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Piano Trio No. 2 (Shostakovich)
The Piano Trio No. 2 in E minor, Op. 67, is a piece for violin, cello and piano by the Russian composer Dmitri Shostakovich, started in late 1943 and completed in August the following year. It was premiered on 14 November 1944. The piece was dedicated to his close friend Ivan Sollertinsky, whose death in February 1944 affected Shostakovich profoundly. The piece consists of four movements, with a complete performance running 25 to 27 minutes. The final movement, the "Dance of Death", is notable for its Jewish themes. Erik Levi wrote: History Shostakovich began writing the trio during December 1943, having earlier that year in October mentioned beginning work on a piano trio "on Russian folk themes", and having written to Isaac Glikman on 8 December he was working on the trio. Several days before completing the piece's first movement, Shostakovich's closest friend Ivan Sollertinsky, a Russian polymath and avid musician, died at age 41, having experienced heart pains in the pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich, group=n (9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his First Symphony in 1926 and thereafter was regarded as a major composer. Shostakovich achieved early fame in the Soviet Union, but had a complex relationship with its government. His 1934 opera '' Lady Macbeth of Mtsensk'' was initially a success but later condemned by the Soviet government, putting his career at risk. In 1948, his work was denounced under the Zhdanov Doctrine, with professional consequences lasting several years. Even after his censure was rescinded in 1956, performances of his music were occasionally subject to state interventions, as with his Thirteenth Symphony (1962). Nevertheless, Shostakovich was a member of the Supreme Soviet of the RSFSR (1947) and the Supreme Soviet of the Soviet Union (from 1962 until his death), as well as chairman of the RSFSR Union of Composers (1960–1968). Over ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Davydov
Karl Yulievich Davydov (; ) was a Russian cellist, described by Pyotr Ilyich Tchaikovsky as the "czar of cellists". He was also a composer, mainly for the cello. His name also appears in various different spellings: Davydov, Davidoff, Davidov, and more, with his first name sometimes written as Charles or Carl. Biography Davydov was the son of a Jewish physician and amateur violinist, Yuly Petrovich Davidhoff from Courland Governorate. His elder brother August Davidov was a noted mathematician and educator, and his nephew Alexei Davidov also became cellist and composer and also a businessman. In his youth Davydov studied mathematics at St. Petersburg University, and then pursued a career as a composer, studying with Moritz Hauptmann at the Leipzig Conservatory. He became a full-time cello soloist in 1850 while continuing to compose. He took a post as a professor of cello at the St Petersburg Conservatory in 1863, and subsequently became director in 1878. In 1886 scandal force ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B-flat Major
B-flat major is a major scale based on B, with pitches B, C, D, E, F, G, and A. Its key signature has two flats. Its relative minor is G minor and its parallel minor is B-flat minor. The B-flat major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B-flat harmonic major and melodic major scales are: Many transposing instruments are pitched in B-flat major, including the clarinet, trumpet, tenor saxophone, and soprano saxophone. As a result, B-flat major is one of the most popular keys for concert band compositions. Scale degree chords The scale degree chords of B-flat major are: * Tonic – B-flat major * Supertonic – C minor * Mediant – D minor * Subdominant – E-flat major * Dominant – F major * Submediant – G minor * Leading-tone – A diminished History Joseph Haydn's Symphony No. 98 is often credited as the first symphony written in that key, includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Major
G major is a major scale based on G (musical note), G, with the pitches G, A (musical note), A, B (musical note), B, C (musical note), C, D (musical note), D, E (musical note), E, and F♯ (musical note), F. Its key signature has one sharp (music), sharp. Its relative key, relative minor is E minor and its parallel key, parallel minor is G minor. The G major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G Harmonic major scale, harmonic major and Melodic major scale, melodic major scales are: Scale degree chords The scale degree chords of G major are: * Tonic (music), Tonic – G major * Supertonic – A minor * Mediant – B minor * Subdominant – C major * Dominant (music), Dominant – D major * Submediant – E minor * Leading-tone – Diminished triad, F-sharp diminished Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata Form
The sonata form (also sonata-allegro form or first movement form) is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical music era, Classical period). While it is typically used in the first Movement (music), movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The standa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—familiar singalong versions of "Row, Row, Row Your Boat" and "Frère Jacques" that call for each successive group of voices to begin the same song a bar or two after the previous group began are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Harmonic
