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Pinacoteca Di Brera
The Pinacoteca di Brera ("Brera Art Gallery") is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings from the 13th to the 20th century, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera. History The Palazzo Brera owes its name to the Germanic ''braida'', indicating a grassy opening in the city structure: compare the ''Bra'' of Verona. The convent on the site passed to the Jesuits (1572), then underwent a radical rebuilding by Francesco Maria Richini (1627–28). When the Jesuits were disbanded in 1773, the palazzo remained the seat of the astronomical Observatory and the Braidense National Library founded by the Jesuits. In 1774 the herbarium of the new botanical garden was added. The buildings were extended to designs by Giuseppe Piermarini, who was appointed professor in the Academy when it was formally founded in 1776, with Giuseppe Parini as dean. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milan
Milan ( , , ; ) is a city in northern Italy, regional capital of Lombardy, the largest city in Italy by urban area and the List of cities in Italy, second-most-populous city proper in Italy after Rome. The city proper has a population of nearly 1.4 million, while its Metropolitan City of Milan, metropolitan city has 3.2 million residents. Within Europe, Milan is the fourth-most-populous List of urban areas in the European Union, urban area of the EU with 6.17 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan) is estimated between 7.5 million and 8.2 million, making it by far the List of metropolitan areas of Italy, largest metropolitan area in Italy and List of metropolitan areas in Europe, one of the largest in the EU.* * * * Milan is the economic capital of Italy, one of the economic capitals of Europe and a global centre for business, fashion and finance. Milan is reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. List of paintings by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Platonism in the Renaissance, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father Giovanni Santi was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He probably trained in the workshop of Pietro Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of Pope Julius II, to work on the Apostolic Palace at Vatican ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecellio (; 27 August 1576), Latinized as Titianus, hence known in English as Titian ( ), was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the Habsburgs and the papacy. Along with Giorgione, he is considered a founder of the Venetian school of Italian Renaissance painting. In 1590, the painter and art theorist Giovanni Paolo Lomazzo describe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittore Carpaccio
Vittore Carpaccio ( , , ; – ) was an Italian painter of the Venetian School (art), Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina (), as well as Early Netherlandish art, Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio's command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of ''Saint Augustine in His Study (Carpaccio), Saint Augustine in His Study'' from 1502, reflects the popularity of collecting "exotic" and highly desired objects from different cultures. Carpaccio's works ranged from single pieces painted on canvas to altarpieces and large pictorial cycles. Several of the altarpieces, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Mantegna
Andrea Mantegna (, ; ; September 13, 1506) was an Italian Renaissance painter, a student of Ancient Rome, Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with Perspective (graphical), perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes, and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of Old master print, prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola Mantegna, Isola di Carturo, Republic of Venice, Venetian Republic close to Padua. He was the second son of a carpenter, Biagio. At the age of 11, he became apprenticed to Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bellini
Giovanni Bellini (; c. 1430 – 29 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous colouring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. The Bellini (cocktail), Bellini cocktail is named in his honour. Life Early career Giovanni Bellini was born in Veni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Salon
The Salon (), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the Salon of 1761, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it was managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salon de Paris was essential for any artist to achieve success in France for at le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ennio Quirino Visconti
