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Philippe De Monte
Philippe de Monte (1521 – 4 July 1603), sometimes known as Philippus de Monte, was a Flemish composer of the late Renaissance active all over Europe. He was a member of the 3rd generation madrigalists and wrote more madrigals than any other composer of the time. Sources cite him as being "the best composer in the entire country, particularly in the new manner and musica reservata." Others compare his collections of music with that of other influential composers, such as Lassus. Life Philippe de Monte was born in Mechelen around 1521. After boyhood musical training at St. Rumbolds Cathedral in Mechelen, where he was a choirboy, Monte went to Italy — a common destination for a young Flemish composer in the sixteenth century – where he made a name for himself as a composer, singer, and teacher. He lived and worked in Naples for a while, and in Rome, in the employ of Cardinal Orsini, although he was in England for a brief period, 1554–1555, during the reign of Queen Mary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe De Monte 1
Philippe is a masculine given name, cognate to Philip, and sometimes also a surname. The name may refer to: * Philippe of Belgium (born 1960), King of the Belgians (2013–present) * Philippe (footballer) (born 2000), Brazilian footballer * Prince Philippe, Count of Flanders, father to Albert I of Belgium * Philippe d'Orléans (other), multiple people * Philippe A. Autexier (1954–1998), French music historian * Philippe Blain, French volleyball player and coach * Philippe Najib Boulos (1902–1979), Lebanese lawyer and politician * Philippe Broussard (born 1963), French journalist * Philippe Coutinho, Brazilian footballer * Philippe Daverio (1949–2020), Italian art historian * Philippe Djian (born 1949), French author * Philippe Dubuisson-Lebon, Canadian football player * Philippe Ginestet (born 1954), French billionaire businessman, founder of GiFi * Philippe Gilbert, Belgian bicycle racer * Philippe Noiret, French actor * Philippe Petit, French performer and tightro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass () is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental '' obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earliest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capilla Flamenca
Capilla Flamenca is a vocal and instrumental early music consort based in Leuven, Belgium. The group specialises in 14th to 16th century music from Flanders and takes its name from the historical Flemish chapel (capilla flamenca), the choir of the court chapel of Emperor Charles V. When the emperor left Flanders in 1517, he took his best musicians with him to Spain to accompany him as "living polyphony". The ensemble's Artistic Director, Dirk Snellings, died in 2014. The ensemble had ceased performing in November of the previous year.''Gramophone Magazine'' (21 July)"Capilla Flamenca's Dirk Snellings has died" Retrieved 22 July 2015. Members The core of the Capilla Flamenca is four male singers, Marnix De Cat (Countertenor), Tore Tom Denys (Tenor, who succeeded Jan Caals in 2006), Lieven Termont (Baritone) and Dirk Snellings (1959–2014, Bass), who is also the group's artistic director, and a musicologist. For each performance, the vocal core is enlarged either with complementar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Classical music, Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance music, Renaissance period, and was followed in turn by the Classical period (music), Classical period after a short transition (the Galant music, galant style). The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "Western art music, classical music" Western canon, canon, and continues to be widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning "baroque pearl, misshapen pearl". Key List of Baroque composers, composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Georg Philipp Telemann, Domenico Scarlatti, Claudio Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Vincenzo Pinelli
Gian Vincenzo Pinelli (1535 – 31 August 1601) was an Italian humanist, born in Naples and known as a savant and a mentor of Galileo. His literary correspondence put him at the center of a European network of ''virtuosi''. He was also a noted botanist, bibliophile and collector of scientific instruments. He died in Padua, where he is commemorated by ''Vincenzo Pinelli'', and by the Aroid genus '' Pinellia''. Collector His enormous library was probably the greatest in 16th-century Italy, consisting of around 8,500 printed works at the moment of his death, plus hundreds of manuscripts. When he died, in 1601, Nicolas Fabri de Peiresc was in his house and spent some of the following months studying his library and taking notes from its catalogues. Pinelli's secretary, Paolo Gualdo, wrote and published (1607) a biography of Pinelli which is also the portrait of the perfect scholar and book-collector. His collection of manuscripts, when it was purchased from his estate in 1608 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string instrument, string player. A composer of both Secular music, secular and Church music, sacred music, and a pioneer in the Origins of opera, development of opera, he is considered a crucial Transition from Renaissance to Baroque in instrumental music, transitional figure between the Renaissance music, Renaissance and Baroque music, Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of St Mark's Basilica, San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of List of compositions by Claudio Monteverdi, Monteve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Sannazaro
