epoch. Contrary to Polish romanticist traditions, the Kapists underlined the independence of art from any historical tradition, symbolism or influences of literature and history. They were formed around Józef Pankiewicz and were under the strong influence of the French Post-Impressionists Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction aga .... The name of the movement was derived from the full name of the so-called ''Paris Committee'', or ''Paris Committee of Relief for Students Leaving for Artistic Studies in France'' (). Apart from Pankiewicz, among the best-know ...
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Hanna Rudzka-Cybisowa
Hanna Rudzka-Cybisowa (1897-1988) was a Polish artist and teacher. Biography Rudzka-Cybisowa was born on 27 June 1897 in Mława, Poland. She studied at the Academy of Fine Arts in Warsaw where she was taught by Miłosz Kotarbiński. In 1923 Rudzka-Cybisowa became a student of the Polish Impressionist Józef Pankiewicz. In 1924 she traveled to Paris along with a group of Polish students who named themselves the ''Kapists, Komitet Paryski'' (the Paris Committee, also called the Kapists). The same year she married the painter Jan Cybis (1897-1972) who was also part of the Komitet Paryski. The couple stayed in French Third Republic, France from 1924 through to 1931. From 1931 through to 1933 Rudzka-Cybisowa lived in Kraków, returning for a time to Paris where she had a solo show at the Renaissance Gallery. In 1934 her work was included in a Kapists' group show at the (Warsaw Art Propaganda Institute). Rudzka-Cybisowa remained in Poland through the Nazi occupation, continuing to ...
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Futurism
Futurism ( ) was an Art movement, artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included Italian artists Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and, according to its doctrine, "aimed to liberate Italy from the weight of its past." Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting ''Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurism , Russian Futurists would later go on to found gr ...
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Galerie Moos
The Maison Moos, later called the Galerie Moos, was an art gallery and auction house founded in 1906 in Geneva by the art dealer Max Moos. The gallery closed in 1976.''Le marché de l'art en Suisse du XIXe siècle à nos jours'' / éd. par Paul-André Jaccard et Sébastien Guex, Lausanne : Unil ; Zurich : SIK ISEA, 2011 A distinction must be made between the Galerie Moos founded by Max Moos, the father, and the Galerie Georges Moos founded by his son in 1941, also in Geneva, which closed in 1986. Several other art galleries have been established around the world by various members of the Moos family: in Karlsruhe, New York, Toronto, and Zürich, Zurich. History Between 1906 and 1976, the Maison Moos and later the Galerie Moos changed address several times. 1906 : Rue du Rhône 29 (Geneva) Max Moos, founder of the Moos company (Geneva), was born in 1880 in Randegg in Baden Württemberg, Germany. Son of Heinrich Moos and Rosalie Bloch, he spent his childhood in Karlsruhe whe ...
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Galerie Zak
Galerie Zak was an art gallery that was founded in Paris, France, in 1928 and specialised in modern European and South American art until its closure in the late 1960s. The gallery was notable for hosting the first solo exhibition by Vassily Kandinsky in Paris, as well as exhibiting works by Marc Chagall, Amedeo Modigliani and Jules Pascin and Bela Czobel. The gallery was established by Jadwiga Zak (née Kon, 1885–1943) in 1928. She was known to all as Madame Zak, although her husband, the Russian/Polish painter Eugeniusz Zak (also known as Eugène Zak), had died in 1926. The gallery established by Jadwiga at 16, rue de l'Abbaye, in Saint-Germain-des-Prés on Paris' left bank, became an important venue for Polish and Latin American art. It sponsored the first exhibition by members of the Paris Committee, known as the Kapists. During World War II, both Madame Zak and her son were taken to Auschwitz, where they died in 1944. Although French collaborators liquidated the contents o ...
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Eugeniusz Geppert
``` Eugeniusz Geppert (born September 4, 1890 in L'viv, died January 13, 1979 in Wrocław) was a Polish people, Polish painter associated with the Kapists, Colourist movement, organizer of the Eugeniusz Geppert Academy of Fine Arts in Wrocław. Received formal training at the Jan Matejko Academy of Fine Arts in Cracow under the tutelage of Jacek Malczewski as well as at the Jagiellonian University. Geppert also studied art in Paris between 1925 and 1927, as well as in 1957. Before World War II he was a member of the Zwornik arts group. He was a cofounder and the first rector of the first Higher School of the Arts in Wrocław. Between 1950-1961 and 1966-1974 he had his own painting studio. On April 25, 2008 Eugeniusz Geppert Academy of Fine Arts, Wrocław's Academy of Fine Arts was renamed to commemorate him. His work was also part of the Art competitions at the 1932 Summer Olympics#Painting, painting event in the Art competitions at the 1932 Summer Olympics, art competition at ...
