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Philosophical Reflections In The Naisadhacarita
''Naishadha Charita'', also known as Naishadhiya Charita (), is a poem in Sanskrit on the life of Nala, the king of Nishadha. Written by Sriharsha, it is considered one of the five ''mahakavyas'' (great epic poems) in the canon of Sanskrit literature. It was composed by Śrī Harṣa in the court of the Gahaḍavāla King Jayachandra. Contents ''Naishadha Charita'' presents the story of Nala's early life; his falling in love with Damayanti, their marriage, and honeymoon. This '' mahakavya ''is divided into two parts – ''Purva'' and ''Uttara'', each of them containing eleven cantos or divisions. Its story is that of Nala and Damayanti, the daughter of Bhima, the king of Vidarbha. This story is first related in the 3rd part of the '' Vanaparva'' of the Mahabharata, where the treatment is different. The language of the Naishadha Charita is highly elaborate and polished, with continual play upon words and variety of metres. The Shishupala Vadha of Magha and the ''Naishadha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nala
Nala () is a legendary king of ancient Nishadha kingdom and the central protagonist of the '' Nalopakhyana'', a sub-narrative within the Indian epic '' Mahabharata'', found in its third book, '' Vana Parva'' (Book of the Forest). He is renowned for his valor, wisdom, and exceptional skill in charioteering. His story revolves around his love for Damayanti, the princess of Vidarbha, and his struggle to reclaim his lost fortune. According to ''Nalopakhyana'', despite his virtues, Nala falls victim to a curse from the malicious deity Kali, who influences him to lose his kingdom in a game of dice against his brother Pushkara. Forced into exile, he abandons Damayanti in the forest, believing she would suffer less without him. Wandering in disguise under the name Bahuka after being transformed by a serpent’s bite, Nala takes service as a charioteer in the court of King Rituparna of Ayodhya, where he acquires new skills in gambling and horsemanship. Meanwhile, Damayanti devis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Book Trust
National Book Trust (NBT) is an Indian state-owned publishing house, headquartered in Delhi, India, founded in 1957 as an autonomous body under the Ministry of Education of the Government of India. NBT publishes reading material in several Indian languages for all age-groups, including books for children and Neo-literates. They publish a monthly Newsletter about recent publications. The activities of the Trust include publishing, promotion of books and reading, promotion of Indian books abroad, assistance to authors and publishers, and promotion of children's literature. Objective The National Book Trust (NBT), India is an apex body established by the Government of India ( Department of Higher Education, Ministry of Human Resource Development) in the year 1957. India's first Prime Minister Pt. Jawaharlal Nehru envisioned that NBT would be a bureaucracy-free structure that would publish low-cost books. The objectives of the NBT are to produce and encourage the production of goo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harem
A harem is a domestic space that is reserved for the women of the house in a Muslim family. A harem may house a man's wife or wives, their pre-pubescent male children, unmarried daughters, female domestic Domestic worker, servants, and other unmarried female relatives. In the past, during the history of slavery in the Muslim world, era of slavery in the Muslim world, harems also housed enslaved Concubinage in Islam, concubines. In former times, some harems were guarded by eunuchs who were allowed inside. The structure of the harem and the extent of monogamy or polygyny have varied depending on the family's personalities, socio-economic status, and local customs. Similar institutions have been common in other Mediterranean Basin, Mediterranean and Middle Eastern civilizations, especially among royal and upper-class families, and the term is sometimes used in other contexts. In traditional Persian residential architecture, the women's quarters were known as (), and in the Indian s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shani
Shani (, ), or Shanaishchara (, ), is the divine personification of the planet Saturn in Hinduism, and is one of the nine heavenly objects ( Navagraha) in Hindu astrology. Shani is also a male Hindu deity in the Puranas, whose iconography consists of a figure with a dark complexion carrying a sword or danda (sceptre) and sitting on a buffalo or some times on a crow. He is the god of ''karma'', justice, time and retribution, and delivers results depending upon one's thoughts, speech, and deeds. Shani is the controller of longevity, misery, sorrow, old age, discipline, restriction, responsibility, delays, ambition, leadership, authority, humility, integrity, and wisdom born of experience. He also signifies spiritual asceticism, penance, discipline, and conscientious work. He is associated with two consorts: Neela, the personification of the gemstone sapphire, and Manda, a gandharva princess. Planet ''Shani'' as a planet appears in various Hindu astronomical texts in Sanskrit, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varuna
Varuna (; , ) is a Hindu god. He is one of the earliest deities in pantheon, whose role underwent a significant transformation from the Vedic to the Puranic periods. In the early Vedic era, Varuna is seen as the god-sovereign, ruling the sky and embodying divine authority. He is also mentioned as the king of asuras, who gained the status of a deva, serving as the chief of the Adityas, a group of celestial deities. He maintains truth and ''ṛta'', the cosmic and moral order, and was invoked as an omniscient ethical judge, with the stars symbolizing his watchful eyes or spies. Frequently paired with Mitra, Varuna represents the magical and speculative aspects of sovereignty, overseeing the relationship between gods and humans. The transition from the Vedic to later periods saw Varuna's domain begin to shift from the firmament to waters. He became associated with celestial waters, marking the initial phase of his transformation. By the time of the '' Itihasa-Purana'', Varuna ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yama
