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Piranha Heights
''Piranha Heights'' is a one act play by Philip Ridley. It is his seventh stage play for adults and premiered at the Soho Theatre, London in 2008. The production was the second collaboration between Ridley and Soho Theatre Artistic Director Lisa Goldman, to whom Ridley dedicated the play in his preface of the published text. The play also featured Luke Treadaway in one of his earliest professional stage credits, who along with actor John Macmillan was filmed for Ridley's 2009 horror film '' Heartless'', during the play's original run. ''Piranha Heights'' serves as the third and final instalment in Ridley's unofficially titled "Brothers Trilogy", having been preceded by '' Mercury Fur'' and '' Leaves of Glass''. The play was later revived at The Old Red Lion Theatre in 2014 for which Ridley substantially revised the script. Plot The play takes place on Mother's Day where Alan is in his mother's flat. Unexpectedly his brother Terry turns up, having been missing since after the ...
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Philip Ridley
Philip Ridley is an English storyteller working in a wide range of genres and artistic media. As a visual artist he has been cited as a contemporary of the Young British Artists, and had his artwork exhibited internationally. He has written novels for both adults and children. In film, he is perhaps best known for his award-winning screenplay for the film, '' The Krays'' (1990), a biopic about the Kray twins which was directed by Peter Medak. As a filmmaker in his own right, he created a loose trilogy of horror films: '' The Reflecting Skin'' (1990), '' The Passion of Darkly Noon'' (1995) and '' Heartless'' (2009) for which he has acquired a cult following. As a playwright he has been described as "a pioneer of In-yer-face theatre", which is a style and sensibility of drama that characterised many new plays that were performed in Britain during the 1990s. Ridley's debut play, '' The Pitchfork Disney'' (1991), is considered by many to be a seminal work that influenced the d ...
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Alex Lowe (actor)
Alex Lowe (born 15 January 1968) is an English actor, comedian and voice artist. He is the creator and performer of the characters Barry from Watford on Steve Wright's BBC Radio 2 show and Iain Lee's shows, and the character Clinton Baptiste, originally seen in ''Phoenix Nights'', as whom he has since toured. Barry from Watford Lowe began calling the Iain Lee radio show on the London talk radio station LBC 97.3 in May 2005, as Barry from Watford. It was during Lowe's first call that Barry's wife Margaret (later to be played by Catherine Tate in Barry's stage show) would be introduced. Barry became popular amongst LBC listeners, who requested that his calls be repeated on future shows. 'Barry "The" Saint-Michael' has been a popular caller on Iain Lee's radio show, which later moved to the radio station Absolute Radio and Talkradio. Since 2006, Alex has also put on live performances called 'Let's Talk To Barry', a 50-minute show telling about life in Watford, which also featur ...
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2008 Plays
8 (eight) is the natural number following 7 and preceding 9. Etymology English ''eight'', from Old English '', æhta'', Proto-Germanic ''*ahto'' is a direct continuation of Proto-Indo-European '' *oḱtṓ(w)-'', and as such cognate with Greek and Latin , both of which stems are reflected by the English prefix oct(o)-, as in the ordinal adjective ''octaval'' or ''octavary'', the distributive adjective is ''octonary''. The adjective ''octuple'' (Latin ) may also be used as a noun, meaning "a set of eight items"; the diminutive ''octuplet'' is mostly used to refer to eight siblings delivered in one birth. The Semitic numeral is based on a root ''*θmn-'', whence Akkadian ''smn-'', Arabic ''ṯmn-'', Hebrew ''šmn-'' etc. The Chinese numeral, written (Mandarin: ''bā''; Cantonese: ''baat''), is from Old Chinese ''*priāt-'', ultimately from Sino-Tibetan ''b-r-gyat'' or ''b-g-ryat'' which also yielded Tibetan '' brgyat''. It has been argued that, as the cardinal num ...
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Plays By Philip Ridley
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices * Play (hacker group), a ransomware extortion group Concert residencies and tours * Play Tour, concert tour headlined by Spanish singer Aitana * Play (concert residency), 2022 Katy Perry concert residency Film * Play (2005 film), ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan (filmmaker), David Kaplan * Play (2011 film), ''Play'' (2011 film), a Swedish film directed by Rube ...
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Evening Standard
The ''London Standard'', formerly the ''Evening Standard'' (1904–2024) and originally ''The Standard'' (1827–1904), is a long-established regional newspaper published weekly and distributed free newspaper, free of charge in London, England. It is printed in Tabloid (newspaper format), tabloid format, and also has an online edition. In October 2009, after being bought by Russian businessman Alexander Lebedev, the paper ended a 180-year history of print circulation, paid circulation and multiple editions every day, and became a free newspaper publishing a single print edition every weekday, doubling its circulation as part of a change in its business plan. On 29 May 2024, the newspaper announced that it would reduce print publication to once weekly, after nearly 200 years of daily publication, as it had become unprofitable. Daily publication ended on 19 September 2024. The first weekly edition was published on 26 September 2024 under the new name of ''The London Standard' ...
