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Piano Trio No. 1 (Arensky)
Piano Trio No. 1 in D minor, Op. 32, for violin, cello and piano is a Romantic chamber composition by the Russian composer Anton Arensky. It was written in 1894 and is in four movements: # Allegro moderato (in D minor and in sonata form) – Unlike the agitated opening melody of the first movement from Mendelssohn's Piano Trio No. 1, this piece opens gently, lyrically and elegiacally, setting an autumnal mood of the whole work. This movement ends with a coda marked "Adagio". # Scherzo (Allegro molto) (in D major and in ternary form) – The movement in the parallel key (tonic major) features flying notes, and a waltz-like middle section mainly in B-flat major. The movement is cheerful throughout. # Elegia (Adagio) (in G minor and in ternary form) – Following the cheerful scherzo comes the contrasting and sad slow movement in the subdominant minor. Presenting no formal grief but memorial thoughts, this movement is deeply elegiac but not funereal. The middle section begins in G m ...
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Anton Arensky
Anton Stepanovich Arensky (; – ) was a Russian composer of Romantic classical music, a pianist and a professor of music. Biography Arensky was born into an affluent, music-loving family in Novgorod, Russia. He was musically precocious and had composed a number of songs and piano pieces by the age of nine. With his mother and father, he moved to Saint Petersburg in 1879, where he studied composition privately with Karl Karlovich Zikke (1850-1890) and later at the Saint Petersburg Conservatory with Nikolai Rimsky-Korsakov. After graduating from the Saint Petersburg Conservatory in 1882, Arensky became a professor at the Moscow Conservatory. During his twelve years of a professorship at Moscow, Arensky counted Rachmaninoff, Scriabin, Glière, Grechaninov, Goldenweiser and Medtner, along with the celebrated pianist Igumnov, among his students. In 1895, Arensky returned to Saint Petersburg as the director of the Imperial Choir, a post for which he had been recommended b ...
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Ternary Form
Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples include the da capo aria "The trumpet shall sound" from Handel's '' Messiah'', Chopin's Prelude in D-Flat Major "Raindrop", ( Op. 28) and the opening chorus of Bach's '' St John Passion''. Simple ternary form In ternary form each section is self-contained both thematically as well as tonally (that is, each section contains distinct and complete themes), and ends with an authentic cadence. The B section is generally in a contrasting but closely related key, usually a perfect fifth above or the parallel minor of the home key of the A section (V or i); however, in many works of the Classical period, the B section stays in tonic but has contrasting thematic material. It usually also has a contrasting character; for example section A might ...
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1894 Compositions
Events January * January 4 – Franco-Russian Alliance, A military alliance is established between the French Third Republic and the Russian Empire. * January 7 – William Kennedy Dickson receives a patent for motion picture film in the United States. * January 9 – New England Telephone and Telegraph installs the first Battery (electricity), battery-operated telephone switchboard, in Lexington, Massachusetts. February * February 12 – French anarchist Émile Henry (anarchist), Émile Henry sets off a bomb in a Paris café, killing one person and wounding twenty. * February 15 ** In Korea, peasant unrest erupts in the Donghak Peasant Revolution, a massive revolt of followers of the Donghak movement. Both China and Japan send military forces, claiming to come to the ruling Joseon dynasty government's aid. ** French anarchist Martial Bourdin dies of an accidental detonation of his own bomb, next to the Royal Observatory, Greenwich, in London, England. Ma ...
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Compositions For Piano Trio
Among the fairly large repertoire for the standard piano trio (violin, cello, and piano) are the following works: Ordering is by surname of composer. A * Els Aarne **Piano Trio (1946) * **Trio per pianoforte, violino e violoncello (1842) * Kati Agócs **Piano Trio No. 1, Queen of Hearts (2017) *Miguel del Águila ** Tango Trio (2002) ** Disagree! (2017) **Japanese Gardens (1996) **Boundaries 2 (2002) **Doppler Effect, version for violin, cello, piano (2005) **Images (rev. 2008) **Lullaby for Piano Trio (v. 2008) **Musescapes (2009) **A Golden Celebration (2014) *Franco Alfano **Concerto for violin, cello and piano *Franghiz Ali-Zadeh **Impromptus (2004) *Charles-Valentin Alkan **Piano Trio in G minor, Op. 30 (1841) * Berta Alves de Sousa **Piano Trio (1974) *Alexander Alyabyev **Piano Trio in E-flat major in one movement (1812) **Piano Trio in A minor (1820) * Fikret Amirov ** To the Memory of Ghadsibekov, second version, poem for violin, cello and piano (1953) * Andrew Ande ...
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Isabella Stewart Gardner Museum
The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was founded by Isabella Stewart Gardner, whose will called for her art collection to be permanently exhibited "for the education and enjoyment of the public forever." The museum opened in 1903. An auxiliary wing designed by Italian architect Renzo Piano, adjacent to the original structure near the Back Bay Fens, was completed in 2012. In 1990, thirteen of the museum's works were stolen; the crime remains unsolved, and the works, valued at an estimated $500 million, have not been recovered. History The museum was built in 1898–1901 by Isabella Stewart Gardner (1840–1924), an American art collector, philanthropist, and patron of the arts in the style of a 15th-century Venetian palace. It opened to the public in 1903. Gardner began collect ...
