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PoemJazz
''PoemJazz'' is an album by poet, essayist, literary critic, translator and America's 39th Poet Laureate Consultant in Poetry to the Library of Congress Robert Pinsky, and Grammy-Award-winning pianist, composer, and arranger Laurence Hobgood. Released by Circumstantial Productions in 2012, the album was produced by Richard Connolly and Laurence Hobgood. PoemJazz treats a voice speaking poetry as having a role like that of a horn: speech with its own poetic melody and rhythm, in conversation with what the music is doing. The variations in pitch and cadence are those inherent in the words themselves, as they make their way through the lines: idiom true to itself while adapting its rhythms and pitches to counterparts in the music. The melodic arcs and contours of the grammar, the patterns of the consonants and vowels—all these in the poetry are in conversation with the music: not sung, not acted, but spoken as verse, responding to the music. As in rap Rapping (also rhymin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurence Hobgood
Laurence Hobgood (born 1959) is a contemporary jazz piano virtuoso, composer, arranger, producer, lyricist and educator. Perhaps best known for his twenty-year collaboration with vocalist Kurt Elling, Hobgood has had a varied and dynamic career. In addition to his prowess at the piano he's identified by many as a key player in the imaginative updating of the "American Songbook", particularly in his arranging for vocalists; his stylized re-imagining of both classic songbook repertoire and more recent artists' work (Carole King; Earth, Wind & Fire; Paul Simon; Burt Bacharach; Sting; U2, etc.) has had a far-ranging influence within the jazz world and beyond. Early life Born Dec. 23, 1959, in Salisbury, North Carolina, Laurence is the son of Burnet Mclean and Jane Bishop Hobgood. His father was the director of the small but thriving Theater Department at Catawba College. Soon the family moved to Ithaca, New York, where his father earned his Ph.D., then again to Dallas, Texas, in 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Pinsky
Robert Pinsky (born October 20, 1940) is an American poet, essayist, literary critic, and translator. From 1997 to 2000, he served as Poet Laureate Consultant in Poetry to the Library of Congress. Pinsky is the author of nineteen books, most of which are collections of his poetry. His published work also includes critically acclaimed translations, Dante Alighieri's '' Inferno'' and ''The Separate Notebooks'' by Czesław Miłosz. He teaches at Boston University. Biography Early life and education Pinsky was born in Long Branch, New Jersey to Jewish parents, Sylvia (née Eisenberg) and Milford Simon Pinsky, an optician. He attended Long Branch High School. He received a B.A. from Rutgers University in New Brunswick, New Jersey, and earned both an M.A. and PhD from Stanford University, where he was a Stegner Fellow in creative writing. He was a student of Francis Fergusson and Paul Fussell at Rutgers and Yvor Winters at Stanford. Personal life Pinsky married Ellen J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Critic
Literary criticism (or literary studies) is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. Though the two activities are closely related, literary critics are not always, and have not always been, theorists. Whether or not literary criticism should be considered a separate field of inquiry from literary theory is a matter of some controversy. For example, the ''Johns Hopkins Guide to Literary Theory and Criticism'' draws no distinction between literary theory and literary criticism, and almost always uses the terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works, while theory may be more general or abstract. Literary criticism is often published in essay or book form. Academic literary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythms
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music, the rhythmic delivery of the lyrics is one of the most important elements of the style. Rhythm may also refer to visual presentation, as "timed m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verse (poetry)
A verse is formally a single metrical line in a poetic composition. However, verse has come to represent any grouping of lines in a poetic composition, with groupings traditionally having been referred to as stanzas. Verse in the uncountable ( mass noun) sense refers to poetry in contrast to prose. Where the common unit of verse is based on meter or rhyme, the common unit of prose is purely grammatical, such as a sentence or paragraph. Verse in the second sense is also used pejoratively in contrast to poetry to suggest work that is too pedestrian or too incompetent to be classed as poetry. Types of verse Rhymed verse Rhymed verse is historically the most commonly used form of verse in English. It generally has a discernible meter and an end rhyme. I felt a Cleaving in my Mind – As if my Brain had split – I tried to match it – Seam by Seam – But could not make them fit. The thought behind, I strove to join Unto the thought before – B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acted
