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Piano Sonata (Dukas)
The Piano Sonata in E-flat minor is a musical work composed by Paul Dukas between 1899 and 1900, and published in 1901. Structure # Modérément vif (expressif et marqué) (E-flat minor) # Calme – un peu lent – très soutenu (A-flat major) # Vivement – avec légèreté (B minor) # Très lent (E-flat minor → E-flat major) Reception In the first decade of the 20th century, following the immense success of his orchestral work ''The Sorcerer's Apprentice'', Dukas completed two complex and technically demanding large-scale works for solo piano: the Piano Sonata, dedicated to Saint-Saëns, and '' Variations, Interlude and Finale on a Theme by Rameau'' (1902). In Dukas's piano works critics have discerned the influence of Beethoven, or, "Beethoven as he was interpreted to the French mind by César Franck". Both works were premiered by Édouard Risler, a celebrated pianist of the era.Lockspeiser, p. 90 In an analysis of the work in ''The Musical Quarterly'' in 1928, th ...
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Paul Dukas
Paul Abraham Dukas ( or ; 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man of retiring personality, he was intensely self-critical, having abandoned and destroyed many of his compositions. His best-known work is the orchestral piece ''The Sorcerer's Apprentice'' (''L'apprenti sorcier''), the fame of which has eclipsed that of his other surviving works. Among these are the opera '' Ariane et Barbe-bleue'', his Symphony in C and Piano Sonata in E-flat minor, the '' Variations, Interlude and Finale on a Theme by Rameau'' (for solo piano), and a ballet, '' La Péri''. At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Beethoven, Berlioz, Franck, d'Indy and Debussy. In tandem with his composing career, Dukas worked as a music critic, contributing regular reviews to at le ...
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Palace Of Versailles
The Palace of Versailles ( ; french: Château de Versailles ) is a former royal residence built by King Louis XIV located in Versailles, about west of Paris, France. The palace is owned by the French Republic and since 1995 has been managed, under the direction of the French Ministry of Culture, by the Public Establishment of the Palace, Museum and National Estate of Versailles. Some 15,000,000 people visit the palace, park, or gardens of Versailles every year, making it one of the most popular tourist attractions in the world. Louis XIII built a simple hunting lodge on the site of the Palace of Versailles in 1623 and replaced it with a small château in 1631–34. Louis XIV expanded the château into a palace in several phases from 1661 to 1715. It was a favorite residence for both kings, and in 1682, Louis XIV moved the seat of his court and government to Versailles, making the palace the ''de facto'' capital of France. This state of affairs was continued by Kings Louis XV ...
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Piano Sonatas
Piano sonatas may refer to: * Piano sonatas (Beethoven) Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 and one unfinished sonata, WoO. 51.) Although originally not intended to be a meaningful whole, as a set they comprise one ... * Piano sonatas (Boulez) * Piano sonatas (Chopin) {{Disambiguation ...
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Compositions By Paul Dukas
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian ...
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Margaret Fingerhut
Margaret Fingerhut (born 30 March 1955) is a British classical pianist. She is known for her innovative recital programmes and recordings in which she explores lesser known piano repertoire. The composer and reviewer Paul Corfield Godfrey wrote that "Margaret Fingerhut deserves our heartfelt admiration for her championship of the byways of the British twentieth-century piano repertory". Education and personal life Fingerhut attended North London Collegiate School. She studied at the Royal College of Music with Cyril Smith and Angus Morrison, and afterwards with Vlado Perlemuter in Paris and Leon Fleisher and Adele Marcus in the USA. She cites meeting and playing with Leonard Sorkin, the leader of the original Fine Arts Quartet, as an inspiration. Fingerhut is married to David Tyler. She has a son from a previous marriage. Career and recordings Fingerhut was selected as a Young Musician of the Year by the Greater London Arts Association in 1981. She made her London debut at t ...
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Marc-André Hamelin
Marc-André Hamelin, OC, CQ (born September 5, 1961), is a Canadian virtuoso pianist and composer. Hamelin is recognized worldwide for the originality and technical proficiency of his performances of the classic repertoire. He has received 11 Grammy Award nominations. Biography Born in Montreal, Quebec, Hamelin began his piano studies at the age of five. His father, a pharmacist by trade who was also an amateur pianist, introduced him to the works of Charles-Valentin Alkan, Leopold Godowsky, and Kaikhosru Shapurji Sorabji when he was still young. He studied at the École de musique Vincent-d'Indy in Montreal with Yvonne Hubert and then at Temple University in Philadelphia. In 1989, he was awarded the Virginia Parker Prize. Hamelin has given recitals in many cities. Festival appearances have included Bad Kissingen, Belfast, Cervantino, La Grange de Meslay, Husum Piano Rarities, Lanaudière, Ravinia, La Roque d’Anthéron, Ruhr Piano, Halifax (Nova Scotia), Singapore Pia ...
