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Piano Concerto (Massenet)
Jules Massenet's Piano Concerto is a 1902 work for piano solo and orchestra. It is scored for a typical-sized ensemble of the time. The concerto was performed in 1903 by Louis Diémer at the Conservatoire de Paris. After the premiere, it quickly fell into obscurity and is seldom heard today. Composition In 1863, Massenet won the Prix de Rome as a composer, and moved to Rome. He remarked to his sister, "I am working more at the piano. I’m studying Chopin's Études (Chopin), Études, but especially Ludwig van Beethoven, Beethoven and Johann Sebastian Bach, Bach as the true musician-pianist". That year, he began sketches for his Piano Concerto. The work was not completed until 1902, when Massenet was nearing the age of sixty. In a period of three months, Massenet completed the piano concerto. Premiere The world premiere of this work occurred on 1 February 1903 at the Paris Conservatoire. The sixty-year-old Louis Diémer, to whom the work was dedicated, was the soloist for the pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Massenet Portrait
Jules is the French form of the Latin "Julius" (e.g. Jules César, the French name for Julius Caesar). In the anglosphere, it is also used for females although it is still a predominantly masculine name.One of the few notable examples of a female fictional character with the name is Jules Lee from the American TV series Orphan Black: Echoes. It is the given name of: People with the name *Jules Aarons (1921–2008), American space physicist and photographer *Jules Abadie (1876–1953), French politician and surgeon *Jules Accorsi (born 1937), French football player and manager *Jules Adenis (1823–1900), French playwright and opera librettist *Jules Adler (1865–1952), French painter *Jules Asner (born 1968), American television personality *Jules Aimé Battandier (1848–1922), French botanist *Jules Bernard (born 2000), American basketball player *Jules Bianchi (1989–2015), French Formula One driver *Jules Breton (1827–1906), French Realist painter *Jules-André Brilla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section (music), section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Major/minor Compositions
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, although examples became more common in the nineteenth century. There are far fewer major/minor compositions than minor/major ones (the latter category of which includes, but is not limited to, all minor-key works that end with a Picardy third, as well as many Classical- and Romantic-period symphonies, concertos, sonatas and chamber works, and individual movements thereof.) The major/minor compositions in the following lists do not necessarily end with a minor chord; a final passage in minor ending with a sonority that fails to re-establish the major mode (for example, an open octave or fifth) is sufficient. Works falling into the following categories are excluded: * Compositions that would be major/minor but for a final Picardy third stipulated by the composer, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glockenspiel
The glockenspiel ( ; or , : bells and : play) or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a Musical keyboard, keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone. The glockenspiel is played by striking the bars with Percussion mallet, mallets, often made of a hard material such as metal or plastic. Its clear, high-pitched tone is often heard in Orchestra, orchestras, Concert band, wind ensembles, Marching band, marching bands, and in popular music. Terminology In German, a carillon is also called a , and in French, the glockenspiel is sometimes called a . It may also be called a () in French, although this term may sometimes be specifically reserved for the keyboard glockenspiel. In Italian, the term () is used. The glockenspiel is sometimes erroneously referred to as a xylophone. (The xylophone has wooden bars, unlike the glockenspiel which has metal bars.) The Pixiphone, a type of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triangle (musical Instrument)
The triangle, or musical triangle, is a musical instrument in the percussion family, classified as an idiophone in the Hornbostel-Sachs classification system. Triangles are made from a variety of metals including aluminum, beryllium copper, brass, bronze, iron, and steel. The metal is bent into a triangular shape with one open end. The instrument is usually held by a loop of some form of thread or wire at the top curve to enable the triangle to vibrate, and it is struck with a metal rod called a "beater". The triangle theoretically has indefinite pitch, and produces a plurality of overtones when struck with an appropriate beater. History Iconography is the primary source for knowledge of the history of the triangle, and provides insight into the musical and social context in which the instrument developed. Some scholars believe the triangle to be a direct descendant of the ancient Egyptian sistrum. Others do not go quite so far, referring to the triangle as being " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hungarian Rhapsodies
