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Pittoni
Giambattista Pittoni or Giovanni Battista Pittoni (6 June 1687 – 6 November 1767) was a Venetian painter of the late Baroque or Rococo period. He was among the founders of the Academy of Fine Arts of Venice, of which in 1758 he became the second president, succeeding Tiepolo. Biography Pittoni was born in Venice on 6 June 1687. He studied under his uncle Francesco Pittoni, a well-known but undistinguished painter of the Venetian Baroque; a ''Samson and Delilah'' at the Villa Querini in Visinale, near Pasiano di Pordenone, is signed by both painters. The theory of that Pittoni studied under Antonio Balestra is now generally discounted. Pittoni was unwilling to leave Venice and travelled little; although he received many foreign commissions, no journey in connection with any of them is documented, while from 1720 onwards records show that he was in Venice in every year. However, in 1720 he may have travelled to France with his uncle Francesco, together with Rosalba Carrie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venetian Painter
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c. 1477–1510), Titian (c. 1489–1576), Tintoretto (1518–1594), Paolo Veronese (1528–1588) and Jacopo Bassano (1510–1592) and his sons. Considered to give primacy to colour over line, the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. The Venetian style exerted great influence upon the subsequent development of Western painting.Gardner, p. 679. By chance, the main phases of Venetian painting fit rather neatly into the centuries. The glories of the 16th century were followed by a great fall-off in the 17th, but an unexpected revival in the 18th, when Venetian painters enjoyed great success around Europe, as Baroque painting turned to Rococo. This had ended c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Balestra
Antonio Balestra (12 August 1666 – 21 April 1740) was an Italian painter of the Rococo period. Biography Born in Verona, he first apprenticed there with Giovanni Zeffio. By 1690 he moved to Venice, where he worked for three years under Antonio Bellucci, then moved to Bologna and then to paint in Carlo Maratta's workshop in Rome. In 1694, he won a prize from the Accademia di San Luca. He later painted both in Verona and Venice; although his influence was stronger in the mainland. His pupils in Verona were Pietro Rotari and Giambettino Cignaroli. In Venice, he painted for the churches of the I Gesuiti and San Zaccaria, and the Scuola della Carita. Pietro Longhi briefly worked under Balestra. In Venice, other pupils or painters he influenced, included Mariotti, Giuseppe Nogari, Mattia Bortoloni and Angelo Trevisani. He also influenced a young Giambattista Pittoni. Among his pupils from Verona were Domenico Pecchio, Domenico Bertini, and Carlo Salis. In painting, Balestra was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Tiepolo
Giovanni Battista Tiepolo ( , ; March 5, 1696 – March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Giacomo Dell'Orio, Venice
The Chiesa di San Giacomo dall'Orio ( vec, Céxa de San Giacomo de l’Orio) (or San Giacomo Apostolo - Saint James the Apostle) is a church located in the ''sestiere'' (quarter) of Santa Croce in Venice, northern Italy. The origin of the church's name is unknown. Possibilities include being named after a laurel (''lauro'') that once stood nearby, a version of ''dal Rio'' ("of the river"), or once standing on an area of dried-up swamp ('). It was founded in the 9th century and rebuilt in 1225. The campanile dates from this period. There have been a number of rebuildings since that time (including a major renovation in 1532) and the ship's keel roof dates from the 14th century. Two of the columns were brought back from the Fourth Crusade, after the sacking of Constantinople. San Giacomo dall'Orio is a parish church of the Vicariate of San Polo-Santa Croce-Dorsoduro. The other churches in the parish are the churches of San Stae and San Zan Degolà. San Giacomo dell'Orio was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bad Mergentheim
Bad Mergentheim (; Mergentheim until 1926; East Franconian: ''Märchedol'') is a town in the Main-Tauber-Kreis district in the German state of Baden-Württemberg. It has a population of around 23,000. An officially recognized spa town since 1926, Bad Mergentheim is also known as the headquarters of the Teutonic Order from 1526 until 1809. Geography Subdivisions Since administrative reform in the 1970s the following villages have been part of the municipality: Althausen ''(pop. 600)'', Apfelbach ''(350)'', Dainbach ''(370)'', Edelfingen ''(1,400''; birthplace of the American biochemist Julius Adler), Hachtel ''(360)'', Herbsthausen ''(200)'', Löffelstelzen ''(1,000)'', Markelsheim ''(2,000)'', Neunkirchen ''(1,000)'', Rengershausen ''(480)'', Rot ''(260)'', Stuppach ''(680)'', Wachbach ''(1,300)'' History Mergentheim is mentioned in chronicles as early as 1058, as the residence of the family of the counts of Hohenlohe. The brothers Andreas, Heinrich and Friedrich von Hohenlohe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Pittoni-Sophonisba
Giovanni Battista was a common Italian given name (see Battista for those with the surname) in the 16th-18th centuries. It refers to " John the Baptist" in English, the French equivalent is " Jean-Baptiste". Common nicknames include Giambattista, Gianbattista, Giovambattista, or Giambo. In Genoese the nickname was Baciccio, and a common shortening was Giovan Battista, Giobatta or simply G.B.. The people listed below are Italian unless noted otherwise. * Giovanni Battista Adriani (c.1511–1579), historian. * Giovanni Battista Agnello (fl. 1560–1577), author and alchemist. * Giovanni Battista Aleotti (1546–1636), architect. * Giovanni Battista Amendola (1848–1887), sculptor. * Giovanni Battista Amici (1786–1863), astronomer and microscopist. * Giovanni Battista Angioletti (1896-1961), writer and journalist. * Giovanni Battista Ballanti (1762–1835), sculptor. * Giovanni Battista Barbiani (1593–1650), painter. * Giovanni Battista Beccaria (1716–1781), physicist. * Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Pittoni, Portrait By Bartolomeo Nazari
