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Philippe Millereau
Philippe Millereau (c. 1570–1610) was a French Mannerism, Mannerist painter of the late 16th and early 17th centuries, active during the reign of Henry IV of France, Henri IV, and assimilated to the Second School of Fontainebleau, of which he remained a relatively minor figure; he was clearly influenced by Toussaint Dubreuil, but also by Italian artists such as Niccolò dell'Abbate, Nicolò dell'Abbate, and Flemish painters. Art historians see him as a "''petit maître''" (small master) of this period. Biography A little-known artist, except for the most comprehensive research by Charles Sterling and Sylvie Béguin, Millereau has remained associated with the second Fontainebleau school. Born into a family of painters, probably of Champagne origin, he settled in Paris, and married a certain Louise Belanger (or Beranger), with whom he had two children: Jean (born 7 August 1600) and Marie (born 17 March 1605, died before 1611, as she does not appear on her father's death certif ...
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School Of Fontainebleau
The School of Fontainbleau () () refers to two periods of artistic production in France during the late French Renaissance centered on the royal Palace of Fontainebleau that were crucial in forming Northern Mannerism, and represent the first major production of Italian Mannerist art in France. The "First School of Fontainebleau", much more important than the Second School at the end of the century, was based in the chateau from 1531 to 1547, after which some artists moved to Paris or elsewhere. First School of Fontainebleau (from 1531) In 1531, the Florentine artist Rosso Fiorentino, having lost most of his possessions at the Sack of Rome in 1527, was invited by François I to come to France, where he began an extensive decorative program for the Château de Fontainebleau. In 1532 he was joined by another Italian artist, Francesco Primaticcio (from Bologna). Rosso killed himself in France in 1540. On the advice of Primaticcio, Niccolò dell'Abbate (from Modena) was invited ...
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Ambroise Dubois
Ambroise Dubois, originally Ambrosius Bosschaert (c.1543, Antwerp - 1614/15, Fontainebleau) was a French painter, associated with the School of Fontainebleau, Second School of Fontainebleau. Biography There is some uncertainty about when he arrived in Paris. The art historian, André Félibien, wrote that it was probably around 1568."DUBOIS AMBROISIUS BOSCHAERT dit AMBROISE"Biographical notes@ Universalis Other sources give the year as 1585. The first written evidence of his presence there is a document from 1595, referring to him as a "painter to the King". By 1601, he was serving as Valet de Chambre for King Henry IV of France, Henry IV. That same year, he married Françoise de Hoey, daughter of the painter Jan de Hoey, Jean de Hoey, a fellow Dutchman. In 1602, he succeeded Toussaint Dubreuil (deceased) as court painter.Biography ...
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Azay-le-Rideau
Azay-le-Rideau () is a commune in the Indre-et-Loire department in the Centre-Val de Loire region in central-west France. Château The château of Azay-le-Rideau was built from 1515 to 1527, one of the earliest French Renaissance châteaux. Built on an island in the river Indre, its foundations rise straight out of the water. It is one of the best known of the châteaux of the Loire valley. Church There is a church dedicated to Saint Symphorien near the château that is interesting for the number of architectural periods incorporated in its design. While the newest portion dates from 1603, the current façade incorporates an older 9th century façade in the Carolingian style. The original carved figures are still visible, though an added window destroyed part of the second row. The rest of the church is of a Romanesque style. It was built between 1518 and 1527. Wine Azay-le-Rideau is the centre of the Touraine Azay-le-Rideau AOC for white and rosé wine. Population Tw ...
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Jacob Bunel
Jacob Bunel (c.1558, Blois - 14 October 1614, Paris) was a French painter, associated with the School of Fontainebleau, Second School of Fontainebleau. Biography He came from a family of artists. His grandfather, Jean (or Jehan), and his father, François, were painters, as was his brother; also named François Bunel the Younger, François. He was born a Catholic, and originally named Jacques, but converted to Protestantism sometime in the early 1590s. After being trained by his father, he left for Spain. There, from 1585 to 1588, he assisted Federico Zuccari and Pellegrino Tibaldi at the construction site for the cloister at the Escorial. When this was completed, he went to Rome to work in Zuccari's studio. At some point, he returned to Blois, where he painted portraits. He moved to Tours in 1595, where he rented a house and studio and married Marguerite Bahuche, a Protestant. She was also a painter, as was her father, Antoine. Together with his wife, he decorated the aisles ...