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The Chamber Music Society Of Lincoln Center
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ...
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Anatoliy Brandukov
Anatoly Andreyevich Brandukov ( – February 16, 1930) was a Russian cellist who premiered many cello pieces of prominent composers including Pyotr Tchaikovsky and Sergei Rachmaninoff. Born as Russian classical music was flourishing in the middle of the 19th century, he worked with many of the important composers and musicians of the day, including performances with Anton Rubinstein and Alexander Siloti. As a soloist, he excelled in performance and was especially noted for stylish interpretations, his refined temperament, and beautiful, expressive tone. In his later years, he became a professor at Moscow Conservatory, and continued to perform well into his later life. Although his popularity is obscured by the more famous composers and virtuosos, his influence on those composers' most prominent compositions is evident. Life and work Anatoliy Andreyevich Brandukov was born in Moscow on January 6, 1859. His father died soon after his birth, so he was raised by his mother and aunt. ...
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Jan Hřímalý
Jan Hřímalý (, also ''Ivan Voitsekhovich Grzhimali''; 13 April 1844 – ) was an influential Czech violinist and teacher, who was associated with the Moscow Conservatory for 46 years in 1869–1915. Biography Hřímalý was born in Plzeň, Bohemia (then part of the Austrian Empire), the second son of the organist and composer Vojtěch Hřímalý (1809–1880), and a member of a notable Czech musical family. He was taught by his older brother Vojtěch Hřímalý (junior), Vojtěch Hřímalý jr., and by Moritz Mildner. Hřímalý studied violin at the Prague Conservatory (1855–1861), and went on to become leader of the Amsterdam Orchestra (1862–1868). In 1869 he was appointed violin teacher at the Moscow Conservatory. He succeeded Ferdinand Laub as professor of violin studies 1874–1915. He was leader of the Russian Musical Society Orchestra in Moscow from 1874 until 1906. He was acquainted with Pyotr Ilyich Tchaikovsky, who held him in high regard. He co-premiered Tchaiko ...
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Rondo Form
The rondo or rondeau is a musical form that contains a principal theme (sometimes called the "refrain") which alternates with one or more contrasting themes (generally called "episodes", but also referred to as "digressions" or "couplets"). Some possible patterns include: ABACA, ABACAB, ABACBA, or ABACABA (with the letter 'A' representing the refrain). The rondo form emerged in the Baroque period and became increasingly popular during the Classical period. The earliest examples of compositions employing rondo form are found within Italian operatic arias and choruses from the first years of the 17th century. These examples use a multi-couplet rondo or "chain rondo" (ABACAD) known as the Italian rondo. Rondo form, also known in English by its French spelling rondeau, should not be confused with the unrelated but similarly-named forme fixe rondeau, a 14th- and 15th-century French poetic and chanson form. While the origins of rondo form are to be found in Italian opera, it was ...
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Subdominant
In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdominant. It also happens to be the note one step below the dominant. In the movable do solfège system, the subdominant note is sung as ''fa''. The triad built on the subdominant note is called the subdominant chord. In Roman numeral analysis In music theory, Roman numeral analysis is a type of Harmony, harmonic analysis in which chord (music), chords are represented by Roman numerals, which encode the chord's Degree (music), degree and Function_(music), harmonic function within a given ..., the subdominant chord is typically symbolized by the Roman numeral "IV" in a major key, indicating that the chord is a major triad. In a minor key, it is symbolized by "iv", indicating that the chord is a minor triad. These chords may also appear ...
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G Minor
G minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major. The G natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of G minor are: * Tonic – G minor * Supertonic – A diminished * Mediant – B-flat major * Subdominant – C minor * Dominant – D minor * Submediant – E-flat major * Subtonic – F major Mozart's use of G minor G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy, and many of his minor key works are in G minor, such as Piano Quartet No. 1 and String Quintet No. 4. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used ...
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Parallel Key
In music theory, a major scale and a minor scale that have the same starting note ( tonic) are called parallel keys and are said to be in a parallel relationship. Forte, Allen (1979). ''Tonal Harmony'', p.9. 3rd edition. Holt, Rinehart, and Wilson. . "When a major and minor scale both begin with the same note ... they are called ''parallel''. Thus we say that the parallel major key of C minor is C major, the parallel minor of C major is C minor." For example, G major and G minor have the same tonic (G) but have different modes, so G minor is the parallel minor of G major. This relationship is different from that of relative keys, a pair of major and minor scales that share the same notes but start on different tonics (e.g., G major and E minor). A major scale can be transformed to its parallel minor by lowering the third, sixth, and seventh scale degrees, and a minor scale can be transformed to its parallel major by raising those same scale degrees. In the early ninete ...
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