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Pleated
A pleat (plait in older English) is a type of fold formed by doubling fabric back upon itself and securing it in place. It is commonly used in clothing and upholstery to gather a wide piece of fabric to a narrower circumference. Pleats are categorized as ''pressed'', that is, ironed or otherwise heat-set into a sharp crease, or ''unpressed'', falling in soft rounded folds. Pleats sewn into place are called tucks. Types Accordion Accordion pleats or knife pleats are a form of tight pleating which allows the garment to expand its shape when moving. Accordion pleating is also used for some dress sleeves, such as pleating the end of the elbow, with the fullness of the pleat gathered closely at the cuff. This form of pleating inspired the "skirt dancing" of Loie Fuller. Accordion pleats may also be used in hand fans. Box Box pleats are knife pleats back-to-back, and have a tendency to spring out from the waistline.Picken, Mary Brooks, ''The Fashion Dictionary'', p. 257 They ha ...
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Kilt
A kilt ( ) is a garment resembling a wrap-around knee-length skirt, made of twill-woven worsted wool with heavy pleats at the sides and back and traditionally a tartan pattern. Originating in the Scottish Highland dress for men, it is first recorded in the 16th century as the great kilt, a full-length garment whose upper half could be worn as a cloak. The small kilt or ''modern kilt'' emerged in the 18th century, and is essentially the bottom half of the great kilt. Since the 19th century, it has become associated with the wider culture of Scotland, and more broadly with Gaelic or Celtic heritage. Although the kilt is most often worn by men on formal occasions and at Highland games and other sporting events, it has also been adapted as an item of informal male clothing, returning to its roots as an everyday garment. Kilts are now made for casual wear in a variety of materials. Alternative fastenings may be used and pockets inserted to avoid the need for a sporran. Kilts ...
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1840s In Fashion
1840s fashion in European and European-influenced clothing is characterized by a narrow, natural shoulder line following the exaggerated puffed sleeves of the later 1820s and 1830s. The narrower shoulder was accompanied by a lower waistline for both men and women. Women's fashion Gowns Shoulders were narrow and sloping, waists became low and pointed, and sleeve detail migrated from the elbow to the wrists. Where pleated fabric panels had wrapped the bust and shoulders in the previous decade, they now formed a triangle from the shoulder to the waist of day dresses. Skirts evolved from a conical shape to a bell shape, aided by a new method of attaching the skirts to the bodice using organ or cartridge pleats which cause the skirt to spring out from the waist. Full skirts were achieved mainly through layers of petticoats. The increasing weight and inconvenience of the layers of starched petticoats would lead to the development of the crinoline of the second half of the 1850s. Sl ...
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Mariano Fortuny (designer)
Mariano Fortuny y Madrazo (, ; 11 May 1871 – 3 May 1949) was a Spanish polymath, artist, inventor and fashion designer who opened his couture house in 1906 and continued until 1946. He was the son of the painter Mariano Fortuny y Marsal. Life Fortuny was born on 11 May 1871, to an artistic family in Granada, Spain. His Mariano Fortuny (painter), father, a genre painter, died when Fortuny was three years old and his mother, Cecilia de Madrazo, Cecilia, moved the family to Paris, France. It was apparent at a young age that Fortuny was a gifted artist, showing a talent for painting as well as a passion for textiles. During his childhood he was introduced to many different textiles and fabrics, which greatly imprinted upon his creativity. His parents were passionate for materials and had their own collections of textiles from various shops they had visited in Europe. His father also collected metalwork and armour from previous ages as a hobby. As a young child he was fasci ...
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Clothing
Clothing (also known as clothes, garments, dress, apparel, or attire) is any item worn on a human human body, body. Typically, clothing is made of fabrics or textiles, but over time it has included garments made from animal skin and other thin sheets of materials and natural products found in the environment, put together. The wearing of clothing is mostly restricted to human beings and is a feature of all human societies. The amount and type of clothing worn depends on gender, body type, social factors, and geographic considerations. Garments cover the body, footwear covers the feet, gloves cover the hands, while hats and headgear cover the head, and underwear covers the intimate parts. Clothing serves many purposes: it can serve as protection from the elements, rough surfaces, sharp stones, rash-causing plants, and insect bites, by providing a barrier between the skin and the environment. Clothing can insulate against cold or hot conditions, and it can provide a hygienic barrie ...
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Smocking
Smocking is an embroidery technique used to gather fabric so that it can stretch. Before elastic, smocking was commonly used in cuffs, bodices, and necklines in garments where buttons were undesirable. Smocking developed in England and has been practised since the Middle Ages and is unusual among embroidery methods in that it was often worn by labourers. Other major embroidery styles are purely decorative and represented status symbols. Smocking was practical for garments to be both form fitting and flexible, hence its name derives from '' smock'' — an agricultural labourer's work shirt. Smocking was used most extensively in the eighteenth and nineteenth centuries.Good Housekeeping, p. 146. Materials Smocking requires lightweight fabric with a stable weave that gathers well. Cotton and silk are typical fiber choices, often in lawn or voile. Smocking is worked on a crewel embroidery needle in cotton or silk thread and normally requires three times the width of initial materia ...
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Rochet Plissage
A rochet () is a white vestment generally worn by a Roman Catholic or Anglican bishop in choir dress. It is virtually unknown in Eastern Christianity. The rochet in its Roman form is similar to a surplice, with narrower sleeves and a hem that comes below the knee, and both of which may be made of lace. The Anglican form is a descendant of traditional albs worn by deacons and priests, but with sleeves gathered at the wrists, and nearly as long as the underlying cassock. The word stems from the Latin ''rochettum'' (from the Late Latin ''roccus'', connected to the Old High German ''roch'', ''roc'' and the Anglo-Saxon ''rocc''; Dutch ''koorhemd, rochet'', French ''rochet'', German ''Rochett, Chorkleid'', Italian ''rocchetto'', Spanish ''roquete''), which means an ecclesiastical vestment. Catholic use In the Catholic Church, cardinals, bishops and certain other dignitaries use a rochet, a garment that is worn over the cassock for non-Eucharistic functions, or Masses at which th ...