The Hungarian Rhapsodies, S.244, R.106 (, , ), are a set of 19 piano pieces based on Hungarian folk themes, composed by Franz Liszt during 1846–1853, and later in 1882 and 1885. Liszt also arranged versions for orchestra, piano duet and piano trio. Some are better known than others, with Hungarian Rhapsody No. 2 being particularly famous and No. 6, No. 10, No. 12, No. 14 (especially as arranged for piano and orchestra as the Hungarian Fantasy), and No.15 also being well known. In their original piano form, the ''Hungarian Rhapsodies'' are noted for their difficulty (Liszt was a virtuoso pianist as well as a composer). Form Liszt incorporated many themes he had heard in his native western Hungary and which he believed to be folk music, though many were in fact tunes written by members of the Hungarian upper middle class, or by composers such as József Kossovits, often played by Roma (Gypsy) bands. The large scale structure of each was influenced by the verbunkos, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Liszt
Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz Liszt, body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded. Liszt achieved success as a concert pianist from an early age, and received lessons from the esteemed musicians Carl Czerny and Antonio Salieri. He gained further renown for his performances during tours of Europe in the 1830s and 1840s, developing a reputation for technical brilliance as well as physical attractiveness. In a phenomenon dubbed "Lisztomania", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who preceded him. During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ersatz
An ersatz good () is a substitute good, especially one that is considered inferior to the good it replaces. It has particular connotations of wartime usage. Etymology ''Ersatz'' is a German word meaning ''substitute'' or ''replacement''. Although it is used as an adjective in English, it is a noun in German. In German orthography noun phrases formed are usually represented as a single word, forming compound nouns such as ''Ersatzteile'' ("spare parts") or ''Ersatzspieler'' ("substitute player"). While ''ersatz'' in English generally means that the substitution is of unsatisfactory or inferior quality compared with the "real thing", in German, there is no such implication: e.g., ''Ersatzteile'' 'spare parts' is a technical expression without any implication about quality, ''Kaffeeersatz'' ' coffee substitute' is a drink from something other than coffee beans, and ''Ersatzzug'' 'replacement train' performs a comparable service. The term for inferior substitute in German would be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Minor
C minor is a minor scale based on C, consisting of the pitches C, D, E, F, G, A, and B. Its key signature consists of three flats. Its relative major is E major and its parallel major is C major. The C natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of C minor are: * Tonic – C minor * Supertonic – D diminished * Mediant – E-flat major * Subdominant – F minor * Dominant – G minor * Submediant – A-flat major * Subtonic – B-flat major Notable compositions * Charles-Valentin Alkan ** Prelude Op. 31, No. 16 (Assez lentement) ** Symphony for Solo Piano, 1st movement: Allegro ** Trois grandes études, Op. 76, No. 3 "Mouvement semblable et perpetuel" * Johannes Sebastian Bach ** Passacaglia and Fugue in C minor, BWV 582 ** Lute Suite in C minor, BWV 997 ** Cello ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a musical composition, composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or Motif (music), motif, a subject is usually a complete phrase (music), phrase or period (music), period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as "[a]ny element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often musical form, structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative music, generative theory's scope of analysis. In different types of mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reprise
In music, a reprise ( , ; from the verb 'to resume') is the repetition or reiteration of the opening material later in a composition as occurs in the recapitulation of sonata form, though—originally in the 18th century—was simply any repeated section, such as is indicated by beginning and ending repeat signs. A partial or abbreviated reprise is known as a petite reprise ( , ). In Baroque music this usually occurs at the very end of a piece, repeating the final phrase with added ornamentation. Song reprises Reprise can refer to a version of a song which is similar to, yet different from, the song on which it is based. One example could be "Time", the fourth song from Pink Floyd's 1973 album '' The Dark Side of the Moon'', which contains a reprise of " Breathe", the second song of the same album. Pink Floyd's 1979 album '' The Wall'' also features a reprise in the form of In the Flesh?/In the Flesh, with the former being the opening track, and the latter being a so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B Major
B major is a major scale based on B. The pitches B, C, D, E, F, G, and A are all part of the B major scale. Its key signature has five sharps. Its relative minor is G-sharp minor, its parallel minor is B minor, and its enharmonic equivalent is C-flat major. The B major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B harmonic major and melodic major scales are: Although B major is usually considered a remote key (due to its distance from C major in the circle of fifths and fairly large number of sharps), Frédéric Chopin regarded its scale as the easiest of all to play on the piano, as its black notes fit the natural positions of the fingers well; as a consequence he often assigned it first to beginning piano students, leaving the scale of C major until last because he considered it the hardest of all scales to play completely evenly (because of its complete lack of black notes). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