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Ben Whishaw
Benjamin John Whishaw (born 14 October 1980) is an English actor. He has received List of awards and nominations received by Ben Whishaw, various accolades, including three British Academy Television Awards, two Emmy Awards and a Golden Globe Awards, Golden Globe. Beginning his career in the 2000s, he played Prince Hamlet, the title role in a 2004 production of the play ''Hamlet''. This was followed by television roles in ''Nathan Barley'' (2005), ''Criminal Justice (British TV series), Criminal Justice'' (2008) and ''The Hour (2011 TV series), The Hour'' (2011–12); and film roles in ''Perfume: The Story of a Murderer (film), Perfume: The Story of a Murderer'' (2006), ''I'm Not There'' (2007), ''Brideshead Revisited (film), Brideshead Revisited'' (2008), and ''Bright Star (film), Bright Star'' (2009). In 2012, Whishaw played Richard II of England, the title role in a Richard II (2012 film), BBC Two adaptation of ''Richard II (play), Richard II'', for which he won the British A ...
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Time Out London
''Time Out'' is a global magazine published by Time Out Group. ''Time Out'' started as a London-only publication in 1968 and has expanded its editorial recommendations to 333 cities in 59 countries worldwide. In 2012, the London edition became a free publication, with a weekly readership of over 307,000. ''Time Out''s global market presence includes partnerships with Nokia and mobile apps for iOS and Android operating systems. It was the recipient of the International Consumer Magazine of the Year award in both 2010 and 2011 and the rebranded International Consumer Media Brand of the Year in 2013 and 2014. History ''Time Out'' was first published in 1968 as a London listings magazine by Tony Elliott, who used his birthday money to produce a one-sheet pamphlet, with Bob Harris as co-editor. The first product was titled ''Where It's At'', before being inspired by Dave Brubeck's album '' Time Out''. ''Time Out'' began as an alternative magazine alongside other members of th ...
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Lyn Gardner
Lyn Gardner is a British theatre critic, children's writer, and journalist who contributes reviews and articles to ''The Stage'' and '' Stagedoor'' and has written for ''The Guardian''. Theatre critic and educator A graduate in drama and English from the University of Kent, Gardner was a founding member of the ''City Limits'' magazine, a cooperative for which she edited the theatre section. Later, she was a contributor to ''The Independent''. Gardner joined ''The Guardian'' as theatre critic in 1995, and remained on the paper for twenty-three years, taking a particular interest in fringe and more alternative theatre, while Michael Billington covered the most mainstream productions. Latterly she was writing 130 reviews and 28,000 words of features annually, as well as 150 posts a year for an online blog for the paper, begun in 2008. The paper discontinued her blog in 2017 citing cost pressures, and the following year let her go. Since June 2017 Gardner had been an Associate Edit ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in Manchester in 1821 as ''The Manchester Guardian'' and changed its name in 1959, followed by a move to London. Along with its sister paper, ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust Limited. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in its journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. S ...
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The Stage
''The Stage'' is a British weekly newspaper and website covering the entertainment industry and particularly theatre. Founded in 1880, ''The Stage'' contains news, reviews, opinion, features, and recruitment advertising, mainly directed at those who work in theatre and the performing arts. History The first edition of ''The Stage'' was published (under the title ''The Stage Directory – a London and Provincial Theatrical Advertiser'') on 1 February 1880 at a cost of three old pence for twelve pages. Publication was monthly until 25 March 1881, when the first weekly edition was produced. At the same time, the name was shortened to ''The Stage'' and the publication numbering restarted at number 1. The publication was a joint venture between founding editor Charles Lionel Carson and business manager Maurice Comerford. It operated from offices opposite the Theatre Royal, Drury Lane. Carson, whose real name was Lionel Courtier-Dutton, was cited as the founder. His wife Emily C ...
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Aleks Sierz
Aleks Sierz is a British theatre critic. He is known for popularising the term " In-yer-face theatre", which was the title of a book he published in 2001. Sierz was educated at Manchester University and holds a PhD from Westminster University. He works as a freelance writer and has written for publications including ''Tribune'', ''The Arts Desk'' and ''The Stage'', as well as newspapers such as ''The Independent''. He co-edits ''Theatre Voice''. He is a visiting professor at Rose Bruford College, and has been a lecturer on Boston University Boston University (BU) is a Private university, private research university in Boston, Massachusetts, United States. BU was founded in 1839 by a group of Boston Methodism, Methodists with its original campus in Newbury (town), Vermont, Newbur ...'s "Study Abroad" programme in London. His publications include *''In-Yer-Face Theatre: British Drama Today'' (Faber, 2001) *''The Theatre of Martin Crimp'' (Methuen, 2006) *''John Osborne's ...
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Michael Coveney
Michael Coveney (born 24 July 1948) is a British theatre critic. Education and career Coveney was born in London and educated at St Ignatius’ College in Stamford Hill, and Worcester College, Oxford. After graduation, he worked as a script reader for the Royal Court Theatre and from 1972 he contributed theatre reviews to the ''Financial Times''. He was deputy editor (1973–75) and editor (1975–78) of '' Plays and Players'' magazineDennis Griffiths (ed.), ''The Encyclopedia of the British Press 1492–1992'', London and Basingstoke: Macmillan Publishers, 1992, P. 172. and theatre critic and deputy arts editor of the ''Financial Times'' throughout the 1980s.About Michael Coveney page
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