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John Ogdon
John Andrew Howard Ogdon (27 January 1937 â€“ 1 August 1989) was an English pianist and composer. Biography Career Ogdon was born in Mansfield Woodhouse, Nottinghamshire, and attended the Manchester Grammar School, before studying at the Royal Northern College of Music (formerly The Royal Manchester College of Music) between 1953 and 1957, where his fellow students under Richard Hall included Harrison Birtwistle, Alexander Goehr, Elgar Howarth and Peter Maxwell Davies. Together they formed New Music Manchester, a group dedicated to the performances of serial and other modern works. His tutor there was Claud Biggs. As a boy he had studied with Iso Elinson and after leaving college, he further studied with Gordon Green, Denis Matthews, Dame Myra Hess, and Egon Petri—the last in Basel, Switzerland. He won first prize at the London Liszt Competition in 1961 and consolidated his growing international reputation by winning another first prize at the International Tchaikovs ...
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Edward Lockspeiser
Edward Lockspeiser (21 May 19053 Feb 1973) was an English musicologist, composer, art critic and radio broadcaster on music who specialized in the works and life of French composer Claude Debussy and was considered one of the few British authorities on French classical music. Lockspeiser studied at the Paris Conservatory between 1922 and 1926 with Alexandre Tansman and Nadia Boulanger and at the Royal College of Music in London from 1929 to 1930 with Charles Herbert Kitson and Malcolm Sargent. He was voted into the Académie des Beaux-Arts in 1948 for his services to French music. Lockspeiser's extensive writings on Debussy include a two-volume biography, ''Debussy: His Life and Mind'' (1962, 1965), which was the culmination of 30 years of intense research into the composer's life and personality. According to Mark DeVoto of ''The Boston Musical Intelligencer'', this tome "remains a landmark work of biography enriched by a wide-ranging analysis of Debussy’s cultural backgroun ...
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The Musical Quarterly
''The Musical Quarterly'' is the oldest academic journal on music in America. Originally established in 1915 by Oscar Sonneck, the journal was edited by Sonneck until his death in 1928. Sonneck was succeeded by a number of editors, including Carl Engel (1930–1944), Gustave Reese (1944-45), Paul Henry Lang, who edited the journal for over 25 years, from 1945 to 1973, Joan Peyser (1977–84), Eric Salzman who served as editor from 1984 to 1991 and several others. Since 1993 ''The Musical Quarterly'' has been edited by Leon Botstein, president of Bard College and principal conductor of the American Symphony Orchestra. Originally published by G. Schirmer, Inc., it is published by Oxford University Press. References External links * Articles published before 1923at the Internet Archive The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized mater ...
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E-flat Minor
E-flat minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature consists of six flats. Its relative key is G-flat major (or enharmonically F-sharp major) and its parallel key is E-flat major. Its enharmonic equivalent, D-sharp minor, contains the same number of sharps. The E-flat natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E-flat harmonic minor and melodic minor scales are: : : Music in E-flat minor In the 24 canonic keys, most of the composers preferred E-flat minor, while Johann Sebastian Bach, Sergei Lyapunov, and Manuel Ponce preferred D-sharp minor. In Book 1 of '' The Well-Tempered Clavier'' by Bach, Prelude No. 8 is written in E-flat minor while the following fugue is written in D-sharp minor. In Book 2, both movements are in D-sharp minor. Haydn's Piano Trio No. 41, H. XV.31 in two movements, composed in ...
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Édouard Risler
Joseph-Édouard Risler (23 February 1873 – 22 July 1929) was a French pianist. Biography Risler was born in Baden-Baden (Germany) of a German mother and an Alsatian father. He studied under Louis Diémer, Théodore Dubois and Émile Decombes at the Conservatoire de Paris from 1883 to 1890. He was recorded by Theo Wangemann at the 1889 Paris Expo, one of the first musical recordings. In 1891 he became a good friend of Emmanuel Chabrier and visited and corresponded with the older composer. He then completed his studies in Germany with Klindworth, d'Albert and Stavenhagen. He was the répétiteur at the Festpielhaus, Bayreuth in 1896. He soon made a mark on the music world as one of the important French pianists of his time, open to the music of his time as well as the romantic German repertoire. He gave several major cycles: the 32 sonatas of Ludwig van Beethoven from October to December 1905, at the Salle Pleyel, the complete works of Frédéric Chopin and '' The ...
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Variations, Interlude And Finale On A Theme By Rameau
The ''Variations, Interlude and Finale on a Theme by Rameau'' ( French: ''Variations, interlude et finale sur un thème de Rameau'') were composed by Paul Dukas between 1899 and 1902. The work was first performed in Paris in 1903. Structure :Menuet heme:Variation I. ''Tendrement'' :Variation II. ''Assez vif, très rythmé'' :Variation III. ''Sans hâte, délicatement'' :Variation IV. ''Un peu animé, avec légèreté'' :Variation V. ''Lent'' :Variation VI. ''Modéré'' :Variation VII. ''Assez vif'' :Variation VIII. ''Très modéré'' :Variation IX. ''Animé'' :Variation X. ''Sans lenteur, bien marqué'' :Variation XI. ''Sombre, assez lent'' :Interlude :Finale (Variation XII). ''Modérément animé – Vif'' Reception In an analysis of the work in ''The Musical Quarterly'' in 1928, the critic Irving Schwerké wrote: In the first decade of the 20th century, following the immense success of his orchestral work ''The Sorcerer's Apprentice'', Dukas completed two complex and technicall ...
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