Ennio Quirino Visconti (November 1, 1751 – February 7, 1818) was a Roman politician, antiquarian, and art historian, papal Prefect of Antiquities, and the leading expert of his day in the field of ancient Roman sculpture. His son, Pietro Ercole Visconti, edited ''Versi di Ennio Quirino Visconti, raccolti per cura di Pietro Visconti'' while Louis Visconti became a noted architect in France. His brother, Filippo Aurelio Visconti (died 1830) was also a classical scholar, who published the ''Museo Chiaramonti'', a successor to the ''Museo Pio-Clementino''. Biography Born in Rome, he was the son of Giovanni Battista Antonio Visconti, the curator of Pope Clement XIV, who reorganised and restored the papal collection of antiquities, as the '' Museo Pio-Clementino''. Appointed by Pope Pius VI to succeed his father in the position, the brilliant and precocious Visconti took up his father's position as conservator of the Capitoline Museums in Rome in 1787. He assisted his father in prod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertel Thorvaldsen
Albert Bertel Thorvaldsen (; sometimes given as Thorwaldsen; 19 November 1770 – 24 March 1844) was a Danes, Danish-Icelanders, Icelandic Sculpture, sculptor and medallist, medalist of international fame, who spent most of his life (1797–1838) in Italy. Thorvaldsen was born in Copenhagen into a working-class Danish/Icelandic family, and was accepted to the Royal Danish Academy of Art at the age of eleven. Working part-time with his father, who was a wood carver, Thorvaldsen won many honors and medals at the academy. He was awarded a stipend to travel to Rome and continue his education. In Rome, Thorvaldsen made a name for himself as a sculptor. Maintaining a large workshop in the city, he worked in a heroic neo-classicist style. His patrons resided all over Europe. Upon his return to Denmark in 1838, Thorvaldsen was received as a Folk hero, national hero. The Thorvaldsen Museum was erected to house his works next to Christiansborg Palace. Thorvaldsen is buried within the cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Canova
Antonio Canova (; 1 November 1757 – 13 October 1822) was an Italians, Italian Neoclassical sculpture, Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists,. his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.Jean Martineau & Andrew Robinson, ''The Glory of Venice: Art in the Eighteenth Century.'' Yale University Press, 1994. Print. Life Possagno In 1757, Antonio Canova was born in the Republic of Venice, Venetian Republic city of Possagno to Pietro Canova, a stonecutter, and Angela Zardo Fantolin.. In 1761, his father died. A year later, his mother remarried. In 1762, he was put into the care of his paternal grandfather Pasino Canova, who was a stonemasonry, stonemason, owner of a quarry, and was a "sculptor who specialized in altars with statues and low reliefs in late Baroq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Camuccini
Vincenzo Camuccini (22 February 1771 – 2 September 1844) was an Italian Neoclassicism, Neoclassical painter. He was considered the premier academic painter of his time in Rome. Biography Early life and education Camuccini was born in Rome, and first educated by his brother Pietro, a picture-restorer, and Pietro Leone Bombelli, an engraver. His brother Pietro gave up his place in the studio of Domenico Corvi to Vincenzo. Pietro’s taste and artistic interests influenced Vincenzo, who first came across the works of earlier masters, notably Nicolas Poussin, Poussin, through engravings collected by Pietro, who also suggested that Vincenzo make an intense study of works by Raphael and Michelangelo in the Vatican, Rome. Until nearly the age of 30 he mainly dedicated himself to copying Old Masters. During the 1790s Camuccini became acquainted with other young artists, most notably Pietro Benvenuti, Giuseppe Bossi, and Luigi Sabatelli, who were to lead the Neoclassical movement in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Benvenuti
Pietro Benvenuti (8 January 1769 – 3 February 1844) was an Italian Neoclassicism, Neoclassical painter. Biography Early life and education Born in Arezzo in Tuscany, he was influenced by the style of Jacques-Louis David. He was a student of the Accademia di Belle Arti Firenze, Academy of Fine Arts of Florence, then studied in Rome, 1792–1803, where he formed an informal academy with his friend of long standing, Vincenzo Cammuccini, and Luigi Sabatelli. Napoleonic period In 1807 he was recruited to become court painter to Elisa Bonaparte, Elisa Bonaparte Baciocchi and to direct the Florentine Academy of Fine Arts. In 1809 Napoleon commissioned him his most important work, ''The Oath of the Saxons'' (1809–12; Florence, Palazzo Pitti). This painting, for which Benvenuti did more than 19 sheets of drawings (Florence, Uffizi), is rigorously academic and again shows the influence of contemporary French art, notably François Gérard’s ''Ossian Evoking Phantoms'' (1801) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
