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Phenakistiscope
The phenakistiscope (also known by the spellings phénakisticope or phenakistoscope) was the first widespread animation device that created a fluid illusion of motion. Dubbed and ('stroboscopic discs') by its inventors, it has been known under many other names until the French product name became common (with alternative spellings). The phenakistiscope is regarded as one of the first forms of moving media entertainment that paved the way for the future motion picture and film industry. Similar to a GIF animation, it can only show a short continuous loop. Etymology and spelling When it was introduced in the French newspaper in June 1833, the term 'phénakisticope' was explained to be from the root Greek word ''phenakistikos'' (or rather from φενακίζειν ''phenakizein''), meaning "deceiving" or "cheating", and ὄψ ''óps'', meaning "eye" or "face", so it was probably intended loosely as 'optical deception' or 'optical illusion'. The term phénakisticope was f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Plateau
Joseph Antoine Ferdinand Plateau (; 14 October 1801 – 15 September 1883) was a Belgian physicist and mathematician. He was one of the first people to demonstrate the illusion of a moving image. To do this, he used counterrotating disks with repeating drawn images in small increments of motion on one and regularly spaced slits in the other. He called this device of 1832 the phenakistiscope. Biography Plateau was born on 14 October 1801, in Brussels. His father, Antoine Plateau ( fr) born in Tournai, was a talented flower painter. At the age of six, the younger Plateau already could read, making him a child prodigy in those times. While attending primary school, he was particularly impressed by a lesson of physics; enchanted by the experiments he observed, he vowed to discover their secrets someday. Plateau spent his school holidays in Marche-les-Dames, with his uncle and his family; his cousin and playfellow was Auguste Payen, who later became an architect and the principal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoetrope
A zoetrope is a Precursors of film#Modern era, pre-film animation device that produces the illusion of motion, by displaying a sequence of drawings or photographs showing progressive phases of that motion. A zoetrope is a cylindrical variant of the phenakistiscope, phénakisticope, an apparatus suggested after the stroboscopic effect, stroboscopic discs were introduced in 1833. The definitive version of the zoetrope, with replaceable film picture film strips, was introduced as a toy by Milton Bradley Company, Milton Bradley in 1866 and became very successful. Etymology The name ''zoetrope'' was composed from the Greek root words ζωή ''zoe'', "life" and τρόπος ''tropos'', "turning" as a translation of "wheel of life". The term was coined by inventor William E. Lincoln, of Providence, Rhode Island. Technology The zoetrope consists of a cylinder with cuts vertically in the sides. On the inner surface of the cylinder is a band with images from a set of sequenced pictures. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Animation
Animation is a filmmaking technique whereby still images are manipulated to create moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Animation has been recognised as an artistic medium, specifically within the entertainment industry. Many animations are either traditional animations or computer animations made with computer-generated imagery (CGI). Stop motion animation, in particular claymation, has continued to exist alongside these other forms. Animation is contrasted with live action, although the two do not exist in isolation. Many moviemakers have produced films that are a hybrid of the two. As CGI increasingly approximates photographic imagery, filmmakers can easily composite 3D animations into their film rather than using practical effects for showy visual effects (VFX). General overview Computer animation can be very detailed 3D animation, while 2D c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoopraxiscope
The zoopraxiscope (initially named ''zoographiscope'' and ''zoogyroscope'') is an early device for displaying moving images and is considered an important predecessor of the movie projector. It was conceived by photographic pioneer Eadweard Muybridge in 1879 (and built for him by January 1880 to project his famous chronophotographic pictures in motion and thus prove that these were authentic). Muybridge used the projector in his public lectures from 1880 to 1895. The projector used 16" glass disks onto which Muybridge had an unidentified artist paint the sequences as silhouettes. This technique eliminated the backgrounds and enabled the creation of fanciful combinations and additional imaginary elements. Only one disk used photographic images, of a horse skeleton posed in different positions. A later series of 12″ discs, made in 1892–1894, used outlines drawn by Erwin F. Faber that were printed onto the discs photographically, then colored by hand. These colored discs we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Animated Phenakistiscope Disc - Running Rats Fantascope By Thomas Mann Baynes 1833
Animation is a filmmaking technique whereby still images are manipulated to create moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Animation has been recognised as an artistic medium, specifically within the entertainment industry. Many animations are either traditional animations or computer animations made with computer-generated imagery (CGI). Stop motion animation, in particular claymation, has continued to exist alongside these other forms. Animation is contrasted with live action, although the two do not exist in isolation. Many moviemakers have produced films that are a hybrid of the two. As CGI increasingly approximates photographic imagery, filmmakers can easily composite 3D animations into their film rather than using practical effects for showy visual effects (VFX). General overview Computer animation can be very detailed 3D animation, while 2D compute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eadweard Muybridge
