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Plié
Because ballet became formalized in France, a significant part of ballet terminology is in the French language. A À la seconde () (Literally "to second") If a step is done "à la seconde," it is done to the side. 'Second position'. It can also be a balance extending one foot off the ground in ‘Second Position’. À la quatrième () One of the directions of body, facing the audience (''en face''), arms in second position, with one leg extended either to fourth position in front (''quatrième devant'') or fourth position behind (''quatrième derrière''). À terre () Touching the floor; on the floor. Adagio Italian, or French ''adage'', meaning 'slowly, at ease.' # Slow movements performed with fluidity and grace. # One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements. # The section of a '' grand pas'' (e.g., ''grand pas de deux''), often referred to as ''grand adage'', that features dance partn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaînés
In dance and gymnastics, a turn is a rotation of the body about the vertical axis. It is usually a complete rotation of the body, although quarter (90°) and half (180°) turns are possible for some types of turns. Multiple, consecutive turns are typically named according to the number of 360° rotations (e.g., ''double'' or ''triple'' turn). There are many types of turns, which are differentiated by a number of factors. The performer may be supported by one or both legs or be airborne during a turn. When supported by one leg, that leg is known as the ''supporting'' leg and the other as the ''free'', ''raised'', or ''working'' leg. During airborne turns, the first leg to leave the floor is the ''leading'' leg. Trunk, arm and head positions can vary, and in turns with one supporting leg, the free leg may be straight or bent. Turns can begin in various ways as well. For example, ballet turns may begin by rising to '' relevé'' (supported on the ball of the foot) or by stepping direc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballon (ballet)
Ballon () is the appearance of being lightweight and light-footed while jumping. It is a desirable aesthetic in ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form ... and other dance genres, making it seem as though a dancer effortlessly becomes airborne, floats in the air, and lands softly. The name is widely thought to be derived from the French word ''ballon'' (meaning "balloon"), though it has been dubiously claimed that the name was inspired by French ballet danseur Claude Balon, who was known for performing exceptionally light leaps. Physics A dancer will appear to defy the laws of physics when ballon is exhibited effectively. For example, during a grand jeté, the dancer may appear to hover in the air. Physically, the dancer's center of mass follows a ballistic trajec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabesque (ballet Position)
Arabesque (; literally, "in Arabic fashion") in dance, particularly ballet, is a body position in which a dancer stands on one leg–the ''supporting'' leg–with the other leg–the ''working'' leg– turned out and extended behind the body, with both legs held straight. In classical ballet, an arabesque can be executed with the supporting leg ''en pointe'' or '' demi pointe'' or with foot flat on the floor. The working leg may touch the floor in ''tendu'' back – an ''arabesque par terre'' – or be elevated. Common elevation angles of the raised leg are 45° – ''à demi hauteur'' – and 90° – ''à la hauteur''. When the angle is much greater than 90° and the body trunk leans forward to counterbalance the working leg, the position is called ''arabesque penchée''. The arms may be held in various positions. Arabesques are described from the perspective of the dancer, in terms of the stage reference points used by the training system. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Barre
A barre () is a stationary handrail that provides support for people during various types of exercise. Barres are used extensively in ballet training and warm up exercises, where such exercises are commonly referred to as ''barre work''. In a ballet class, barre may also refer to the part of the class that involves barre work. Barres are also used for warm up exercises in other types of dance, as well as in general fitness programs. Construction The design of a barre—which includes both the handrail and its support mechanism—depends on whether the barre is to be portable or permanently located. A permanent barre typically consists of a handrail that is mounted to and supported by a wall, whereas a portable barre consists of a handrail mounted onto a rigid or adjustable, free-standing supporting structure. Some barres have two parallel handrails at different heights to accommodate people of differing heights. Barre handrails and supports are typically made of metal, wood, plas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barre (ballet)
A barre () is a stationary handrail that provides support for people during various types of exercise. Barres are used extensively in ballet training and warm up exercises, where such exercises are commonly referred to as ''barre work''. In a ballet class, barre may also refer to the part of the class that involves barre work. Barres are also used for warm up exercises in other types of dance, as well as in general fitness programs. Construction The design of a barre—which includes both the handrail and its support mechanism—depends on whether the barre is to be portable or permanently located. A permanent barre typically consists of a handrail that is mounted to and supported by a wall, whereas a portable barre consists of a handrail mounted onto a rigid or adjustable, free-standing supporting structure. Some barres have two parallel handrails at different heights to accommodate people of differing heights. Barre handrails and supports are typically made of metal, wood, pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Changement
''Perdu d'avance'' is the debut studio album by French rapper Orelsan. It was released on 16 February 2009 by 3e Bureau and 7th Magnitude. It peaked at number 10 on the French Albums Chart, and sold more than 10,000 copies. It was also nominated for a Prix Constantin award. Track listing All songs written by Aurélien Cotentin and produced by Skread. ;Notes * "Pour le pire" features vocals by Nadia. * "Gros poissons dans une petite mare" features vocals by Keina. Personnel Credits for ''Perdu d'avance'' adapted from Discogs. * 123 Klan – Artwork * Benjamin Brard – Artwork * Jean-Pierre Chalbos – Mastering * Véronica Ferraro – Mixing * Gringe – Featured artist * Keina – Vocals * Manuel Lagos Cid – Photography * Nadia – Vocals * Orelsan – Primary artist * Skread – Producer, recording A record, recording or records may refer to: An item or collection of data Computing * Record (computer science), a data structure ** Record, or row (database), a set of fie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Partnering
Dance partnering is dancing performed by a pair of dancers, typically a male and a female, in which the pair strives to achieve a harmony of coordinated movements so that the audience remains unaware of the mechanics. It relies on the application of partnering dance techniques that facilitate coordinated movements by a pair of dancers. In particular, it usually involves one dancer providing guidance, support, or both, for the other dancer. Dance partnering technique appears in various forms in many types of dance and is an essential part of all partner dances. Technique A variety of partner dance techniques are employed in dance partnering. Typically, the technique used for a particular dance style is generally focused on either communication between partners or physical support of one partner by the other. Guidance In many partner dances (e.g., ballroom dance) the male dancer typically assumes the role of lead and provides guidance to his typically female partner, the follower ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Cabriole
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Gali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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