Giovanni Battista was a common Italian given name (see Battista for those with the surname) in the 16th-18th centuries. It refers to "John the Baptist" in English, the French equivalent is "Jean-Baptiste". Common nicknames include Giambattista, Gianbattista, Giovambattista, or Giambo. In Genoese the nickname was Baciccio, and a common shortening was Giovan Battista, Giobatta or simply G.B.. The people listed below are Italian unless noted otherwise. * Giovanni Battista Adriani (c.1511–1579), historian. * Giovanni Battista Agnello (fl. 1560–1577), author and alchemist. * Giovanni Battista Aleotti (1546–1636), architect. * Giovanni Battista Amendola (1848–1887), sculptor. * Giovanni Battista Amici (1786–1863), astronomer and microscopist. * Giovanni Battista Angioletti (1896-1961), writer and journalist. * Giovanni Battista Ballanti (1762–1835), sculptor. * Giovanni Battista Barbiani (1593–1650), painter. * Giovanni Battista Beccaria (1716–1781), physicist. * Giovanni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
View Of The Brenta, Near Dolo MET LC-1975 1 091-001
A view is a sight or prospect or the ability to see or be seen from a particular place. View, views or Views may also refer to: Common meanings * View (Buddhism), a charged interpretation of experience which intensely shapes and affects thought, sensation, and action * Graphical projection in a technical drawing or schematic ** Multiview orthographic projection, standardizing 2D images to represent a 3D object * Opinion, a belief about subjective matters * Page view, a visit to a World Wide Web page * Panorama, a wide-angle view * Scenic viewpoint, an elevated location where people can view scenery * World view, the fundamental cognitive orientation of an individual or society encompassing the entirety of the individual or society's knowledge and point-of-view Places * View, Kentucky, an unincorporated community in Crittenden County * View, Texas, an unincorporated community in Taylor County Arts, entertainment, and media Music * ''View'' (album), the 2003 debut album by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catalogue Raisonné
A ''catalogue raisonné'' (or critical catalogue) is a comprehensive, annotated listing of all the known artworks by an artist either in a particular medium or all media. The works are described in such a way that they may be reliably identified by third parties, and such listings play an important role in authentification. Etymology The term ''catalogue raisonné'' is French, meaning "reasoned catalogue"Catalogue raisonné , ''Online Merriam-Webster Dictionary''. (i.e. containing arguments for the information given, such as attributions), but is part of the of the English-speaking art world. The spelling is never Americanized to "catalog", eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Longhi
Alessandro Longhi (12 June 1733 – November 1813) was a Venetian portrait painter and printmaker in etching (mostly reproductions of paintings). He is known best for his oil portraits of Venetian nobles of state. His father was the famed genre painter Pietro Longhi. He trained under his father and Giuseppe Nogari (1699–1763). Like Sebastiano Bombelli in the prior century, Alessandro Longhi is noted for his zealous full-length depictions of robes and emblems of office. His "tumultuous and unusual (etching) technique shows first-hand knowledge of Rembrandt's etchings", according to Olimpia Theodoli.Jane Martineau and Andrew Robison (eds), ''The Glory of Venice, Art in the Eighteenth Century'' (exhib Cat RA London/NGA Washington) Yale UP, 1994 Works *''Luigi and Alvise III Pisani and family'' *''Portrait of Carlo Goldoni'' () *''Portrait of a Composer'', erroneously to be the ''Portrait of Domenico Cimarosa'' *''Portrait of a Lady'' () *''Portrait of a Gentleman'' () * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augustus II Of Poland
Augustus II; german: August der Starke; lt, Augustas II; in Saxony also known as Frederick Augustus I – Friedrich August I (12 May 16701 February 1733), most commonly known as Augustus the Strong, was Elector of Saxony from 1694 as well as King of Poland and Grand Duke of Lithuania in the years 1697–1706 and from 1709 until his death in 1733. He belonged to the Albertine line of the House of Wettin. Augustus' great physical strength earned him the nicknames "the Strong", "the Saxon Hercules" and "Iron-Hand". He liked to show that he lived up to his name by breaking horseshoes with his bare hands and engaging in fox tossing by holding the end of his sling with just one finger while two of the strongest men in his court held the other end.Sacheverell Sitwell. ''The Hunters and the Hunted'', p. 60. Macmillan, 1947. He is also notable for fathering a very large number of children. In order to be elected King of the Polish–Lithuanian Commonwealth, Augustus converted to Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Clementina
The Accademia di Belle Arti di Bologna ("academy of fine arts of Bologna") is a public tertiary academy of fine art in Bologna, in Emilia-Romagna in northern Italy. It has a campus in Cesena. Giorgio Morandi taught engraving at the Accademia for more than 25 years. History Background The earliest art academy documented in Bologna was the Accademia dei Desiderosi, later known as the Accademia degli Incamminati, founded in or before 1582 by Ludovico, Agostino and Annibale Carracci, and sometimes known also as the Accademia dei Carracci. In 1706, Giampietro Zanotti and other artists met at Palazzo Fava to establish a new academy. The Accademia dei Pittori was inaugurated in the house of Luigi Ferdinando Marsili on 2 January 1710; the statute was approved by pope Clement XI in October 1711, and the academy took the name Accademia Clementina. It became part of the Istituto delle Scienze e Arti Liberali, founded with the support of the pope by Marsili on 12 December 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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