Eadweard Muybridge ( ; 9 April 1830 – 8 May 1904, born Edward James Muggeridge) was an English photographer known for his pioneering work in photographic studies of motion, and early work in motion-picture Movie projector, projection. He adopted the first name "Eadweard" as the original Germanic name, Anglo-Saxon form of "Edward", and the surname "Muybridge", believing it to be similarly archaic. A photographer in the 19th century American West, he photographed Yosemite National Park, Yosemite, San Francisco, the newly acquired Alaska, Alaskan Territory, subjects involved in the Modoc War, and lighthouses on the West Coast of the United States, West Coast. He also made his early moving picture studies in California. Born in Kingston upon Thames, Surrey, England, at the age of 20 he emigrated to the United States as a bookseller, first to New York City, then to San Francisco. In 1860, he planned a return trip to Europe, but suffered serious head injuries en route in a sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoopraxiscope
The zoopraxiscope (initially named ''zoographiscope'' and ''zoogyroscope'') is an early device for displaying moving images and is considered an important predecessor of the movie projector. It was conceived by photographic pioneer Eadweard Muybridge in 1879 (and built for him by January 1880 to project his famous chronophotographic pictures in motion and thus prove that these were authentic). Muybridge used the projector in his public lectures from 1880 to 1895. The projector used 16" glass disks onto which Muybridge had an unidentified artist paint the sequences as silhouettes. This technique eliminated the backgrounds and enabled the creation of fanciful combinations and additional imaginary elements. Only one disk used photographic images, of a horse skeleton posed in different positions. A later series of 12″ discs, made in 1892–1894, used outlines drawn by Erwin F. Faber that were printed onto the discs photographically, then colored by hand. These colored discs we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alphonse Giroux
François-Simon-Alphonse Giroux (6 April 1776, Paris - 1 May 1848, Paris) was a French art restorer and ébéniste. Life and work He studied painting under Jacques-Louis David, and founded an art restoration business near the end of the 18th century. He was the official restorer of Notre Dame Cathedral, and collected and exhibited art by Louis Daguerre, Charles Marie Bouton, Charles Arrowsmith, Charles Renoux, and others. As well as restoring art, his business made and sold furniture in various styles for the French royal family and others.. In June 1833 Alph. Giroux & Cie. introduced the Phénakisticope in France, as one of the first companies to publish the animation device after it was more or less simultaneously invented in Belgium and Austria. The company's name for the device would end up to be the most commonly used one, soon adapted as 'phenakistiscope' in England (and later misspelled as 'phenakistoscope'). Giroux is also known for constructing the daguerreotype cam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anorthoscope
An anorthoscope is a device that demonstrates an optical illusion that turns an anamorphosis, anamorphic picture on a disc into a normal image by rotating it behind a counter-rotating disk with four radial slits. It was invented in 1829 by Belgian physicist Joseph Plateau, whose further studies of the principle led him to the 1832 invention of a stroboscopic effect, stroboscopic animation that would become known as the phenakistiscope, phénakisticope (commonly regarded as a pinnacle in the development of cinematography, and thus as an important step in the history of modern media). Anorthoscopes with a black background have a translucent picture and need a luminous slit revolving behind the image disc. To make them translucent, the discs were impregnated with oil on the back and varnished on both sides. History During early experiments for his study of physics at the University of Ghent, Plateau looked at two concentric cogwheels rotating in opposite directions, and noted how the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoetrope
A zoetrope is a Precursors of film#Modern era, pre-film animation device that produces the illusion of motion, by displaying a sequence of drawings or photographs showing progressive phases of that motion. A zoetrope is a cylindrical variant of the phenakistiscope, phénakisticope, an apparatus suggested after the stroboscopic effect, stroboscopic discs were introduced in 1833. The definitive version of the zoetrope, with replaceable film picture film strips, was introduced as a toy by Milton Bradley Company, Milton Bradley in 1866 and became very successful. Etymology The name ''zoetrope'' was composed from the Greek root words ζωή ''zoe'', "life" and τρόπος ''tropos'', "turning" as a translation of "wheel of life". The term was coined by inventor William E. Lincoln, of Providence, Rhode Island. Technology The zoetrope consists of a cylinder with cuts vertically in the sides. On the inner surface of the cylinder is a band with images from a set of sequenced pictures. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Mann Baynes
Thomas Mann Baynes (1794–1876) was an English artist and lithographer. He is known for his drawings and watercolours of landscapes, buildings and outdoor events. Life He was London born, and is probably the son of James Baynes, a noted watercolour artist. He produced views of Liverpool and Ireland, and appears to have made a successful living as a printer. Works Thomas Mann Baynes' works include: *Views on the River Thames in London *View of the Canterbury and Whitstable Railway From Over the Tunnel, Taken on the Opening Day, May 3, 1830 *The Giant's Causeway * Phenakistiscope discs Many of his subjects were engraved and published, generally in London. A notable panorama of the River Thames was drawn from nature and engraved on stone. Family Fredrick Thomas Baynes (1824–1874) also a watercolour artist, was probably his son. Notes External linksThe Landing of Dona Maria(1828 lithograph - Falmouth Art Gallery)(1823 watercolour - Courtauld Institute of Art)2 works b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