Agency for Technical Cooperation and Development, commonly known as ACTED, is a French humanitarian non-governmental organisation. It is a non-governmental, non-political and non-profit organisatio. ACTED works in 37 countries responding to emergencies and crisis situations. ACTED was initially established in Kabul, Afghanistan in 1993, distributing coal and flour to bakeries to cope with bread shortages. Activities quickly expanded around the country and then to wider Central Asia. From here, ACTED's work spread to Africa, Central America, the Middle East and Southeast Asia. ACTED has its head office in Paris and network offices in Geneva, London, Ottawa and Washington, D.C. The NGO implements programmes in 37 countries in Central Asia, South Asia, and Southeast Asia; South America and the Caribbean; the Middle East and North Africa; West, Central and East Africa; and Europe. In 2019, ACTED implemented more than 400 projects reaching directly 20.7 million people, with a €3 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vowels
A vowel is a syllabic speech sound pronounced without any stricture in the vocal tract. Vowels are one of the two principal classes of speech sounds, the other being the consonant. Vowels vary in quality, in loudness and also in quantity (length). They are usually voiced and are closely involved in prosodic variation such as tone, intonation and stress. The word ''vowel'' comes from the Latin word , meaning "vocal" (i.e. relating to the voice). In English, the word ''vowel'' is commonly used to refer both to vowel sounds and to the written symbols that represent them (a, e, i, o, u, and sometimes y). Definition There are two complementary definitions of vowel, one phonetic and the other phonological. *In the phonetic definition, a vowel is a sound, such as the English "ah" or "oh" , produced with an open vocal tract; it is median (the air escapes along the middle of the tongue), oral (at least some of the airflow must escape through the mouth), frictionless and co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consonants
In articulatory phonetics, a consonant is a speech sound that is articulated with complete or partial closure of the vocal tract. Examples are and pronounced with the lips; and pronounced with the front of the tongue; and pronounced with the back of the tongue; , pronounced in the throat; , and , pronounced by forcing air through a narrow channel (fricatives); and and , which have air flowing through the nose (nasals). Contrasting with consonants are vowels. Since the number of speech sounds in the world's languages is much greater than the number of letters in any one alphabet, linguists have devised systems such as the International Phonetic Alphabet (IPA) to assign a unique and unambiguous symbol to each attested consonant. The English alphabet has fewer consonant letters than the English language has consonant sounds, so digraphs like , , , and are used to extend the alphabet, though some letters and digraphs represent more than one consonant. For example, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammar
In linguistics, the grammar of a natural language is its set of structure, structural constraints on speakers' or writers' composition of clause (linguistics), clauses, phrases, and words. The term can also refer to the study of such constraints, a field that includes domains such as phonology, morphology (linguistics), morphology, and syntax, often complemented by phonetics, semantics, and pragmatics. There are currently two different approaches to the study of grammar: traditional grammar and Grammar#Theoretical frameworks, theoretical grammar. Fluency, Fluent speakers of a variety (linguistics), language variety or ''lect'' have effectively internalized these constraints, the vast majority of which – at least in the case of one's First language, native language(s) – are language acquisition, acquired not by conscious study or language teaching, instruction but by hearing other speakers. Much of this internalization occurs during early childhood; learning a language later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch Contour
__NOTOC__ In linguistics, speech synthesis, and music, the pitch contour of a sound is a function or curve that tracks the perceived pitch of the sound over time. Pitch contour may include multiple sounds utilizing many pitches, and can relate the frequency function at one point in time to the frequency function at a later point. It is fundamental to the linguistic concept of tone, where the pitch or change in pitch of a speech unit over time affects the semantic meaning of a sound. It also indicates intonation in pitch accent languages. One of the primary challenges in speech synthesis technology, particularly for Western languages, is to create a natural-sounding pitch contour for the utterance as a whole. Unnatural pitch contours result in synthesis that sounds "lifeless" or "emotionless" to human listeners, a feature that has become a stereotype of speech synthesis in popular culture. In music, the pitch contour focuses on the relative change in pitch over time of a prim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic
A melody (from Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively, the term can include other musical elements such as tonal color. It is the foreground to the background accompaniment. A line or part need not be a foreground melody. Melodies often consist of one or more musical phrases or motifs, and are usually repeated throughout a composition in various forms. Melodies may also be described by their melodic motion or the pitches or the intervals between pitches (predominantly conjunct or disjunct or with further restrictions), pitch range, tension and release, continuity and coherence, cadence, and shape. Function and elements Johann Philipp Kirnberger argued: The Norwegian composer Marcus Paus has argued: Given the many and varied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration. Pitch is closely related to frequency, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