Yama (), also known as Kāla and Dharmarāja, is the Hindu god of death and justice, responsible for the dispensation of law and punishment of sinners in his abode, Naraka. He is often identified with Dharmadeva, the personification of ''Dharma'', though the two deities have different origins and myths. In Vedic tradition, Yama was considered the first mortal who died and espied the way to the celestial abodes; as a result, he became the ruler of the departed. His role, characteristics, and abode have been expounded in texts such as the ''Upanishads'', the ''Ramayana'', the ''Mahabharata'', and the ''Puranas''. Yama is described as the twin of the goddess Yami, and the son of the god Surya (sun) (in earlier traditions Vivasvat) and Sanjna. He judges the souls of the dead and, depending on their deeds, assigns them to the realm of the Pitris (forefathers), Naraka (hell), or to be reborn on the earth. Yama is one of the Lokapalas (guardians of the realms), appointed as the pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agni
Agni ( ) is the Deva (Hinduism), Hindu god of fire. As the Guardians of the directions#Aṣṭa-Dikpāla ("Guardians of Eight Directions"), guardian deity of the southeast direction, he is typically found in southeast corners of Hindu temples. In the Hindu cosmology, classical cosmology of Hinduism, fire (''Agni'') is one of the five inert impermanent elements (''Pancha Bhuta, Pañcabhūtá'') along with sky (''Ākāśa''), water (''Apas''), air (''Vāyu'') and earth (''Pṛthvī''), the five combining to form the empirically perceived material existence (''Prakṛti''). In the Vedas, Agni is a major and most invoked god along with Indra and Soma (deity), Soma. Agni is considered the mouth of the gods and goddesses and the medium that conveys offerings to them in a ''homa (ritual), homa'' (votive ritual). He is conceptualized in ancient Hindu texts to exist at three levels, on earth as fire, in the atmosphere as lightning, and in the sky as the sun. This triple presence accords ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narada
Narada (, ), or Narada Muni, is a sage-divinity, famous in Hinduism, Hindu traditions as a travelling musician and storyteller, who carries news and enlightening wisdom. He is one of the Manasputra, mind-created children of Brahma, the creator god. He appears in a number of Hindu texts, notably the Mahabharata, telling Yudhishthira the story of Prahlada, Prahalada, and he also appears in the Ramayana and the Puranas. A common theme in Vaishnavism is the accompaniment of a number of deities such as Narada to offer aid to Vishnu upon his descent to earth to combat the forces of evil, or to enjoy a close view of epochal events. He is also referred to as ''Rishiraja'', meaning the king of all sages. He was gifted with the boon of knowledge regarding the past, present, and the future. Hinduism In Indian texts, Narada travels to distant worlds and realms (Sanskrit: ''lokas''). He is depicted carrying a khartal (musical instrument) and the veena, and is generally regarded as one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swayamvara
''Svayaṃvara'' ( ) is a matrimonial tradition in ancient Indian society where a bride, usually from '' Kṣatriya'' (warrior) caste, selects her husband from a group of assembled suitors either by her own choice or a public contest between her suitors. This practice is mainly featured in the two major Sanskrit epics, the '' Mahābhārata'' and the '' Rāmāyaṇa'', though its prevalence and portrayal vary significantly between them. Origins of ''Svayaṃvara'' can be traced back to the Vedic period and few scholars suggest that it emerged from the ''Gāndharva'' marriage tradition, diverging from more ritualistic and arranged forms of marriage, and developed as a narrative device within the epics to highlight the heroism and valor of protagonists, aligning with the ''Kṣatriya'' ethos of competition and martial prowess. Despite being closely associated with the epics, ''Svayaṃvara'' is not listed as a form of marriage in the ''Dharmaśāstra'', a collection of Sanskrit te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kundinapuri
Kundinapuri was the capital of Vidarbha kingdom, {{webarchive , url=https://web.archive.org/web/20080928120244/http://www.pimpri.in/pimpri-chinchiwad-history/ , date=28 September 2008 ruled by king Bhima. It was also ruled by king Bhishmaka and his son Rukmi, a Bhoja-Yadava. However, king Rukmi created another capital for Vidarbha called Bhojakata. Two famous ladies mentioned in the epic, |
Minstrel
A minstrel was an entertainer, initially in medieval Europe. The term originally described any type of entertainer such as a musician, juggler, acrobat, singer or fool; later, from the sixteenth century, it came to mean a specialist entertainer who sang songs and played musical instruments. Description Minstrels performed songs which told stories of distant places or of existing or imaginary historical events. Although minstrels created their own tales, often they would memorize and embellish the works of others. Frequently they were retained by royalty and high society. As the courts became more sophisticated, minstrels were eventually replaced at court by the troubadours, and many became wandering minstrels, performing in the streets; a decline in their popularity began in the late 15th century. Minstrels fed into later traditions of travelling entertainers, which continued to be moderately strong into the early 20th century, and which has some continuity in the form of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Damayanti Choosing A Husband By Warwick Goble
Damayanti () is a heroine in ancient Indian literature, primarily known for her role in the episode of '' Nalopakhyana'', which is embedded within the ''Vana Parva'' (the third book) of the epic ''Mahabharata'' (c. 400 BCE – 400 CE). She is celebrated for her beauty, intelligence, unwavering love, and steadfast devotion to her husband, Nala, the king of Nishadha kingdom. Damayanti is the princess of ancient Vidarbha Kingdom and the daughter of King Bhima. She falls in love with Nala after hearing about his virtues from a divine swan. She chooses him in a swayamvara (self-choice ceremony), even rejecting gods who had disguised themselves as Nala. Their happiness is short-lived when Nala, influenced by the malicious deity Kali, loses his kingdom in a game of dice and is forced into exile. Overcome with despair and shame, he abandons Damayanti in the forest. Undeterred, she endures great hardships and eventually reaches her father’s court. Determined to find Nala, she devises a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
