|
Pioneer Group
The Pioneer Group is a term used by scholars for a number of vase painters working in potters' quarter of Kerameikos in ancient Athens around the beginning of the 5th century BC, around the time of the emergence of red-figure vase painting, which soon displaced the previously dominant black-figure style. Described by the British art historian John Boardman as perhaps the first conscious art movement in the western tradition, historians had included a number of artists in the group, including Epiktetos, Euphronios, Euthymides, Oltos, Phintias, Smikros, Hypsis, and the Dikaios Painter. Archaeologist John Beazley Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the ... was the first to identify these artists as a coherent group in his works published in the 1940s, in which he develo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kerameikos
Kerameikos (, ) also known by its Latinized form Ceramicus, is an area of Athens, Greece, located to the northwest of the Acropolis, which includes an extensive area both within and outside the ancient city walls, on both sides of the Dipylon Gate and by the banks of the Eridanos River. It was the potters' quarter of the city, from which the English word "ceramic" is derived, and was also the site of an important cemetery and numerous funerary sculptures erected along the Sacred Way, a road from Athens to Eleusis. History and description The area took its name from the city square or dēmos (δῆμος) of the Kerameis (Κεραμεῖς, potters), which in turn derived its name from the word κέραμος (''kéramos'', "pottery clay", from which the English word "ceramic" is derived).Hans Rupprecht Goette, ''Athens, Attica and the Megarid: An Archaeological Guide'', p. 59 The "Inner Kerameikos" was the former "potters' quarter" within the city and "Outer Kerameikos" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smikros
Smikros ( English transliteration: Small) was an ancient Greek vase painter who flourished in Athens between 510 and 500 BCE. He was active in the workshop of the Euphronios. Beside Euphronios, Euthymides, Hypsis and the Dikaios painter, Smikros was one of the most important representatives of the so-called Pioneer Group of Athenian red figure vase painting. There are three signed vases from Smikros. John Beazley called him an imitator of Euphronios. It is possible that Smikros cooperated in some late and not completely successful vases, which are assigned to Euphronios. On one psykter in the Hermitage (St Petersburg), Euphronios has a female figure with the inscription ''Smikra'' provided, which could be understood to be a reference to his pupil. Another amphora seems to belong to Smikros, which suggests possibly a co-operation between both artists. Smikros might also have decorated another stamnos A stamnos (plural stamnoi) is a type of Greek pottery used to store liquids. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Boardman (archaeologist)
Sir John Boardman, (; born 20 August 1927) is a classical archaeologist and art historian. He has been described as "Britain's most distinguished historian of ancient Greek art." Biography John Boardman was educated at Chigwell School (1938–1945); then Magdalene College, Cambridge, where he read Classics beginning in 1945. After completing two years' national service in the Intelligence Corps he spent three years in Greece, from 1952 to 1955, as the Assistant Director of the British School at Athens. He married Sheila Stanford in 1952 (d. 2005), and has two children, Julia and Mark. On his return to England in 1955, Boardman took up the post of Assistant Keeper at the Ashmolean Museum in Oxford, thus beginning his lifelong affiliation with it. In 1959 he was appointed Reader in Classical Archaeology in the University of Oxford, and in 1963 was appointed a Fellow of Merton College. Here he remained until his appointment as Lincoln Professor of Classical Art and Archaeol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard T
Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include " Richie", "Dick", " Dickon", " Dickie", "Rich", " Rick", " Rico", " Ricky", and more. Richard is a common English, German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Catalan "Ricard" and the Italian "Riccardo", among others (see comprehensive variant list below). People named Richard Multiple people with the same name * Richard Andersen (other) * Richard Anderson (other) * Richard Cartwright (disambiguati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symposium
In ancient Greece, the symposium ( grc-gre, συμπόσιον ''symposion'' or ''symposio'', from συμπίνειν ''sympinein'', "to drink together") was a part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation.Peter Garnsey, ''Food and Society in Classical Antiquity'' (Cambridge University Press, 1999), p. 13online Sara Elise Phang, ''Roman Military Service: Ideologies of Discipline in the Late Republic and Early Principate'' (Cambridge University Press, 2008), pp. 263–264. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's '' Symposium'' and Xenophon's '' Symposium'', as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes. In modern usage, it has come to mean an academic conference or meeting such as a scientific conference. The equivalent of a G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foreshortening