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Romanticism In Poland
Romanticism in Poland, a literary, artistic and intellectual period in the evolution of Polish culture, began around 1820, coinciding with the publication of Adam Mickiewicz's first poems in 1822. It ended with the suppression of the January 1863 Uprising against the Russian Empire in 1864. The latter event ushered in a new era in Polish culture known as ''Positivism''.Czesław Miłosz ''The history of Polish literature.''IV. ''Romanticism.'' Pages 195–280. Google Books. ''University of California Press'', 1983. Polish Romanticism, unlike Romanticism in some other parts of Europe, was not limited to literary and artistic concerns. Due to specific Polish historical circumstances, notably the partitions of Poland, it was also an ideological, philosophical, and political movement that expressed the ideals and way of life of a Polish society subjected to foreign rule and to ethnic and religious discrimination. History Polish Romanticism had two distinct periods in terms of its l ...
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Poland
Poland, officially the Republic of Poland, is a country in Central Europe. It extends from the Baltic Sea in the north to the Sudetes and Carpathian Mountains in the south, bordered by Lithuania and Russia to the northeast, Belarus and Ukraine to the east, Slovakia and the Czech Republic to the south, and Germany to the west. The territory has a varied landscape, diverse ecosystems, and a temperate climate. Poland is composed of Voivodeships of Poland, sixteen voivodeships and is the fifth most populous member state of the European Union (EU), with over 38 million people, and the List of European countries by area, fifth largest EU country by area, covering . The capital and List of cities and towns in Poland, largest city is Warsaw; other major cities include Kraków, Wrocław, Łódź, Poznań, and Gdańsk. Prehistory and protohistory of Poland, Prehistoric human activity on Polish soil dates to the Lower Paleolithic, with continuous settlement since the end of the Last Gla ...
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Naïve Art
Naïve art is usually defined as visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). When this aesthetic is emulated by a trained artist, the result is sometimes called '' primitivism'', ''pseudo-naïve art'', or ''faux naïve art''. Unlike folk art, naïve art does not necessarily derive from a distinct popular cultural context or tradition; indeed, at least in the advanced economies and since the Printing Revolution, awareness of the local fine art tradition has been inescapable, as it diffused through popular prints and other media. Naïve artists are aware of "fine art" conventions such as graphical perspective and compositional conventions, but are unable to fully use them, or choose not to. By contrast, outsider art (''art brut'') denotes works from a similar context but which have only minimal contact with the mainstream art world. ...
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Formizm
Formizm (English: Formism) was an avant-garde literary and artistic movement active in the Second Polish Republic between 1917 and 1922. It drew inspirations from Cubism, Expressionism and Futurism as well as Polish folk art. Together with Unism, started by Władysław Strzemiński in the early 1920s, Formism was one of the two independently Polish avant-garde movements. History The movement began in 1917 in Kraków where several artists united under the banner of Polish Expressionists. Their first exhibition was organized at the Society of Friends of Fine Arts in Kraków on 4 November 1917. In 1919, a year after Poland had regained its independence, the group adopted the name (Formists), reflecting their interest in examining the question of form in visual art and an intention to move beyond Expressionism. The Formists opposed naturalism in painting and wished to incorporate influences from other Western avant-garde movements, particularly Cubism in France and Futurism in It ...
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Jan Cybis
Jan Cybis (16 February 1897 – 13 December 1972) was a prominent Polish painter and art teacher. Biography Cybis was born in Fröbel (now Wróblin, Opole Voivodeship, Poland) and studied at the Jan Matejko Academy of Fine Arts in Kraków, settling in that city from 1934. The German Expressionist Otto Mueller was his mentor. He studied under Józef Pankiewicz among others, developing a reputation for a post-impressionist style using rich, saturated color influenced by the French. In the 1930s Cybis was among the most prominent of the Kapists or Paris Committee, a significant group of Polish painters of the time. His wife Hanna Rudzka-Cybisowa (1897–1988) was a notable painter in her own right and also active as a Kapist. Among other recognitions, Cybis was awarded the Polish communist government's Order of the Banner of Work in 1949 and the Medal of the 10th Anniversary of People's Poland in 1955, although during the Socialist Realism period Cybis was prevented from tea ...
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Post-Impressionism
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon ...
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Józef Pankiewicz
Józef Pankiewicz (29 November 1866 – 4 July 1940) was a Polish Impressionism, impressionist painter, graphic artist and teacher. He spent much of his career in France. Biography Pankiewicz was born on 29 November 1866 in Lublin. From 1884 to 1885, he studied at the School of Fine Arts in Warsaw under Wojciech Gerson and Aleksander Kamiński (painter), Aleksander Kamiński. After obtaining a scholarship, he went to Saint Petersburg to study at the Imperial Academy of Arts.Biographical notes
@ Agra Art.
In 1889, he and his studio partner Władysław Podkowiński went to Paris to participate in the Exposition Universelle (1889), Exposition Universelle and he was awarded a silver medal for his painting of a vegetable market.
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