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Please You (single)
''The Soul Harmonic EP'' is the second EP by the Welsh alternative rock band Clockwork Radio. Produced by the band, the album was released on 22 November 2010 on the band's own label, Poly Tune. Genre The album has been referred to as Alternative rock, Prog rock, or "Electro", and some say a "Spanish Guitar feel." Track listing The EP was 5 songs long, totaling to 25 minutes and 17 seconds. Members ;Clockwork Radio *Rich Williams – vocals, guitar *Dan Wiebe – percussion *Iwan Jones – vocals, guitar *Nadim Mirshak – vocals, bass *Sam Quinn – piano, synths A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and f ... References 2010 EPs {{EP-stub ...
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Clockwork Radio (band)
Clockwork Radio are an alternative rock band from Wales, now based in Manchester. They have self-released four EPs and have toured extensively around Europe. The band released their debut album ''No Man Is An Island'' in September 2014. History Beginnings Clockwork Radio started in north Wales as a side-project of singer and guitarist Rich Williams. This early incarnation of the band released the single "Lost" in November 2007, which was quickly picked up and played by BBC Radio One, BBC Radio Wales and other national radio stations. Two years later Williams teamed up with lead-guitarist Iwan Jones and they relocated to Manchester, England, to concentrate on music and putting a live band together. The current line-up came together in 2010 when Dan Wiebe, Sam Quinn and Nadim Mirshak joined the band (in 2012 Mirshak left the band, with Quinn taking up on bass). The band began writing new material and started to tour the UK and Europe where they were booked for Taubertal Festival ...
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Alternative Rock
Alternative rock (also known as alternative music, alt-rock or simply alternative) is a category of rock music that evolved from the independent music underground of the 1970s. Alternative rock acts achieved mainstream success in the 1990s with the likes of the grunge, shoegaze, and Britpop subgenres in the United States and United Kingdom, respectively. During this period, many record labels were looking for "alternatives", as many corporate rock, hard rock, and glam metal acts from the 1980s were beginning to grow stale throughout the music industry. The emergence of Generation X as a cultural force in the 1990s also contributed greatly to the rise of alternative rock. "Alternative" refers to the genre's distinction from mainstream or commercial rock or pop. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Gu ...
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Prog-rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed " progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its "progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of " art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of pr ...
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Synths
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first so ...
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