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Musée Des Beaux-Arts Et D'Archéologie De Châlons-en-Champagne
The musée des Beaux-Arts et d'Archéologie de Châlons-en-Champagne is a French art and archaeology museum on place Godart in Châlons-en-Champagne. It was set up as the museum for the department in 1794 to house artworks confiscated from émigré An ''émigré'' () is a person who has emigrated, often with a connotation of political or social exile or self-exile. The word is the past participle of the French verb ''émigrer'' meaning "to emigrate". French Huguenots Many French Hugueno ...s and religious houses. Sources ' *http://www.culture.gouv.fr/public/mistral/joconde_fr?ACTION=CHERCHER&FIELD_8=MUSEO&VALUE_8=5110801 *Jean-Pierre Ravaux, ''Histoire du musée de Châlons-en-Champagne de la Révolution au Second Empire''; Mémoires de la SACSAM, tome CXI – 1996, et dans Mélanges en hommage à Jean-Pierre Ravaux, édition de la SAMCC, 2010. Chalons Museums in Marne (department) {{France-museum-stub ...
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Museum Of Fine Arts, Reims
The Museum of Fine Arts () is a fine arts museum in Reims, France. History Antoine Ferrand de Monthelon, founder of the school of drawings, bequeaths in 1752, his collection to the city of Reims. Organizer and first curator of the Museum of Reims (1793–1806), Nicolas Bergeat safeguarded works of art seized from the Catholic institutions in Reims and first official deposit was recorded on 10 Vendémiaire, Year II in the former hospice of Magneuses.Biographie des Magneuses de l'hospice général de Reims
The Museum of Fine Arts was founded in 1794, with objects seized during the French Revolution and was first housed in the city's



Palace Of Fontainebleau
Palace of Fontainebleau ( , ; ), located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. It served as a hunting lodge and summer residence for many of the List of French monarchs, French monarchs, including Louis VII of France, Louis VII, Francis I of France, Francis I, Henry II of France, Henry II, Louis-Philippe, Napoleon, Napoleon I, and Napoleon III. Though the monarchs only resided there for a few months of the year, they gradually transformed it into a genuine palace, filled with art and decoration. It became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance. History Name "Fontainebleau" took its name from the "Fontaine Belle-Eau", a natural fresh water spring located in the English garden not far from the château. The name means "Spring of beautiful water". In the 19th century the spring was rebuilt with an octagonal ...
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Abraham Bloemaert
Abraham Bloemaert (25 December 1566 – 27 January 1651) was a Dutch painter and printmaker who used etching and engraving. He initially worked in the style of the " Haarlem Mannerists", but by the beginning of the 17th-century altered his style in line with the new Baroque style that was then developing. He mostly painted history subjects and some landscapes. He was an important teacher, who trained most of the Utrecht Caravaggisti. Life Bloemaert was born in Gorinchem, Habsburg Netherlands, the son of the architect Cornelis Bloemaert I, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter (pupil of Frans Floris) and of Joos de Beer. [Baidu]  


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Hendrick Goltzius
Hendrick Goltzius (, ; born Goltz; January or February 1558 – 1 January 1617) was a German-born Dutch printmaker, draftsman, and painter. He was the leading Dutch engraver of the early Baroque period, or Northern Mannerism, lauded for his sophisticated technique, technical mastership and "exuberance" of his compositions. According to A. Hyatt Mayor, Goltzius "was the last professional engraver who drew with the authority of a good painter and the last who invented many pictures for others to copy". In the middle of his life he also began to produce paintings. Biography Goltzius was born near Viersen in Bracht or Millebrecht, a village then in the Duchy of Julich, now in the municipality Brüggen in North Rhine-Westphalia. His family moved to Duisburg when he was 3 years old. After studying painting on glass for some years under his father, he learned engraving from the Dutch polymath Dirck Volckertszoon Coornhert, who then lived in Cleves. In 1577 he moved with C ...
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Frans Floris
Frans Floris, Frans Floris the Elder or Frans Floris de Vriendt (17 April 15191 October 1570) was a Flemish painter, draughtsman, print artist and tapestry designer. He is mainly known for his history paintings, allegorical scenes and portraits.Frans Floris
at the Netherlands Institute for Art History
He played an important role in the movement in Northern Renaissance painting referred to as . The Romanists had typically travelled to Italy to study the works of leading Italian