Playing a string harmonic (a flageolet) is a string instrument technique that uses the nodes of natural harmonics of a musical string to isolate overtones. Playing string harmonics produces high pitched tones, often compared in timbre to a whistle or flute. Palisca, Claude V.; ed. (1996). ''Norton Anthology of Western Music, Volume 1: Ancient to Baroque'', glossary, p.601. Third edition. W. W. Norton. . Overtones can be isolated "by lightly touching the string with the finger instead of pressing it down" against the fingerboard (without stopping). For some instruments this is a fundamental technique, such as the Chinese guqin, where it is known as ''fan yin'' ( 泛音, lit. "floating sound"), and the Vietnamese đàn bầu. Overtones When a string is plucked or bowed normally, the ear hears the fundamental frequency most prominently, but the overall sound is also colored by the presence of various overtones (frequencies greater than the fundamental frequency). The fundamental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Major
E major is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has six flats and the double-flat B, which makes that key less convenient to use. The E major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic major and melodic major scales are: Scale degree chords The scale degree chords of E major are: * Tonic – E major * Supertonic – F-sharp minor * Mediant – G-sharp minor * Subdominant – A major * Dominant – B major * Submediant – C-sharp minor * Leading-tone – D-sharp diminished Music in E major Antonio Vivaldi used this key for the "Spring" concerto from ''The Four Seasons''. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B-flat Minor
B-flat minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has five flats. Its relative major is D-flat major and its parallel major is B-flat major. Its enharmonic equivalent, A-sharp minor, which would contain seven sharps, is not normally used. The B-flat natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B-flat harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of B-flat minor are: * Tonic – B-flat minor * Supertonic – C diminished * Mediant – D-flat major * Subdominant – E-flat minor * Dominant – F minor * Submediant – G-flat major * Subtonic – A-flat major Characteristics B-flat minor is traditionally a 'dark' key. The old valveless horn was barely capable of playing in B-flat minor: the only example found in 18th-century music is a modulation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F-sharp Major
F-sharp major is a major scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has six sharps. Its relative minor is D-sharp minor (or enharmonically E-flat minor) and its parallel minor is F-sharp minor. Its direct enharmonic, G-flat major, contains six flats in its key signature. The F-sharp major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F-sharp harmonic major and melodic major scales are: Scale degree chords The scale degree chords of F-sharp major are: * Tonic – F-sharp major * Supertonic – G-sharp minor * Mediant – A-sharp minor * Subdominant – B major * Dominant – C-sharp major * Submediant – D-sharp minor * Leading tone – E-sharp diminished Music in F-sharp major F-sharp major is the key of the minuets in Haydn's "Farewell" Symphony and of the String Quartet No. 5 from his Op. 76, of Beethoven's Piano Sonata N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
State Stalin Prize
The USSR State Prize () was one of the Soviet Union’s highest civilian honours, awarded from its establishment in September 1966 until the dissolution of the USSR in 1991. It recognised outstanding contributions in the fields of science, mathematics, literature, the arts, and architecture. History State Stalin Prize (1941–1956) The award traces its origins to the State Stalin Prize (), commonly known as the Stalin Prize, which was established in 1941. It honoured achievements in science, technology, literature, and the arts deemed vital to the Soviet war effort and postwar reconstruction.Volkov, Solomon; Bouis, Antonina W., trans. 2004. ''Shostakovich and Stalin: The Extraordinary Relationship Between the Great Composer and the Brutal Dictator''. New York: Alfred A. Knopf. ISBN 0-375-41082-1. Ceremonies were suspended during 1944–45 and then held twice in 1946 (January for works from 1943–44; June for 1945 works). USSR State Prize (1966–1991) By 1966, the Stalin Prize h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miloš Sádlo
Miloš Sádlo (13 April 1912 – 14 October 2003), was a Czech cellist born in Prague. Life Born Miloš Bláha, later Miloš Zátvrzský after his step-father. He started his musical education by playing violin when he was 8 years old. At 15 he switched to cello and began his studies with Karel Pravoslav Sádlo. After studying for 10 hours every day for 3 years he was invited to play cello concertos of Jaroslav Řídký and Antonín Dvořák with Czech Philharmonic. Around this time Zátvrzský took the name Sádlo after his teacher. In 1931 he joined the Prague Quartet, and went to UK tour with them in 1932. They made a highly praised recording of Dvořák's String Quartet No. 13. Next year Sádlo quit the quartet to focus on his solo career. In 1947 he recorded Shostakovich's Piano trio in E-minor with violinist David Oistrakh and the composer himself on the piano. In 1955 Sádlo spent six months in Prades, France, studying with Pablo Casals. At various points of his life h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