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Gore (fabrics)
In clothing and similar applications, a gore is a triangular or trapezoidal piece of a textile as might be used in shaping a garment to fit contours of the body. The word is derived from Old English ''wikt:gār, gār'', meaning spear. In the course of time the word came to be used for a piece of cloth used in making clothes. In dressmaking and hatmaking, it refers to triangular or rhomboid pieces of fabric which are combined to create a fuller three dimensional effect. In knitting gloves and mittens, a "thumb gore" is often incorporated from the wrist part way to the tip of the thumb to accommodate the gradually increasing width of the hand. The part of a bra that links the two Bra cup, bra cups is called the "centre gore". See also * Gusset * Godet (sewing) References

Hatmaking Sewing Triangles Fashion design Parts of clothing {{DEFAULTSORT:Gore ...
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Linen
Linen () is a textile made from the fibers of the flax plant. Linen is very strong and absorbent, and it dries faster than cotton. Because of these properties, linen is comfortable to wear in hot weather and is valued for use in garments. Linen textiles can be made from flax plant fiber, yarn, as well as woven and knitted. Linen also has other distinctive characteristics, such as its tendency to wrinkle. It takes significantly longer to harvest than a material like cotton, although both are natural fibers. It is also more difficult to weave than cotton. Linen textiles appear to be some of the oldest in the world; their history goes back many thousands of years. Dyed flax fibers found in a cave in the Caucasus (present-day Georgia (country), Georgia) suggest the use of woven linen fabrics from wild flax may date back over 30,000 years. Linen was used in ancient civilizations including Mesopotamia and ancient Egypt, and linen is mentioned in the Bible. In the 18th century and be ...
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Chemise
A chemise or shift is a classic smock type of women's undergarment or dress. Historically, a chemise was a simple garment worn next to the skin to protect clothing from sweat and body oils, the precursor to the modern shirts commonly worn in Western nations. Etymology The English word ''chemise'' is a loanword from the French word for shirt and is related to the Italian or Latin , which, according to Elizabeth Wayland Barber, is likely derived from Celtic. History The chemise seems to have developed from the Roman ''tunica'' and first became popular in Europe in the Middle Ages. At this time, the chemise was commonly referred to as a ''kemse'' or ''kemes''. A type of undergarment worn close to the skin in order to protect outergarments, though the term chemise has since been commonly considered a women’s garment, during this period (Medieval through to the 15th century), it was also used to describe an item of men’s underclothing. Women wore a shift or chemise under th ...
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Birka
Birka (''Birca'' in medieval sources), on the island of Björkö, Ekerö, Björkö (lit. "Birch Island") in present-day Sweden, was an important Viking Age trading center which handled goods from Scandinavia as well as many parts of Continental Europe and the Orient. Björkö is located in Mälaren, Lake Mälaren, 30 kilometers west of contemporary Stockholm, in the municipality of Ekerö. Birka was founded around AD 750 and it flourished for more than 200 years. It was abandoned c. AD 975, around the same time Sigtuna was founded as a Christianity, Christian town some 35 km to the northeast. It has been estimated that the population in Viking Age Birka was between 500 and 1000 people. The archaeological sites of Birka and Hovgården, on the neighbouring island of Adelsö, make up an archaeological complex which illustrates the elaborate trading networks of Viking Scandinavia and their Viking expansion, influence on the subsequent history of Europe. Generally regarded ...
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Viking
Vikings were seafaring people originally from Scandinavia (present-day Denmark, Norway, and Sweden), who from the late 8th to the late 11th centuries raided, pirated, traded, and settled throughout parts of Europe.Roesdahl, pp. 9–22. They also voyaged as far as the Mediterranean Sea, Mediterranean, North Africa, the Middle East, Greenland, and Vinland (present-day Newfoundland in Canada, North America). In their countries of origin, and some of the countries they raided and settled in, this period is popularly known as the Viking Age, and the term "Viking" also commonly includes the inhabitants of the Scandinavian homelands as a whole. The Vikings had a profound impact on the Early Middle Ages, early medieval history of Northern Europe, northern and Eastern Europe, including the political and social development of England (and the English language) and parts of France, and established the embryo of Russia in Kievan Rus'. Expert sailors and navigators of their cha ...
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Gale Owen-Crocker
Gale Owen-Crocker (born 16 January 1947) is a professor emerita of the University of Manchester, England. Before her retirement she was Professor of Anglo-Saxon Culture and Director of the Manchester Centre for Anglo-Saxon Studies. Early life and education Gale Redfern Owen was born and raised in Newcastle upon Tyne, and earned a first class degree with honours in English language and literature from Newcastle University in 1968 and a PhD with a thesis on Anglo-Saxon dress in 1976, also from Newcastle. Career After teaching at her former school and at Newcastle University while a student, Owen then took up a teaching position at the University of Manchester, where she remained until retiring as Professor of Anglo-Saxon Culture and Director of the Manchester Centre for Anglo-Saxon Studies in 2015. She became Gale Owen-Crocker upon her marriage to Richard Crocker in 1981. She is now Professor Emerita. Owen-Crocker co-founded and co-edited Volumes 1 through 14 of the journal ''Medie ...
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