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Pockets (band)
Pockets are an American R&B band. They had three top 40 R&B hits in the late 1970s. They are best known for their single "Come Go with Me (Pockets song), Come Go With Me". History The Baltimore based band was firstly dubbed the Pockets by singer Luther Ingram as a description of their musical style. As a septet the band went on to record several demos at Sheffield Studios in 1975. Being mostly top 40 covers and four original songs these records didn't make much of an impact. With this being so band member Al McKinney eventually met up with John Mackey (American football), John Mackey of the Baltimore Colts. Mackey happened to be Verdine White's next-door neighbor and thus a cassette of the group was passed along to White who became impressed. White went on to bring in Larry Jacobs from San Francisco to be the group's lead vocalist. As an eight-man band the Pockets got signed in 1977 to Columbia Records. The group then started recording their first album which was being produced by ...
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Baltimore
Baltimore is the most populous city in the U.S. state of Maryland. With a population of 585,708 at the 2020 census and estimated at 568,271 in 2024, it is the 30th-most populous U.S. city. The Baltimore metropolitan area is the 20th-largest metropolitan area in the country at 2.84 million residents. The city is also part of the Washington–Baltimore combined statistical area, which had a population of 9.97 million in 2020. Baltimore was designated as an independent city by the Constitution of Maryland in 1851. Though not located under the jurisdiction of any county in the state, it forms part of the central Maryland region together with the surrounding county that shares its name. The land that is present-day Baltimore was used as hunting ground by Paleo-Indians. In the early 1600s, the Susquehannock began to hunt there. People from the Province of Maryland established the Port of Baltimore in 1706 to support the tobacco trade with Europe and established the Town ...
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Hot R&B Singles
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by ''Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African-American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling African-American music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were c ...
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So Delicious (song)
So Delicious was a hit for the Baltimore soul/funk group Pockets. It was the 3rd hit for the group which had previously had hits with "Come Go With Me" and " Take It On Up". Background The song was backed with a cover of the Delfonics 1968 hit " La-La (Means I Love You)". It appeared on the B side of their album ''So Delicious'' which was released in August 1979 on the Arc label. The single, like the album was a joint co-production by Verdine White, and Robert Wright. The arrangements were handled by Jerry Hey Jerry Hey (born 1950) is an American trumpeter, flugelhornist, horn arranger, string arranger, orchestrator and session musician who has played on hundreds of commercial recordings, including Michael Jackson's '' Thriller'', '' Rock with Y .... Charts The song was a recommended Top Single Pick in the November 3, 1979, issue of ''Billboard''. The song was their third hit. It peaked at No 34 during an 11-week chart run on the R&B singles chart.Billboard Hot R&B/Hi ...
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Take It On Up (song)
"Take It On Up" was a song by the band Pockets issued as a single in 1978 on Columbia Records. The single reached No. 24 on the Billboard Hot Soul Songs chart. Overview The song was produced by Verdine White and Robert Wright. Take It On Up was composed by White, Wright, K. Barnes and Louis Satterfield. The song is also the title track of the Pockets' 1978 album Take It On Up Take It On Up spent a sum of eight weeks upon the Billboard Hot Soul Songs chart. Critical reception The Washington Post ''The Washington Post'', locally known as ''The'' ''Post'' and, informally, ''WaPo'' or ''WP'', is an American daily newspaper published in Washington, D.C., the national capital. It is the most widely circulated newspaper in the Washington m ... called Take It On Up "a snappy brass accented uplifter". References 1978 songs 1978 singles Columbia Records singles Songs written by Verdine White Song recordings produced by Verdine White {{1970s-song-stub ...
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Hot R&B Songs
Hot R&B Songs is a chart released weekly by '' Billboard'' in the United States. It lists the 25 most popular R&B songs, calculated weekly by airplay on rhythmic and urban radio stations, digital download sales and streaming data. It was established on October 11, 2012, as a way to highlight "the differences between pure R&B and rap titles in the overall, wide-ranging R&B/hip-hop field" and serves, along with the Rap Songs chart, as a distillation of the overall Hot R&B/Hip-Hop Songs chart. Song achievements Most weeks at number one Source: Artist achievements Most number-one songs Most number-one debuts Artists with most weeks at number one on the chart Most top ten hits Most chart entries Album achievements Most number-one songs from one album Most top ten songs from one album Selected additional R&B Songs chart achievements * Khalid is the first and only artist to occupy the entire top 5 of the R&B Songs chart. He achieved this on the chart dated April 20 ...