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Francesca and Luca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psiax
Psiax was an Attic vase painter of the transitional period between the black-figure and red-figure styles. His works date to ''circa'' 525 to 505 BC and comprise about 60 surviving vases, two of which bear his signature. Initially he was allocated the name "Menon Painter" by John Beazley. Only later was it realised that the artist was identical with the painters signing as "Psiax". Psiax collaborated with the potters Hilinos, Menon, Andokides and Nikosthenes. While he started as a painter in the black-figure technique, he played a major role in the early development of red-figure, which was invented in the workshop of Andokides. The black-figure Antimenes Painter, working for the same workshop, was stylistically close to Psiax; Beazley described the two as "brothers". Perhaps unsurprisingly, considering his chronological position, Psiax was a master of bilingual vase painting. Formerly called the Menon Painter, after the potter’s signature on a red-figure amphora (Philade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andokides Painter
Andokides was an ancient Athenian vase painter, active from approximately 530 to 515 B.C. His work is unsigned and his true name unknown. He was identified as a unique artistic personality through stylistic traits found in common among several paintings. This corpus was then attributed by John D. Beazley to the Andokides Painter, a name derived from the potter Andokides, whose signature appears on several of the vases bearing the painter's work. He is often credited with being the originator of the red-figure vase painting technique. To be sure, he is certainly one of the earliest painters to work in the style. In total, fourteen amphorae and two cups are attributed to his hand. Six of the amphorae are " bilingual", meaning they display both red-figure and black-figure scenes. Biography Several details regarding the artistic biography of the Andokides Painter have been suggested through connoisseurial studies of his work. As mentioned, he is widely thought to be the creator o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bilingual Vase Painting
Bilingual vase painting is a special form of ancient Greek vase painting. The term, derived from linguistics, is essentially a metaphorical one; it describes vases that are painted both in the black-figure and in the red-figure techniques. It also describes the transitional period when black-figure was being gradually replaced in dominance by red-figure, basically the last quarter of the 6th and the very beginning of the 5th century BC. Their appearance may be due to the initial uncertainty of the market for the new red-figure style, although that style subsequently became dominant rather fast. History Bilingual vase painting was almost entirely restricted to belly amphorae of type B and to eye-cups. In some cases, either side of an amphora bore a depiction of the same motif, one in black-figure, the other in red-figure (e.g. on the belly amphora by the Andokides Painter, Munich 2301). Eye-cups usually feature a black-figure image on the interior, and red-figure motifs on the ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pottery Of Ancient Greece
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a mul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Beazley
Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford he became a close friend of the poet James Elroy Flecker. Academic career After graduating, Beazley spent time at the British School at Athens. He then returned to University of Oxford as a student (equivalent to fellow) and tutor in Classics at Christ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phintias (painter)
Phintias was an ancient Greek vase painter; along with Euphronios and Euthymides, he was one of the most important representatives of the Pioneer Group of Athenian red-figure vase painters. Ten works from the period between 525 BC and 510 BC bearing his signature survive: seven vase paintings and three pottery works. Since his career began before the time of the Pioneer Group, his paintings look somewhat more old-fashioned than those of the other Pioneers; and the influence of earlier red-figure painters such as Psiax or Oltos is strong. Even during the Pioneer Group period he continued to use certain techniques of the black-figure style, e.g. outlines reinforced by scratching and black-figure ornamental borders. His paintings have been called clear, concise, and exact, but also static and somewhat stiff. Phintias' repertoire, however, is rich. He drew everyday scenes such as '' hetaerae'', symposia and music lessons, but also mythological scenes. Like the other major members of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