Jacopo Sannazaro (; 28 July 1458 – 6 August 1530) was an Italian poet, Renaissance humanism, humanist, member and head of the Accademia Pontaniana from Kingdom of Naples, Naples. He wrote easily in Latin language, Latin, in Italian and in Neapolitan language, Neapolitan, but is best remembered for his humanist classic ''Arcadia (poem), Arcadia'', a masterwork that illustrated the possibilities of poetical prose in Italian, and instituted the theme of Arcadia (utopia), Arcadia, representing an idyllic land, in European literature. Sannazaro's elegant style was the inspiration for much courtly literature of the 16th century, including Sir Philip Sidney's ''Arcadia''. Biography He was born in 1458 at Naples of a noble family of the Lomellina, that claimed to derive its name from a seat in Lombard territory, at San Nazaro near Pavia. His father died ''ca'' 1462, during the boyhood of Jacopo, who was brought up at Nocera Inferiore and at San Cipriano Piacentino (hosted at the home o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Bembo
Pietro Bembo, (; 20 May 1470 – 18 January 1547) was a Venetian scholar, poet, and literary theory, literary theorist who also was a member of the Knights Hospitaller and a cardinal of the Catholic Church. As an intellectual of the Italian Renaissance (Quattrocento, 15th–Cinquecento, 16th c.), Pietro Bembo greatly influenced the development of the Tuscan dialect as a literary language for poetry and prose, which, by later codification into a standard language, became the modern Italian language. In the 16th century, Bembo's poetry, essays and books proved basic to reviving interest in the literary works of Petrarch. In the field of music, Bembo's literary writing techniques helped composers develop the techniques of musical composition that made the madrigal (music), madrigal the most important secular music of 16th-century Italy. Life Pietro Bembo was born on 20 May 1470 to an aristocratic Venetian Bembo (family), family. His father Bernardo Bembo (1433–1519) was a dip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarch
Francis Petrarch (; 20 July 1304 – 19 July 1374; ; modern ), born Francesco di Petracco, was a scholar from Arezzo and poet of the early Italian Renaissance, as well as one of the earliest Renaissance humanism, humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the . Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the "Dark Ages (historiography), Dark Ages". [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophony
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that provide the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Marenzio
Luca Marenzio (also Marentio; October 18, 1553 or 1554 – August 22, 1599) was an Italian composer and singer of the late Renaissance. He was one of the most renowned composers of madrigals, and wrote some of the most famous examples of the form in its late stage of development, prior to its early Baroque transformation by Monteverdi. In all, Marenzio wrote around 500 madrigals, ranging from the lightest to the most serious styles, packed with word-painting, chromaticism, and other characteristics of the late madrigal style. Marenzio was influential as far away as England, where his earlier, lighter work appeared in 1588 in the '' Musica Transalpina'', the collection that initiated the madrigal craze in that country. Marenzio worked in the service of several aristocratic Italian families, including the Gonzaga, Este, and Medici, and spent most of his career in Rome. Early years According to biographer Leonardo Cozzando, writing in the late 17th century, Marenzio was bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromaticism
Chromaticism is a compositional technique interspersing the primary diatonic scale, diatonic pitch (music), pitches and chord (music), chords with other pitches of the chromatic scale. In simple terms, within each octave, diatonic music uses only seven different notes, rather than the twelve available on a standard piano keyboard. Music is chromatic when it uses more than just these seven notes. Chromaticism is in contrast or addition to tonality or diatonic and chromatic, diatonicism and modality (music), modality (the major scale, major and minor scale, minor, or "white key", scales). Chromatic elements are considered, "elaborations of or substitutions for diatonic scale members".Matthew Brown; Schenker, "The Diatonic and the Chromatic in Schenker's "Theory of Harmonic Relations", ''Journal of Music Theory'', Vol. 30, No. 1 (Spring 1986), pp. 1–33, citation on p. 1. Development of chromaticism Chromaticism began to develop in the late Renaissance music, Renaissance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