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Hot 100
The ''Billboard'' Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by ''Billboard'' magazine. Chart rankings are based on sales (physical and digital), online streaming, and radio airplay in the U.S. A new chart is compiled and released online to the public by ''Billboard''s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio was tracked Monday–Sunday and, before July ...
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Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip-hop albums based on sales in the United States and is compiled by Luminate. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965, in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account for overal ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine to convey the popularity of an artist or groups of artists. Sometimes, a recording act is remembered for its " number ones" that outperformed all other albums during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, acquiring its existing name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985), ''Billboard'' Top Pop Albums (1985–1991), and ''Billboard'' 200 Top Albums (1991–1992). The chart is based mostly on sales—both at retail and digital – of albums in the United States. The weekly sales period was Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, the tracking week begins on Friday (to coincide ...
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Breakwater (band)
Breakwater is an American funk band from Philadelphia. The band released two albums: ''Breakwater'' in 1978, and ''Splashdown (Breakwater album), Splashdown'' in 1980. The latter features the song "Release the Beast", which was sampled on "Robot Rock (song), Robot Rock" by electronic duo Daft Punk. Background The band, originally from Philadelphia was formed in 1971. The original members of Breakwater consisted of Gene Robinson, James Gee Jones, Lincoln 'Zay' Gilmore, Steve Green, Vince 'Garnel' Dutton, Greg Scott, John 'Dutch' Braddock, and Kae Williams, Jr. They were signed to the Arista label in 1978. Their second album ''Splashdown'', which was released in 1980 has been referred to by Tom Bowker of the ''Broward Palm Beach New Times'' as a funk masterpiece. Releases In September, 1979, their single "You Know I Love You", written by Greg Scott, and produced by Rick Chertoff was a ''Billboard'' top single pick. For the week ending July 5, 1980, their album ''Splashdown (Break ...
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Maurice White
Maurice White (December 19, 1941 – February 4, 2016) was an American musician, best known as the founder, leader, main songwriter and chief producer of the band Earth, Wind & Fire, also serving as the band's co-lead singer with Philip Bailey. Described as a "visionary" by ''Vibe'' and a "mastermind" by ''Variety'', White was nominated for a total of 22 Grammys, of which he won seven. He was inducted into the Rock and Roll Hall of Fame and the Vocal Group Hall of Fame as a member of Earth, Wind & Fire, and was also inducted individually into the Songwriters Hall of Fame. White also worked with musical acts such as Deniece Williams, Cher, The Emotions, Barbra Streisand, Ramsey Lewis, and Neil Diamond. Biography Early career Maurice White was born in Memphis, Tennessee, on December 19, 1941. He grew up in South Memphis, where he lived with his grandmother in the Foote Homes Projects and was a childhood friend of Booker T. Jones and David Porter. Along with Jones, White fo ...
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Take It On Up (Pockets Album)
''Take It On Up'' is the second album by the American band Pockets, released in 1978 by Columbia Records. The album reached No. 22 on the ''Billboard'' Top R&B Albums chart. Maurice White served as the executive producer. Critical reception The ''Toronto Star'' called Pockets "a post-Motown soul group mixing sweet falsetto ballads with raunchy funk numbers." Alex Henderson of AllMusic wrote that "Pockets' second album ''Take It On Up'' isn't as strong as its predecessor ''Come Go with Me "Come Go with Me" is a song written by C. E. Quick (a.k.a. Clarence Quick), an original member (bass vocalist) of the American doo-wop vocal group the Del-Vikings. The song was originally recorded by The Del-Vikings (lead singer Norman Wright) ...'', but it's still enjoyable." Track listing References 1978 albums Columbia Records albums {{1970s-R&B-album-stub ...
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Dance Club Songs
The Dance Club Songs (also known as National Disco Action, Hot Dance/Disco Club Play, and Hot Dance Club Play) was a chart published weekly between 1976 and 2020 by ''Billboard'' magazine. It used club disc jockeys set lists to determine the most popular songs being played in nightclubs across the United States. History The Dance Club Songs chart underwent several incarnations since its inception in 1974. Originally a top-10 list of tracks that garnered the largest audience response in New York City discothèques, the chart began on October 26, 1974, under the title ''Disco Action''. The chart went on to feature playlists from various cities around the country from week to week. ''Billboard'' continued to run regional and city-specific charts throughout 1975 and 1976 until the issue dated August 28, 1976, when a 30-position ''National Disco Action Top 30'' premiered. The first number-one song on the chart for the issue dated August 28, 1976, was " You Should Be Dancing" by th ...
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